Tag Archives: philosophy/religion

Term of Art: Zone of Proximal Development

zone of proximal development: The gap between the level of a student’s independent function and how he or she may perform learning tasks with help. This term was coined by the Russian psychologist Lev Vygotsky (1896-1934) and refers to the fact that it is crucial to provide help before a child gets frustrated. Failure can be avoided when teachers are aware of a student’s zone of proximal development and provide just enough support to enable students to achieve a goal that would not have been possible independently.

This concept may play a key role in educational approaches, in that it represents a way of thinking about what is involved in meeting students’ needs, and of understanding teaching and learning as a dynamic and developmental process, rather than as a static juxtaposition of instruction and learning readiness.

This theory allows a teacher to see a student’s learning problems not as impediments but rather as a starting point for a process of development that challenges students within the scope of what they are able to master successfully with the appropriate instruction. An approach to teaching that incorporates this concept must also mean that a teacher begins to teach a child at his or her current level, rather than at arbitrary curricular standards.”

Excerpted from: Turkington, Carol, and Joseph R. Harris, PhD. The Encyclopedia of Learning Disabilities. New York: Facts on File, 2006.

A Swahili Saying on Wealth, Knowledge, and Money in the Bank

“Wealth, if you use it, comes to an end. Learning, if you use it, increases.”

Swahili saying

Excerpted from: Howe, Randy, ed. The Quotable Teacher. Guilford, CT: The Lyons Press, 2003.

John Dewey on Interest, Motivation, and Engagement

“Much assistance in the selection of appropriate material may be derived by considering the eagerness and closeness of observation that attend the following of a story or drama. Alertness of observation is at its height whenever there is plot interest. Why? The balanced combination of the old and the new, of the familiar and the unexpected…alternatives are suggested, but are left ambiguous, so that our whole being questions: What happened next? Which way did things turn out? When an individual is engaged in doing or making something, there is an analogous situation. Something is going to come of what is present, but just what is doubtful. The plot is unfolding toward success or failure, but just when or how is uncertain. Hence the keen and tense observation that attends construction. [Even] when the subject matter is of a more impersonal sort, the same principle of movement toward a denouement may apply. Mere change [in the experiences and situations] is not enough. The changes must (like the incidents of a well-arranged story or plot) take place in a certain cumulative order.”

John Dewey

How We Think: A Restatement of the Relation of Reflective Thinking to the Educative Process

Excerpted from: Wiggins, Grant, and Jay McTighe. Understanding by Design. Alexandria, VA: ASCD, 1998.

Mikhail Mikhailovich Bakhtin

[Bakthin was all the rage, and his work justly influential, when I was an undergraduate in the early 1990s. When I was in the used book business, his books were scarce and therefore easily saleable. I include him here because I myself found Problems of Dostoevsky’s Poetics a fascinating book, but also because Bakthin was part of a circle of intellectuals in the Soviet Union that included the educational theorist Lev Vygotsky.]

Bakhtin, Mikhail Mikhailovich: (1895-1975) Russian philosopher and literary critic. In 1929, Bakhtin was sentenced to six years’ exile in Kazakhstan and subsequently sought obscurity to hide from Stalin’s purges. Bakhtin introduced the notion of novelistic discourse as distinct from poetry; he characterized it as inherently ‘dialogical’ and open-ended, with potentially parodic and surprising features. His work began to be will-received in the 1950s, and he published Problems of Dostoevsky’s Poetics (1929; 2nd ed 1963; tr 1984) and Rabelais and His World (1965; tr 1968). Bakhtin might have also been the author of the more ostensibly Marxist works of Voloshinov (Marxism and the Philosophy of Language, 1929; tr 1973) and Medvedev (The Formal Method in Literary Scholarship, 1928; tr 1978). Bakhtin’s ideas about dialogue were also developed in ethical discussions of aesthetics in Art and Answerability (tr 1990). His concept of the “carnivalesque,” a disruptive and parodic genre of social behavior, is notorious.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

Lord Russell on Patriotism

“Patriotism is the willingness to kill and be killed for trivial reasons.”

Bertrand Russell

Excerpted from: Winokur, Jon, ed. The Big Curmudgeon. New York: Black Dog & Leventhal, 2007.

Term of Art: Ergo

“(UR GO or AIR GO) Ergo is the Latin term for “therefore,” “hence,” “consequently,” “it follows that….” It is often used to give an air of formality to a presentation of the conclusion to an argument. Like the less frequently used Q.E.D., it implies that the person presenting the argument is “learned” or specifically trained in logic.”

Excerpted from: Trail, George Y. Rhetorical Terms and Concepts: A Contemporary Glossary. New York: Harcourt Brace, 2000.

Term of Art: Action Research

“action research: The systematic investigation by teachers of some aspect of their work to help them improve their effectiveness. Action research requires that the participants identify a question or problem and then collect and analyze relevant data. It differs from conventional research in that the participants study an aspect of their own work in the classroom and intend to use the results themselves. For example, a teacher might decide to give students different assignments according to their assessed learning styles. If the teacher maintained records comparing student work before and after the change, he or she would be doing action research. If several educators worked together on such a project, this would be considered collaborative action research. Because of the personal interest of those who carry out action research, the results do not necessarily have credibility and are seldom generalized to other classrooms and schools.”

Excerpted from: Ravitch, Diane. EdSpeak: A Glossary of Education Terms, Phrases, Buzzwords, and Jargon. Alexandria, VA: ASCD, 2007.

Aristotle on the Educated and Uneducated

“The educated differ from the uneducated as much as the living from the dead.”

Aristotle (384-322 B.C.)

Excerpted from: Howe, Randy, ed. The Quotable Teacher. Guilford, CT: The Lyons Press, 2003.

Cultural Literacy: Divine Right of Kings

If you can use it, here is a Cultural Literacy worksheet on the divine right of kings. In this period of United States history, I guess, this is frighteningly relevant material.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Brewer’s Curious Titles: Apocalypse Now

“Apocalypse Now: A film (1979) directed by Francis Ford Coppola, loosely based on the story Heart of Darkness by Joseph Conrad (1857-1924). The title refers to the Revelation of St. John the Divine, also called the Apocalypse; ‘apocalypse’ (Greek apokalupsis) literally means an uncovering, but is popularly taken to mean the violent end of the world, as described by St, John. The ‘Now’ in the title refers to the fact that the film is set during the Vietnam War (which had come to an end four years before the film’s release). The film stars Martin Sheen as US Army captain detailed to assassinated the renegade Colonel Kurtz, played by Marlon Brando, and includes such epic set pieces as a helicopter assault conducted to the accompaniment of Wagner’s ‘The Ride of the Valkyries.’ The massive cost of the film, which was shot in the Philippines and complicated when Martin Sheen suffered a heart attack, was compounded by the extent to which it went over schedule. In the film business it became known by the alternative titles Apocalypse When? or Apocalypse Later. During filming Coppola referred to the film as his “Idiodyssey.” He later said

‘We made Apocalypse the way Americans made war in Vietnam. There were too many of us, too much money and equipment—and little by little we went insane.’

In 2001 Coppola released his own cut, Apocalypse Now Redux (redux is Latin for ‘brought back,’ ‘restored’), which included the fabled ‘French plantation sequence,’ the existence of which had been rumored among fans for years.”

Excerpted from: Crofton, Ian, ed. Brewer’s Curious Titles. London: Cassell, 2002.