Monthly Archives: March 2020

Rotten Rejections: Black Oxen by Gertrude Atherton

“I have no hesitation. In advising you to decline Mrs. Atherton’s novel…principally for the reason that it is an apology for adultery…besides this radical immorality, the novel contains many passages of pseudo-philosophy which would give offense to religious persons.”

Excerpted from: Barnard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.

Convene (vi/vt), Convention (n)

Here are two context clues worksheets on the verb convene (used both intransitively and transitively) and the noun convention. I’ve used these and others like them (which are forthcoming here) to help students understand the relationships between words as they are distributed across the parts of speech.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Term of Art: The Big Lie

“Big Lie, (The): Untruth on a large, shameless scale, such as a bold falsehood generated and propagated by an unscrupulous government when a less monumental lie might be less believable propaganda; deceit on a grand scale.

‘There has been going about what Editor & Publisher, the frightened handmaiden of the newspaper industry, calls a Big Lie, to the effect that retail sales held up during the blackout better that anybody could have expected; the Big Lie is a product, A&P, things, of a cabal of salesmen of television and radio time.’ A.J. Liebling, The Press

Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.

A Lesson Plan on Nouns as the Direct Objects of Verbs

Here is a lesson plan on nouns as direct objects of verbs in clauses and sentences. I open this lesson with this worksheet on the homophones compliment and complement as both nouns and verbs. Nota bene that many grammar manuals use complement as a noun to designate the direct object of a verb, so I want students to recognize it if they encounter it in such a book. Finally, here is the scaffolded worksheet that is at the center of this lesson.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

7 Supreme Works of Shakespeare

Henry IV * Hamlet * Measure for Measure * Othello * King Lear * Macbeth * Antony and Cleopatra

‘Just as there are seven wonders of the world and seven deadly sins, so there are (in my opinion) seven supreme peaks achieved by Shakespeare,’ wrote Giuseppi de Lampedusa, author of The Leopard. He also added that, ‘If I was told all the works of Shakespeare had to perish except one that I could select, I would first try to kill the monster who made the suggestion; if I failed, I would then try and kill myself: and if I could not manage even this, well then I would choose Measure for Measure,’”

Excerpted from: Rogerson, Barnaby. Rogerson’s Book of Numbers: The Culture of Numbers–from 1,001 Nights to the Seven Wonders of the World. New York: Picador, 2013.

Aesop’s Fables: “The Bats and The Weasel”

OK, here is a lesson plan on the Aesop’s fable “The Bats and The Weasel” along with the fable itself with comprehension questions. I prepared this material in haste, so there is plenty of room to expand it. As always, these are Microsoft Word documents, so you can alter them for your needs.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

The Algonquin Wits: Beatrice Kaufman Attends a Concert at Carnegie Hall

Beatrice Kaufman, who held little appreciation for music of any sort, once accompanied Oscar Levant to Carnegie Hall to hear Stokowski conduct Bach’s B Minor Mass. While en route to the theater Beatrice realized they were going to be late and urged her escort, ‘In heaven’s name let’s hurry or we’ll miss the intermission.’”

Excerpted from: Drennan, Robert E., ed. The Algonquin Wits. New York: Kensington, 1985.

The Weekly Text, March 20, 2020, Women’s History Month 2020 Week III: A Reading and Comprehension Worksheet on the Flappers

Alright, I do want to remember that March is Women’s History Month. This week’s Text, in observation of the month, is a reading on flappers along with its accompanying vocabulary-building and comprehension worksheet. The reading is short, but it allows for the possibility of asking a critical question about them: were they avatars of female agency, and thus an early paradigm of feminism?

This post on the cartoon character Betty Boop, which I posted almost exactly a year ago, might complement today’s Text, depending on how far you want to go with this. I can tell you that the Betty Boop material has been of relatively high interest to the students I’ve served over the years.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Systemic Painting

“Systemic Painting: Described as a branch of Minimal Art and sometimes expanded to incorporate Color-Field Painting, it is a special form of abstract painting based on an organization—or system—of images, e.g., a painting which is a pure, single field of color, or a series of such paintings; or a painting based on the repetition of a single visual motif, such as a circle, chevron, etc. The term describes certain works by Kenneth Noland and Frank Stella. Closely related to, but not identical with, Serial Art.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

Cultural Literacy: Tour de Force

Alright, I’ve run out of steam for today. I’ll return here tomorrow with another raft of documents that will, I fervently hope, keep young, homebound minds engaged in something other than anxiety about our current dystopian state. So here is a Cultural Literacy worksheet on the concept tour de force.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.