Category Archives: Reference

These are materials for teachers and parents, and you’ll find, in this category, teachers copies and answer keys for worksheets, quotes related to domain-specific knowledge in English Language Arts and social studies, and quotes on issues of professional concern. See the Taxonomies page for more about this category.

Halcyon Days

“A time of happiness and prosperity. Halcyon in Greek is the word for kingfisher, compounded in hals, “the sea,” and kyo, “to brood on.” The ancient Sicilians believed that the kingfisher laid its eggs and incubated them on the surface of the sea for fourteen days before the winter solstice. During this time the waves of the sea were always unruffled.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

A.J. Liebling on the Man-Bites-Dog Story

A newspaper story having a curious human-interest, often humorous flavor, such as one profiling a person with a hobby that would seem to be a role reversal.

‘The defendant was what the N-boys like to call a Scion (of a wealthy family of former oleomargarine manufacturers, in this instance), which, in the same idiom, qualified him as a Socialite. Scions are seldom accused of procuring, which gave the case a bit of the man-bites-dog-aspect that the schools of journalism talk about.'”

A.J. Liebling, The Press

Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.

The Late, Great Edward Abbey on the Problems of Capitalism

“Growth for the sake of growth is the ideology of a cancer cell.”

Edward Abbey

Excerpted from: Shapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.

Auxiliary Verb

“A category of VERB that regularly accompanies full verbs such as write, run, shoot, is in is writing, has in has run, may in may be shooting. In English, auxiliary verbs are customarily divided into: (1) The primary auxiliaries be, have, do. (2) The modal auxiliaries or MODAL VERBS can, could, may, might, shall, should, will, would, must. The marginal modal auxiliaries are also called semi-modals, are dare, need, ought to, used to. They are called marginal because they do not share all the properties of the others or do not do so regularly. Auxiliaries have four properties: (1) They are used with the negative not to make a sentence negative: Frank may buy me a sweater/may not buy me a sweater. (2) They form questions by changing positions with the subject: Wendy has invited me/Has Wendy invited me? (3) To avoid repetition they can occur without a full verb: Has Jonathan written to you yet?—Yes, he has. (4) They can emphasize the positive, in which case they carry the accent: David may not be there—His mother told he WILL be there. The same properties apply to be as a full verb (Jonathan isn’t tired) and particularly in British English as an alternative to have as a full verb (I haven’t a headache). In the absence of any other auxiliary verb do is introduced for these functions: Leslie didn’t tell Doreen; Did Leslie tell Doreen?: Yes, he did; he DID tell her.

The auxiliary be is used to form, with a following –ing participle, the progressive (is employing, may have been proving) and with a following –ed participle the passive (is employed, may have been proved). The auxiliary have is used with the a following -ed participle to form the perfect (has employed, may have been proved). The modal auxiliaries convey notions such as possibility, obligation, and permission. They are the only verbs not to have a distinctive third-person form in the present: He can/They can contrasts with He is/They are, He has/They have, He sees, They see. Like auxiliary do they are always the first verb in a verb phrase (should have apologized, could be making, did tell) and are followed by the bare infinitive. In standard English, two modal auxiliaries cannot co-occur, but they can in some non-standard varieties, such as Appalachian English, They might could dance.”

Excerpted from: McArthur, Tom. The Oxford Concise Companion to the English Language. New York: Oxford University Press, 2005.

The Weekly Text, June 22, 2018: A Lesson Plan on Using Adverbs to Modify Verbs

Today’s Text is a complete lesson plan on using adverbs to modify adverbs. I start this lesson with this short exercise on the idiom “money burning a hole in one’s pocket.” Should this lesson go into a second day, here is a second short exercise, this one a on the homophones pore, poor, and pour. The mainstay of this lesson is this scaffolded worksheet on using adverbs to modify adverbs. Depending on the students you’re serving, they may need this learning support, which is a word bank to use with the cloze exercises on the worksheet. Finally, here is the teacher’s copy-answer key of the worksheet.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Rotten Reviews: King Lear

This drama is chargeable with considerable imperfections,”

Joseph Warton, The Adventurer 1754

Excerpted from: Barnard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998. 

Aesop

Greek fabulist. According to tradition, the author of Aesop’s Fables was a Phrygian slave who probably lived from 620 to 560 BC. It is inferable from Aristotle’s mention of Aesop’s acting as a public defender that he was freed from slavery, and Plutarch’s statement that the Athenians erected a noble statue of him would tend to contradict the tradition that Aesop was deformed. There is little information on Aesop’s life, and several scholars have consequently been led to doubt that he ever existed at all. The earliest extant collections of Aesop’s stories were made by various Greek versifiers and Latin translators, to whose compilations were added tales from Oriental and ancient sources, to form what we now know as Aesop’s Fables. The majority of European fables, including those from La Fontaine, are largely derived from these succinct tales, in which talking animals illustrate human vices, follies, and virtues. Since some of Aesop’s fables have been discovered on Egyptian papyri dating from eight hundred to one thousand years before his time, it cannot be claimed that he was by any means the author of all the fables.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

Two Sevens Clash

Two Sevens Clash was the debut album from Culture, the roots reggae band led by Joseph Hill and produced in Kingston, Jamaica, by Joe Gibbs. Its title refers to the date of 7.7.1977—the day when ‘two sevens met’—which the Rastafarian prophet Marcus Garvey predicted would be a day of chaos and apocalypse. As the liner notes of the album read: ‘One day Joseph Hill had a vision, while riding a bus, of 1977 as a year of judgement—when two sevens clash—when past injustices would be avenged. Lyrics and melodies came into his head as he rode, and thus was born the song Two Sevens Clash which became a massive hit in reggae circles both in Jamaica and abroad. The prophecies noted by the lyrics so profoundly captured the imagination of the people that on July 7, 1977—the day when the sevens fully clashed (seventh day, seventh month, seventy-seventh year) a hush descended on Kingston; many people did not go outdoors, shops closed, an air of foreboding and expectation filled the city.’”

Excerpted from: Rogerson, Barnaby. Rogerson’s Book of Numbers: The Culture of Numbers–from 1,001 Nights to the Seven Wonders of the World. New York: Picador, 2013.

The Devil’s Dictionary: Senate

A body of elderly gentlemen charged with high duties and misdemeanors.”

Excerpted from: Bierce, Ambrose. David E. Schultz and S.J. Joshi, eds. The Unabridged Devil’s Dictionary. Athens: The University of Georgia Press, 2000. 

Rotten Rejections: Winesburg, Ohio

[Imagine being the dimbulb publisher who said this about Sherwood Anderson’s Winesburg, Ohio, by any standard a part of the American canon.]

“…far too gloomy for us.”

Excerpted from: Barnard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.