Category Archives: Essays/Readings

This category often, but not always, designates a piece of my own writing on a topic on a variety of topics. So, if you are interested in listening to me bloviate, click on this category! The Essays/Readings category may also include extended quotes from books, particularly on pedagogy, literacy, terms of art, and philosophy.

A Lesson Plan on Understanding and Differentiating Historical Dates

Here is a lesson plan on understanding and differentiating historical dates which I have actually previously posted on Mark’s Text Terminal. While this is a social studies lesson on understanding how we use numbers to count and describe historical time, it has an ulterior literacy motive in that it seeks to help students, particularly the many English language learners I have served over the years.

We use two types of numbers when we talk about historical dates, ordinal and cardinal. Ordinal numbers are adjectives that, as their name indicates, place things in order. So, when we use terms like fourteenth century, fifteenth century, and so on, we are using ordinal numbers. Similarly, when we say, respectively, the 1300s, the 1400s, and so on, we are using cardinal numbers, which are nouns and which we use to count things. These two types of numbers are different in English just as they are different in other languages. Because I didn’t initially understand the difference between these kinds of numbers, I struggled to understand the numbering system in Russian when I studied that language.

For that reason, I wrote this context clues worksheet on the adjective ordinal and this on the noun phrase cardinal number. These worksheets aim to help students understand the difference between these two types of numbers and their use in English prose. This is knowledge that transfers across the curriculum–to foreign languages, English language arts, mathematics itself, and, yes, social studies.

Finally, here is the combined learning support and worksheet that is the gravamen of this lesson.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

360 Degrees

“The circle is divided into 360 degrees, which is an attempt to create a perfect universe out of our slightly wonky one. For 360 can be neatly divided by 4 to make 90-day seasons, or by 12 to make perfect months of 30 days, or by 18 to make 20-day units. This perfect ordering of the world—the sexagesimal system—was codified by the Babylonians and still orders the world of geometry and time-keeping with 60 seconds in a minute and sixty minutes in an hour.

Of course, the reality of our world was never quite as neat as those Babylonian mathematicians aspired to be, for a lunar month is actually 29 days 12 hours, and 44 minutes, not a neat 30, and a solar year (the time in which it takes the earth to orbit the sun) is actually 365 days, five hours, and 48 minutes, not a neat 360. So, in the old days, we made an odd thirteenth month of five days, before opting to spread them around to make some months 30 days long, some 31. And every fourth year we need our years to be 366 days long, in order to use up an extra day acquired by four additional units of five hours and 48 minutes.

Nonetheless, the perfection of 360 has always been aspired to, with ancient stone circles formed of 360 stones and altars formed from 360 cut stones.”

Excerpted from: Rogerson, Barnaby. Rogerson’s Book of Numbers: The Culture of Numbers–from 1,001 Nights to the Seven Wonders of the World. New York: Picador, 2013.

Term of Art: Heuristic Device

“Heuristic Device: Any procedure which involves the use of an artificial construct to assist in the exploration of social phenomena. It usually involves assumptions derived from extant empirical research. For example, ideal types have been used as a way of setting out the defining characteristics of a social phenomenon, so that its salient features might be states as clearly and explicitly as possible. A heuristic device is, then, a form of preliminary analysis. Such devices have proved especially useful in studies of social change, by defining bench-marks, around which variation and differences can then be situated. In this context, a heuristic device is usually employed for analytical clarity, although it can also have explanatory value as a model.”

Excerpted from: Marshall, Gordon, ed. Oxford Dictionary of Sociology. New York: Oxford University Press, 1994.

A Lesson Plan on the Crime and Puzzlement Case “Missy Takes a Walk”

Let’s start out today with this lesson plan on the Crime and Puzzlement case “Missy Takes a Walk.”

