Category Archives: English Language Arts

This category contains domain-specific material–reading and writing expository prose, interpreting literature etc.–designed to meet the Common Core standards in English language arts while at the same time being flexible enough to meet the needs of diverse and idiosyncratic learners.

Cultural Literacy: For Want of a Nail the Kingdom Was Lost

Here is a Cultural Literacy Worksheet on the proverb For Want of a Nail the Kingdom Was Lost. It’s a half-page document with a short reading and three questions.

Because this is a classic proverb that originates in a Middle High German form as early as the 13th century, and has been a constant across the centuries. In its entirety, which is only seven lines, it’s a nice little chain of cause and effect. I think there is a lesson in all this about the consequences of omission and neglect.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Paraphrase

“Paraphrase: 1. The (more or less) free rewording of an expression or text, as an explanation, clarification, or translation: ‘Paraphrase, or translation with latitude, where the author is kept in view…, but his words are not so strictly followed as his sense’ (John Dryden, preface to his translation of Ovid, 1680). 2. An act or result or rewording, such as a simplified version of a legal document: a plain-English paraphrase of The contractor shall have a general lien upon all goods in his possession for all monies due to him from the customer is We have a right to hold some or all of the goods until you have paid our charges. 3. To make a paraphrase; to translate or define loosely: the compound word teapot can be paraphrased or explained by the phrase a pot for tea but not by a pot of tea.”

Excerpted from: McArthur, Tom. The Oxford Concise Companion to the English Language. New York: Oxford University Press, 2005.

Parry (vi/vt)

Here is a context clues worksheet on the verb parry. It’s used both intransitively and transitively. For each of those uses, however, there are two meanings, virtually identical across the intransitive and transitive uses of this word.

To wit: transitively, parry means “to ward off (as a blow)” and “to evade especially by an adroit answer”; intransitively, parry means “to ward off a weapon or blow” and “to evade or turn aside something.” The document above provides context clues to define parry in the sense of “to ward off (as a blow) and “to ward of a weapon or blow.”

Recently, I had to good fortune to attend a professional development session on debate-centered instruction. For that reason, you will see here, sooner or later, another context clues worksheet that calls upon students to recognize the second of each of the two definitions above.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Scott Adams on the Dilbert Principle

“The basic concept of the Dilbert principle is that the most ineffective workers are systematically moved where they can do the least damage: management.”

Scott Adams

Excerpted from: Schapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.

Barry Goldwater

Last but not least on this clement Wednesday afternoon, here is a reading on Barry Goldwater along with its accompanying vocabulary-building and comprehension worksheet.

This is a good general introduction to the late senator and presidential candidate. Senator Goldwater, relatively speaking, was a nuanced thinker and, in the end, no subscriber to the kind of rigid ideology conservatives today profess.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Brewer’s Curious Titles: Bury My Heart at Wounded Knee

“Bury My Heart at Wounded Knee: A historical study (1971) by Dee Brown (1908-2002) of the conquest of the American West and the destruction of the Native American tribes. The title comes from the last verse of a poem ‘American Names’ (1927), by Stephen Vincent Benet (1898-1943):

‘I shall not rest quiet in Montparnasse.

I shall not lie easy in Winchelsea.

You may bury my body in Sussex grass.

You may bury my tongue at Champmedy.

I shall not be there. I shall rise and pass.

Bury my heart at Wounded Knee.’

Wounded Knee, in South Dakota, was the site of a massacre of Teton-Sioux by US forces on 29 December 1890, in which at least 150 Native Americans and 25 US soldiers were killed. It marked the final suppression of Native American resistance. In the Wounded Knee protest of 1973, two years after the publication of Brown’s book, some 200 armed members of the American Indian Movement occupied the symbolic site. The occupation ended after a 70-day siege, but helped to focus international attention on the US government’s treatment of Native Americans.”

Excerpted from: Crofton, Ian, ed. Brewer’s Curious Titles. London: Cassell, 2002.

A Learning Support on Gerunds and Pronouns

Here is a learning support on gerunds and pronouns. This is about a half-page of text, so there is room (and the latitude, since, like just about everything on this blog, this is a Microsoft Word document you can manipulate for your particular use) to make a worksheet of this should you see fit.

Basically, the text here explains the proper use of possessive pronouns following gerunds. It’s both simple and complicated at once, but as Paul Brians explains (this is drawn from his book Common Errors in English Usage), the advice in the passage will improve the quality of student writing.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Kin Hubbard on…A Visit to the Office of a Professional

“Nothing is as irritating as the fellow who chats pleasantly while he’s overcharging.”

Kin Hubbard

Excerpted from: Winokur, Jon, ed. The Big Curmudgeon. New York: Black Dog & Leventhal, 2007.

Obscure (adj)

Here is a context clues worksheet on the adjective obscure. This is another of those polysemous words whose array of meanings may surprise you.

In everyday discourse, we mostly use it to mean “not readily understood or clearly expressed.” But it can also mean “dark, dim, shrouded in or hidden by darkness, not clearly seen or easily distinguished, faint”; “relatively unknown,  remote, secluded, not prominent or famous”; and, interestingly, “constituting the unstressed vowel \ə\ or having unstressed \ə\ as its value.” Obscure can also be used as a verb, but that’s another worksheet and another post.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Funk Art

“Funk Art: A term coined in the 1960s to describe a class of art that emerged in the San Francisco Bay area. It was often witty, sometimes deliberately distasteful, with a diversity of styles ranging from comic-strip derivations to William Wiley’s use of found objects. Funk artists looked to popular culture rather than traditional canons of fine art.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.