Monthly Archives: July 2018

Term of Art: Blank Verse

“In prosody, unrhymed verse. In English, the term usually means unrhymed iambic pentameter. In classical prosody, rhyme was not used at all; with the introduction of rhyme in the Middle Ages, blank verse disappeared. It was reintroduced in the 16th century and in England became the standard medium of dramatic poetry and frequently of epic poetry. Shakespeare’s plays, for example, are written mostly in blank verse.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

The Weekly Text, July 13, 2018: A Lesson Plan on the Crime and Puzzlement Case “Boudoir”

This week’s Text is a lesson plan, one of many, that I worked up to use with Lawrence Treat’s series of kid’s books, Crime and Puzzlement. I came across these materials in two books last year, to wit George Hillocks Jr.’s  otherwise unremarkable Teaching Argument Writing Grades 6-12: Supporting Claims with Relevant Evidence and Clear Reasoning (Portsmouth, NH: Heinemann, 2017), but also in two separate papers contained in Keith J. Holyoak and Robert G. Morrison’s (eds.) The Cambridge Handbook of Thinking and Reasoning (New York: Cambridge University Press, 2005). All three of these texts extolled the Crime and Puzzlement books as exemplary instructional material for teaching students to assess, analyze, and synthesize evidence in support of an argument and contention.

I ordered the first volume, broke it up and scanned texts for several of the “cases,” and tried them out in my classroom. My freshman English students jumped right into these, and clearly enjoyed them. So I knew I had to build a unit to rationalize the use of this material in my classroom.

Now, about four months later, that unit is nearing completion, and I have 72 lessons in the unit. This week’s Text offers you the first lesson plan in the Crime and Puzzlement Unit Plan. To teach this lesson, you’ll need this worksheet on the case entitled Boudoir. To “solve” the “case,” you’ll need the answer key. Depending on how you begin your class period and its duration, you may want to start the lesson with a do-now exercise, which for this lesson is this Cultural Literacy worksheet on Marie Antoinette’s probably apocryphal statement “Let them eat cake.”

Unfortunately, the Crime and Puzzlement books (there are three in total) appear to remain in copyright, so I don’t think I can ethically or legally post many of these lesson plans. If you choose to contrive your own material based on these books, I can post the unit plan (it’s not quite ready as of this writing) for you; it will contain the standards met, a lengthy, discursive justification for using these methods and materials, and other supporting documentation.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Rotten Rejections: In My Father’s Court

[This refers to the 1966 novel by Isaac Bashevis Singer.]

“Too pedestrian.”

Excerpted from: Bernard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.

Explicate (vt)

Here is a context clues worksheet on the transitive verb explicate, which is used transitively only. This is one of those verbs that the authors of The Writing Revolution call an “expository term.” In other words, this is a good word for high school students to know so they can learn to, you know, explicate things in the writing work we assign.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

An Independent Practice Worksheet on Forming the Plurals of Nouns

As I rummage through folders, I find all kinds of things that I wrote and lost track of. Here is an independent practice worksheet on forming the plurals of nouns.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

The School of Athens

“One of four frescoes by Raphael (1483-1520) painted c. 1509 in the Stanza della Segnatura, a room in the papal apartments in the Vatican. The work was commissioned by Pope Julius II, who also commissioned Donato Bramante to design the new St. Peter’s and Michelangelo to design his tomb and (against his will) to paint the Sistine Chapel ceiling. The frescoes in the Stanza della Segnatura are intended to demonstrate how neoplatonist philosophy justifies the power of the Roman Catholic Church. The School of Athens depicts Plato and Aristotle and a host of other philosophers, both ancient and modern, in a calm and balanced composition. The classical architectural setting–reminiscent of the new St. Peter’s–was painted from designs by Bramante, who himself acted as the model for the mathematician Euclid in the painting. Raphael’s portrait of his patron, Pope Julius, is in the National Gallery, London.

‘It took a soul as beautiful as his, in a body as beautiful as his, to experience and rediscover the true character of ancients in modern times.'”

Johann J. Winckelmann: on Raphael, in Thoughts on the Imitiation of Greek Art in Painting and Sculpture (1755)

Excerpted from: Crofton, Ian, ed. Brewer’s Curious Titles. London: Cassell, 2002.

Ibn Rushd

Here is a reading on Ibn Rushd, also known as Averroes: he was a Muslim philosopher who commented extensively on Aristotle. He is prominently featured in Raphael’s famous painting The School of Athens. This reading comprehension worksheet accompanies the reading.

See above for related materials.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

George Steiner on Culture and Conscience

“We know that a man can read Goethe or Rilke in the evening, that he can play Bach and Schubert, and go to his day’s work at Auschwitz.”

George Steiner

Language and Silence Preface (1967)

Excerpted from: Shapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.

Word Root Exercise: Necro

Here is a worksheet on the Greek word root necro. It means dead and death. Necropolis is an old-fashioned word for cemetery.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

The Algonquin Wits: George S. Kaufman to Herbert Bayard Swope at Dinnertime

Herbert Bayard Swope, who had a penchant for dining at odd hours, called G.S.K. one evening at 9:30 one evening and asked, ‘What are you doing for dinner this evening?’

‘I’m digesting it,’ Kaufman replied.”

Excerpted from: Drennan, Robert E., ed. The Algonquin Wits. New York: Kensington, 1985.