Category Archives: English Language Arts

This category contains domain-specific material–reading and writing expository prose, interpreting literature etc.–designed to meet the Common Core standards in English language arts while at the same time being flexible enough to meet the needs of diverse and idiosyncratic learners.

Cultural Literacy: Carpe Diem

Not that most teenagers need any help understanding the sentiment, but here, nonetheless, is a Cultural Literacy worksheet on the Latin imperative carpe diem.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

The Devil’s Dictionary: Autocrat

“Autocrat, n. A dictatorial gentleman with no other restraint upon him than the hand of the assassin. The founder of that great political institution, the dynamite bomb-shell system.”

Excerpted from: Bierce, Ambrose. David E. Schultz and S.J. Joshi, eds. The Unabridged Devil’s Dictionary. Athens: The University of Georgia Press, 2000. 

A Learning Support on Basic Literary Terms

Over time, I’ve posted several items like this learning support of basic literary terms. This one is something I assembled for a specific class that was dealing with the terms outlined. Like everything else here at Mark’s Text Terminal, it’s a Microsoft Word document, so you can manipulate the text for your classroom needs.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Medium

“(pl., media) The physical material or materials of which a work of art is made: oil paing, clay, ink, pastel, wood, concrete, etc. Also used synonymously with vehicle to mean the diluent in which pigment is suspended.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

Raise (vt/vi) and Raze (vt)

Here are five worksheets on the homophones raise and raze. These are a couple of words with which students I’ve served struggled.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Brewer’s Curious Titles: Ulysses

“A novel (1922) by James Joyce (1882-1941), regarded by many as the 20th century’s most important work of fiction in the English language. The novel is famous for its innovative use of language and its experimental use of stream-of-consciousness techniques. T.S. Eliot commented: ‘James Joyce has no style but is the vacuum into which all styles rush.’ The book was published by a small press in Paris in 1922, after three US judges banned further publication of chapters in the United States, and it was immediately acclaimed as a work of genius.

The narrative centres on a single day, 16 June 1904, the day on which Joyce had his first formal date with Nora Barnacle (1884-1951), a barmaid with whom he shared the rest of his life. The book tells of the day in the life of its Jewish-Irish hero, Leopold Bloom, his wife Molly, and Stephen Dedalus, the protagonist of the author’s A Portrait of the Artist as as a Young Man (1916). The structure of the book is intended to parallel that of Homer’s Odyssey, with Odysseus’s decade of wandering compared to Bloom’s single day of roaming in Dublin. Bloom thus represents Odysseus (whom the Romans called Ulysses), Molly answers approximately to Odysseus’s wife Penelope and Dedalus corresponds to his son, Telemachus. Joyce described his Homeric parallel–which he worked out in considerable detail–as a bridge across which he could march his 18 episodes, after which the bridge could be ‘blown skyhigh.’ 16 June is now often known (and celebrated), especially in Ireland, as ‘Bloomsday.’

Ulysses was eventually cleared for publication in the United States, the judge concluding: ‘Whilst in many places the effect of Ulysses on the reader undoubtedly is somewhat emetic, nowhere does it tend to be an aphrodisiac.’

It was published in the United States in 1934, and in Britain in 1936.

In 2001 The Bookseller magazine reported that a bookshop assistant had been asked for a copy of James Joyce Is Useless.”

Excerpted from: Crofton, Ian, ed. Brewer’s Curious Titles. London: Cassell, 2002.

Urban (adj)

For some reason, when I lived in New York, high school freshmen would arrive in my classroom without knowing what the adjective urban means, which made teaching about ancient civilizations difficult. I wrote this context clues worksheet on the adjective urban in an attempt to deal with this gap in learning.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

4 Humours

“Sanguine * Choleric * Melancholic * Phlegmatic

The Four Humours or Temperaments were a foundation of European medieval medical philosophy. The ideal was for a balance of the four, which were conceived to be based on the properties of blood (Sanguis), yellow bile (Khole), black bile (Melas), and Phlegm in the body.

A predominance of Sanguine was believed to create an easy-going, sociable, pleasure-seeking type. A choleric character was fiery, strident, and ambitious. Melancholic was watery and emotional and created thoughtful, introverted and intellectual types. Phlegmatic was slow and earthy but also governed the most relaxed, content and quiet of types.”

Excerpted from: Rogerson, Barnaby. Rogerson’s Book of Numbers: The Culture of Numbers–from 1,001 Nights to the Seven Wonders of the World. New York: Picador, 2013.

Oppositional Defiant Disorder

Over the winter, I finished some materials for health literacy that I’d been procrastinated on for, literally, years. I’ll be posting these regularly over the next couple of years, I suppose–I have a total of 76 of them.

Anyway, this reading on oppositional defiant disorder and its accompanying vocabulary-building and comprehension worksheet strike me as a good place to start: this has turned out to be relatively high-interest material to the students in whose interest I currently toil.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

The Algonquin Wits: Robert Benchley on the Secret of Writing

“You have no idea how many problems an author has to face during those feverish days when he is building a novel, and you have no idea how he solves them. Neither has he.”

Robert Benchley

Excerpted from: Drennan, Robert E., ed. The Algonquin Wits. New York: Kensington, 1985.