I open this lesson with this Cultural Literacy worksheet on the concept of “The Ugly American” which is common enough locution in English, and worth knowing if students are planning to travel abroad. This PDF of the illustration and questions that drive this investigation. And here, finally, is the typescript of the answers to the investigative questions of this case.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Aesop’s Fables: “The Bats and The Weasel”

OK, here is a lesson plan on the Aesop’s fable “The Bats and The Weasel” along with the fable itself with comprehension questions. I prepared this material in haste, so there is plenty of room to expand it. As always, these are Microsoft Word documents, so you can alter them for your needs.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Systemic Painting

“Systemic Painting: Described as a branch of Minimal Art and sometimes expanded to incorporate Color-Field Painting, it is a special form of abstract painting based on an organization—or system—of images, e.g., a painting which is a pure, single field of color, or a series of such paintings; or a painting based on the repetition of a single visual motif, such as a circle, chevron, etc. The term describes certain works by Kenneth Noland and Frank Stella. Closely related to, but not identical with, Serial Art.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

Term of Art: Cognitive Theory

“Cognitive Theory: A major cluster of theories in social psychology, which focus upon the links between mental processes (such as perception, memory, attitudes, or decision making), and social behavior. At a general level such theories are opposed to behaviorism, and suggest that human beings are active in selecting stimuli, constructing meanings, and making sense of their worlds. There are many branches of cognitive theory, including Fritz Heider’s cognitive balance theory, Leon Festinger’s cognitive dissonance theory, George Kelly’s personal construct theory, and attribution theory. (See J.R. Eiser, Cognitive Social Psychology, 1980).”

Excerpted from: Marshall, Gordon, ed. Oxford Dictionary of Sociology. New York: Oxford University Press, 1994.

Metaphor

“Metaphor (noun): The figure of speech denoting implied comparison: an imaginative of analogous term used in place of a given word or concept, or an expressive and comparable figurative term; word or image that is suggestively equivalent and ornamental but not synonymous; application of comparable, figurative word or words. Adj, metaphoric; metaphorical; adv. metaphorically.

‘The Speaker of the House is not a goddamned metaphor; I have never been a metaphor and, God willing, I never will be.’ –Thomas P. (“Tip”) O’Neill, quoted in The New Republic”

 Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.

Term of Art: Weltanschauung

“Weltanschauung: A German term which refers to the ‘world-view’ or ‘philosophy of life’ of different groups within society. For example, it is sometimes argued that the long-term unemployed have a fatalistic outlook, the middle classes an individualistic approach to life, while members of the working class hold a set of beliefs and attitudes which emphasize collectivism. Sociologists have posed a number of interesting questions around this topic. Do particular social groups actually adhere to identifiable world-views? If so, how do individuals come to hold specific images of society, and what is the relationship between membership of a group and an individual’s subjective representations of it? The major problem confronting sociologists who address these issues is that of defining and describing a world-view itself. What beliefs and values may be said to constitute a world-view? Should we even expect people to hold to consistent world-views, given that (for example) research on class imagery suggests that, more often than not, people’s attitudes and values are inconsistent or ambiguous, and rarely form a coherent whole? In short, use of this term usually points to a certain imprecision in an argument, and almost invariably indicates that data appropriate to the particular case are wanting.”

Excerpted from: Marshall, Gordon, ed. Oxford Dictionary of Sociology. New York: Oxford University Press, 1994.

Fabliaux

“Fabliaux: 12th-14th centuries) Short humorous tales, often ribald or scurrilous. Highly popular in the Middle Ages, they are situation comedies burlesquing the weaknesses of human nature; women, priests, and gullible fools are often the butts of the buffoonery, which sometimes becomes savagely bitter. The material derives from the oral folk tradition of bawdy anecdotes, practical jokes, and clever tricks of revenge, but the term fabliau was first specifically applied to a medieval French literary form, a narrative of three hundred to four hundred lines in octo-syllabic couplets. About 150 of these are still extant. Similar prose tales became popular all over Europe, as in Boccaccio’s Decameron. Apparently only a few narratives in the style of the fabliau were written in England; the most notable are the ones Chaucer included in his Canterbury Tales, such as the Miller’s, the Reeve’s, the Friar’s, the Summoner’s, and the Shipman’s tales.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.