Tag Archives: philosophy/religion

Term of Art: Verification

“Verification: In empiricist philosophy, knowledge-claims are accepted as scientific only if they are verifiable. To verify a statement is to provide evidence, generally of and empirical or observational kind, for believing it to be true. In logical empiricism the meaning of a statement was treated as equivalent to its method of verification, and only verifiable statements were accepted as meaningful. In non-empiricist philosophies of science, and in less extreme forms of empiricism, it is accepted that evidence may give good reasons for believing in the truth of a statement, whilst falling short in the sense of conclusive proof.”

Excerpted from: Marshall, Gordon, ed. Oxford Dictionary of Sociology. New York: Oxford University Press, 1994.

Erwin Schrodinger

Over the years there has been very little demand for this reading on Erwin Schrodinger and its accompanying vocabulary-building and comprehension worksheet. In fact, only one student in 17 years of teaching, who had somehow come across the concept of “Schrodinger’s Cat,” asked for it, which is why it exists. I wrote this for one particularly bright (and ineptly misplaced in a self-contained special needs classroom) and inquisitive student about 15 years ago, then forgot about it.

If you can use it, there it is.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Term of Art: Archetype

“Archetype: (Greek “original pattern) A basic model from which copies are made; therefore a prototype. In general terms, the abstract idea of a class of things which represents the most typical and essential characteristics shared by the class; thus a paradigm of exemplar. An archetype is atavistic and universal, the product of “the collective unconscious” and inherited from our ancestors. The fundamental facts of human existence are archetypal: birth, growing up, love, family and tribal life, dying, death, not to mention the struggle between children and parents, and fraternal rivalry. Certain character or personality types have become established as more or less archetypal. For instance, the rebel, the Don Juan (womanizer), the all-conquering hero, the braggadocio, the country bumpkin, the local lad who makes good, the self-made man, the hunted man, the siren, the witch and femme fatale, the villain, the traitor, the snob and the social climber, the guild-ridden figure in search of expiation, the damsel in distress, and the person more sinned against than sinning. Creatures, also, have come to be archetypal emblems. For example, the lion, the eagle, the snake, the hare and the tortoise. Further archetypes are the rose, the paradisiacal garden and the state of “pre-Fall” innocence. Themes include the arduous quest of search, the pursuit of vengeance, the overcoming of difficult tasks, the descent into the underworld, symbolic fertility rites and redemptive rituals.

The archetypal idea has always been present and diffused in human consciousness. Plato was the first philosopher to elaborate the concept of archetypal or ideal forms (Beauty, Truth, Goodness) and divine archetypes. Since the turn of the 19th century the idea and the subject have been explored extensively. Practitioners of the two sciences of comparative anthropology and depth psychology have made notable contributions. The major works in this venture of discovery include: J.G. Frazer’s The Golden Bough (1890-1915); C.G. Jung’s “On the Relation of Analytical Psychology to Poetic Art” (1922) in Contributions to Analytical Psychology (1928) and ‘Psychology and Literature’ in Modern Man in Search of a Soul (1933); Sigmund Freud’s A General Introduction to Psychoanalysis (1920); Maud Bodkin’s Archetypal Patterns in Poetry (1934); G. Wilson Knight’s Starlit Dance (1941); Ernst Cassirer’s Language and Myth (translated 1946); Robert Graves’s The White Goddess (1948); Richard Chase’s Quest for Myth (1949); Joseph Campbell’s The Hero with a Thousand Faces (1949); Philip Wheelwright’s The Burning Fountain (1954) and his Metaphor and Reality (1962); B.[arbara] Seward’s The Symbolic Rose (1960); Northrop Frye’s Anatomy of Criticism (1957) and ‘The Archetypes of Literature’ in Fables of Identity (1963), plus several other inquiries.”

Excerpted from: Cuddon, J.A. The Penguin Dictionary of Literary Terms and Literary Theory. New York: Penguin, 1992.

Term of Art: Vocationalism

“Vocationalism: An educational philosophy or pedagogy, claiming that the content of the curriculum should be governed by its occupational or industrial utility, and marketability as human capital.”

Excerpted from: Marshall, Gordon, ed. Oxford Dictionary of Sociology. New York: Oxford University Press, 1994.

John Dewey

“John Dewey: (1859-1952) American teacher, philosopher, and educational reformer. A believer in William James’s Pragmatism, Dewey employed the principles of that philosophy in his progressive movement in education. He advocated “learning by doing,” rejecting traditional autocratic methods of teaching by rote. Although his principles were adapted by many, not all of Dewey’s disciples were restrained by common sense. Among his many books are The School and Society (1899; rev 1908, 1915, 1932), Interest and Effort in Education (1913), Democracy and Education (1916), The Quest for Certainty (1929), Art as Experience (1934), and The Problems of Men (1946).”

 Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

Aesop’s Fables: “The Milkmaid and Her Pail”

Here is a lesson plan on the Aesop’s Fable “The Milkmaid and Her Pail.” Of course you’ll need the reading with its comprehension questions to teach this short passage on hopes and reality.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Karl Kraus on Our Current Political Reality

“The secret of the demagogue is to make himself as stupid as his audience so that they believe they are as clever as he.”

Karl Kraus

Excerpted from: Winokur, Jon, ed. The Big Curmudgeon. New York: Black Dog & Leventhal, 2007.

Term of Art: Paradigm

“Paradigm (noun): An exemplary pattern or model; a list for reference of the various inflectional forms of a word; declension or conjugation. Plural: paradigms, paradigmata; adjective: paradigmatic, paradigmatical; adverb: paradigmatically.

