Monthly Archives: March 2018

Hannah Arendt on Power and Capital

“Power can be thought of as the never-ending, self-feeding motor of all political action that corresponds to the legendary unending accumulation of money that begets money.”

Origins of Totalitarianism ch. 5 (1953)

Excerpted from: Shapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.

The Weekly Text, March 16, 2018, Women’s History Month 2018 Week III: A Reading and Comprehension Worksheet on Geneticist Barbara McClintock

Another Friday has rolled around, so it’s time for another Weekly Text in observation of Women’s History Month. This week’s Text is a reading on geneticist and botanist Barbara McClintock accompanied by this comprehension worksheet on the reading. Finally, here is a complementary Everyday Edit worksheet on Marie Curie (and you can get a full-year supply of Everyday Edit worksheets from the generous proprietors of the Education World website.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Martha Graham (1894-1991)

“U.S. dancer, teacher, choreographer, and foremost exponent of modern dance. Born in Pittsburgh, she trained from 1916 under Ted Shawn at the Denishawn school. She left in 1923 for New York, where she founded her own school in 1927 and a performing company in in 1929. She choreographed over 160 works, creating unique “dance plays” and using a variety of themes to express emotion and conflict. Many are based on American themes including Appalachian Spring (1944); other works include Primitive Mysteries (1931), El Penitente (1940), Letter to the World (1940), Cave of the Heart (1946), Clytemnestra (1958), Phaedra (1962), and Frescoes (1978). She collaborated for many years with Louis Horst, her musical director, and Isamu Noguchi, who designed many of her sets. She retired from dancing in 1970 but continued to teach and choreograph. Her technique became the first significant alternative to classical ballet, and her influence extended worldwide through her choreography and her students.”

Excerpted from: Stevens, Mark A., Ed. Merriam Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.

Cultural Literacy: Jane Addams and Settlement Houses

On a Thursday morning, here is a Cultural Literacy worksheet on Jane Addams and another on the settlement house movement of which she was a founder. My paternal grandfather spent time as a child at Hull House. In high school, I read Twenty Years at Hull House, which exercised a profound influence over my view of the world and how I should live in it.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Women’s Suffrage

The right of women to take part in political life and to vote in an election. Women’s suffrage was advocated by Mary Wollstonecraft in A Vindication of the Rights of Woman (1792), and throughout the 19th century, in Britain and the United States, calls were made for voting rights for women. These were first attained at the national level in New Zealand (1893). The state of Wyoming in the United States introduced women’s suffrage in 1869 and by 1920 all women over 21 were given the vote in the United States. The first European nation to grant female suffrage was Finland in 1906, with Norway following in 1913, and Germany in 1919. In Britain, as a result of agitation by the Women’s Political and Social Union, led by Emmeline Pankhurst and her daughter Christabel, the vote was granted in 1918 to those over 30 and in 1928 to women over 21. In the years following World War I, women were granted the vote in many countries, including Germany, Poland, Austria, and Sweden (1919), and the United States (1920). The Roman Catholic Church was reluctant to support women’s suffrage and in many Catholic countries it was not gained until after World War II; in France it was granted in in 1944, in Belgium in 1948, while in Switzerland not until 1971. In Russia women gained the right to vote with the Revolution (1917), and women’s suffrage was extended to the Soviet Union from 1922. In developing countries, women’s suffrage was usually obtained with independence, and in most Muslim countries women now have the vote. Women still do not have the vote in certain absolute monarchies, such as Saudi Arabia.”

Excerpted from: Wright, Edmund, Ed. The Oxford Desk Encyclopedia of World History. New York: Oxford University Press, 2006.

Helen Mirren on “Acting”

[Of nudity] “The part never calls for it. And I’ve never used that excuse. The box office calls for it.”

Quoted in Independent (London) 22 March 1994

Excerpted from: Shapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.

Cultural Literacy: Alice Walker

Here is a Cultural Literacy worksheet on Alice Walker. She remains relevant as does The Color Purple , and I hope, despite the many attempts to ban the novel, it remains within the reach of all who seek to read it.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Their Eyes Were Watching God (1937)

A novel by Zora Neale Hurston, acclaimed as her finest. Now considered a classic in feminist literature, it relates the story of one woman’s odyssey ‘to the horizon and back’ in search of fulfillment and freedom. Hurston, an anthropologist and a leading figure in the Harlem Renaissance, uses black oral tradition and folklore, and centers the work in all-black settings. She focuses on love relationships and the strengths of African-American cultural practices, rather than racial protest. Ultimately, the story of Janie Starks’s quest is a universal one. Its lessons are about love, the efficacy of black folkways, and holding fast to one’s personal vision and value.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

Cultural Literacy: Joan of Arc

There are a number of classroom situations, I think, in which this Cultural Literacy worksheet on Joan of Arc might come in handy.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Joyce Carol Oates on What Binds Us Together

“For what links us are elemental experiences—emotions—forces that have no intrinsic language and must be imagined as art if they are to be contemplated at all.”

Where Are You Going, Where Have You Been? Afterward (1993)

Excerpted from: Shapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.