Yearly Archives: 2020

Term of Art: Acting Out

“Acting out: 1. In psychoanalysis, the enactment rather than the recollection of past events, especially enactments relating to the transference during therapy. It is often impulsive and aggressive, and it is usually uncharacteristic of the patient’s normal behavior. The concept was introduced by Sigmund Freud (1856-1839) in An Outline of Psychoanalysis (1938/40): the patient ‘acts it [the past event] before us, as it were, rather than reporting it to us’ (Standard Edition, XXIII, pp. 144-207, at p. 176). 2. A defense mechanism in which unconscious emotional conflicts or impulses are dealt with by actions, including parapraxes, rather than thought or contemplation. act out vb.”

Excerpted from: Colman, Andrew M., ed. Oxford Dictionary of Psychology. New York: Oxford University Press, 2003.

Purport (vt)

It’s Merriam-Webster’s Word of the Day today, so here is a context clues worksheet on the verb purport, which is used only transitively. Don’t forget your direct object: what is the subject of your sentence purporting? Arcane knowledge? Expertise in neurosurgery? A conscience?

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

7 Notes

“Do * Re * Mi * Fa * So * La * Ti

As early as the seventeenth century, European musicians believed that this mnemonic for teaching musical pitch was derived from a Muslim source, though we now think this may itself lead back to a Sanskrit Bronze Age hymn. There is an equally strong tradition that it came from the first letters of each phrase of an eighth-century hymn to Saint John which goes: ‘So that these your servants can, with all their voice, sing your wonderful feats, clean the blemish of our spotted lips, O Saint John’—or, rather, in Latin, ‘Ut queant laxis resonare fibris, Mira gestorum famuli tuorum, Solve pollute labii reatum, Sancte Ioannes.’

However, for most of us the whole seven-not mnemonic is intrinsically bound up in Julie Andrews’ teaching the Von Trapp children to sing in the film The Sound of Music. This is one of the most beloved propaganda films of all time, creating an emotional case for excluding the inhabitants of the beautiful mountain scenery from any complicity with the war crimes of Nazi Germany. ‘Doe a deer, a female deer, Ray, a drop of golden sun, etc.’”

Excerpted from: Rogerson, Barnaby. Rogerson’s Book of Numbers: The Culture of Numbers–from 1,001 Nights to the Seven Wonders of the World. New York: Picador, 2013.

The Monkees

Are you old enough to remember when The Monkees television show was broadcast between 1966 and 1968? I saw it in those years, and if memory serves it was one of the last things up in the Saturday-morning cartoon lineup (though I think this was a rebroadcast and the show debuted in primetime), right before The Jetsons. By Christmas of 1967, I had my own copy of The Beatles’ Magical Mystery Tour, which only confirmed my tender-aged skepticism of the The Monkees as both thespians and musicians.

Here is a reading on The Monkees along with its accompanying vocabulary-building and comprehension worksheet. I haven’t tagged this as high-interest material, because I’m not sure it is–but it might be, depending on the student who receives it. There is a fair amount of conceptual inquiry implicit in the story of The Monkees, including the difference between commerce and art, the continuum between the popular and the rarefied in the arts, as well as the coarse and the fine in culture.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Write It Right: As for So

“As—as for So—as. ‘He is not as good as she.’ Say, not so good. In affirmative statements the rule is different: He is as good as she.”

Excerpted from: Bierce, Ambrose. Write it Right: A Little Blacklist of Literary Faults. Mineola, NY: Dover, 2010.

Ruddy (adj)

It popped up as the Word of the Day at Merriam-Webster’s last week, but I let it go by. Then I saw it used not once, but twice, in the Harlan Coben thriller I’m reading at the moment, so I wrote up five sentences. Here, therefore, is a context clues worksheet on the adjective ruddy if you can use it.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Fascist Aesthetic

Fascist Aesthetic: Associated primarily with Hitler, Mussolini, and Franco, this was art with propagandistic intentions clearly outlined in realist styles, giving it a close resemblance to socialist realism. In Germany, images of youthful blonds reflected myths of Aryan superiority, while the heavy, grandiose architecture at Munich and Nuremberg proclaimed an imperial destiny inherited from antiquity. It strongly contrasts with modern art, dubbed degenerate (entartete) by Hitler.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

Donald Trump

While I know I harp on this far too often, I want to remind users of this blog that it is not political in nature. 

Also, I understand that there has been no deficit of reporting on President Donald Trump. That said, when I read this article on Donald Trump (here’s the vocabulary-building and comprehension worksheet that accompanies it) in David S. Kidder and Noah Oppenheim’s. The Intellectual Devotional Modern Culture: Converse Confidently about Society and the Arts (Emmaus PA: Modern Times, 2008), from which I have developed a large number of readings and worksheets, I decided to work it up because of its historical interest. Nota bene the publication date, which is not before Mr. Trump first indicated an interest in running for president–that was 1999, as the article reports–but well before he ran. The article takes a bemused tone as it characterizes Trump, essentially, as a clown and a product of celebrity culture.

It also contains some information about Trump’s assets and his management of them that may well turn out, in the very near future, to be false. The Trump Organization returned from the edge of collapse, in the 1990s, it is clear, by taking in money from some dubious figures. Moreover, at least one of its lenders flagged some of his (as well as his those of his son-in-law, Jared Kushner) transactions as suspicious. This article argues that Trump emerged from his various bankruptcies by dint of his own genius. It has become increasingly difficult, under the circumstances, to believe that.

All of this is under investigation by both the Southern District of New York and the Manhattan District Attorney’s office. So this reading may turn out to be an interesting avenue for historical inquiry concerning the Trump presidency. He kept his own mythology alive for far longer than the facts supported it. The question for students is this: how did Trump accomplish that? How are the news and entertainment media in particular and our culture in general culpable in this man’s lies?

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Common Errors in English Usage: Rebelling, Revolting

Here’s an English usage worksheet on using rebelling and revolting in declarative sentences. This is a relatively short exercise that can, nonetheless, to be expanded.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Rotten Rejections: Madame Bovary

“You have buried your novel underneath a heap of details which are well done but utterly superfluous….”

Excerpted from: Barnard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.