‘The last satirical flourish, aimed at the whole mystique of corporation capitalism, is embodied in the fantastic adventures of Milo Minderbinder, the company mess officer and paradigm of good natured Jonsonian cupidity.’ Robert Brustein, The Critic as Artist”

Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.

Term of Art: Welfare

[For the entirety of my teaching career, and even before that, when I worked in a hospital and for various social service agencies, I have only worked in impoverished communities. Needless to say, I have taken issue with the diparagment of poor people. I think social welfare is something human service providers–like teachers–really ought to understand. I hope this quote helps to clarify what welfare is, and why we need more, not less of that. The COVID19 pandemic, I hope, will make that painfully obvious once and for all.]

“Welfare, Sociology of Welfare: Welfare is the state of doing or being well. The term is primarily invoked when some action is considered necessary in order to enhance individual or group welfare—that is when welfare is some way in doubt. It is, consequently, a term employed first and foremost in the arena of policy, and is intimately linked to the concept of needs, since it is by meeting needs that welfare is enhanced: welfare policies are policies designed to meet individual or group needs. The needs at issue are not merely those necessary for survival, but those necessary for a reasonable or adequate life within the society. They include not only a minimum level of income for food and clothing, but also adequate housing, education, health care, and opportunities for employment (though this is not always included). Precisely how and to what extent these needs are met clearly varies from society to society. During the twentieth century, the role of the state in meeting welfare needs in advanced industrial societies has typically increased. However, over the past decade or more there has been some retrenchment in state welfare in a range of Western societies, with an increasing privatization of welfare services, and support for private provision dependent on the ability to pay, rather than upon need.

Since welfare issues are closely allied to policy, there has been a tendency to locate them within the field of social policy rather than sociology. However, this position has been regularly challenged by writers like Peter Townshend, who regards social policy—which includes welfare policy—as falling squarely within the province of sociology. This view finds support from the long-standing discussions, centered on Marxist theorizing, about the extent to which welfare states and welfare policies are functional for capitalism. Do they mitigate the harsh excesses of capitalism, so making the system more acceptable? Or are they the result of the successful struggle of workers to secure their own interests? (A still provocative treatment of these questions will be found in F.F. Piven and R.A. Cloward, Regulating the Poor: The Functions of Public Welfare, 1971.) Such debates have led, amongst other things, to a plethora of valuable research studies seeking to identify the recipients of state welfare. These show the extent to which, in most societies, the middle classes benefit disproportionately from certain types of state welfare such as education (though this does not mean that state welfare is less equitable than private welfare). They also show the extent to which women are financially dependent on welfare support.

Equally, the view that the study of welfare is a proper part of sociology finds support from the work of writers such as Thomas H. Marshall, who links issues of welfare to those of citizenship and so to the sociological mainstream. In Marshall’s view, welfare rights are the third and final group of rights acquired by members of a society. First there are civil rights, such as the freedom of association, organization, and expression; then there come political rights, such as the right to vote and to seek political office; finally, there are social and economic rights, such as the right to welfare and social security. Marshall’s progressive, linear model of the acquisition of rights has been questioned; however, his formulation of a series of rights clearly has political value, providing a potential rallying call for political change. In so doing, it asserts in particular that welfare benefits should be awarded as a matter of legal entitlement on principles of universality, rather than on a discretionary basis. Perhaps not surprisingly the recent retrenchment in state welfare provision—along with important political changes including changing patterns of migration—has led to a new focus on the issue of citizenship, reaffirming the importance of welfare within the mainstream of sociology, and enlivening discussions in the field.

The relevant theoretical issues are introduced in Anthony Forder, et al., Theories of Welfare (1984). For a more substantive treatment see John Dixon, Social Welfare in Developed Countries (1989).”

Excerpted from: Marshall, Gordon, ed. Oxford Dictionary of Sociology. New York: Oxford University Press, 1994.

12 Days of the Nowruz Festival

“The New Year festival has Zoroastrian roots and is associated principally with Iran, but it is celebrated from Syria to India and across all of Central Asia, the Caucasus, Kurdistan, and Turkey. Its rituals vary widely but most are based on around a twelve-day succession of events. This can begin with great bonfires, fed all night to symbolize the victory of light over winter darkness, then the spring cleaning of the house, the bringing into the house of something green (like a palm tree or a fir tree—depending on latitude) around which a vigil or candles may be lit, then the making of a splendid feast full of special seasonal foods, including displays of dried fruits and nuts, an exchange of gifts between close family members, followed by an exchange of visits between neighbors and cousins. In some regions, there followed a traditional ‘period of misrule,’ where men would dress as women, and woman as men, children would lord it over adults and the poor would be served by the rich and the powerful would be publicly mocked by licensed fools. On the thirteenth day, the festival concludes with a family picnic, with music and dance and the quiet contemplation of the beauties of nature and some thought for future marriages and the exchange of such symbols of fertility as colored eggs.

Many of these Zoroastrian practices were mirrored in the festival of the winter solstice of the Roman-era cult of the unconquered sun. They would get absorbed wholesale into the Christian Easter and Christmas festivals, for Christ’s birthday was fused with the winter solstice, just as his death was tied to the spring festival.”

Excerpted from: Rogerson, Barnaby. Rogerson’s Book of Numbers: The Culture of Numbers–from 1,001 Nights to the Seven Wonders of the World. New York: Picador, 2013.