Tag Archives: women’s history

Louise Bourgeois

Louise Bourgeois: (1911-2010) Franco-American painter and sculptor, Bourgeois was born in Paris to a family that operated an art gallery specializing in historic tapestries. Dissatisfied with the conservatism of the Ecole des Beaux-Arts, she pursued her education at a number of independent academies and in the studios of modernist painters Fernand Leger, Andre Lhote, and others. Her early paintings are notable for their feminist content. In 1949, Bourgeois gave up painting and began experimenting with new sculptural materials that ranged from concrete to marble. Later, Bourgeois focused on naturalistic and amorphous forms. By the seventies, her engagement with feminism had led her to a more assertive depiction of women and further exploration of sexual themes. Her works vary in scale and media, but most often evoke bodies, or parts of them, in order to call into question how the human body is perceived.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

The Weekly Text, March 27, 2020, Women’s History Week Week IV: A Reading and Comprehension Worksheet on Victoria Woodhull

Here’s the last post of the day and for the final Friday of Women’s History Month 2020, a short reading on the fascinating Victoria Woodhull and its accompanying vocabulary-building and comprehension worksheet.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

The Algonquin Wits: Beatrice Kaufman Attends a Concert at Carnegie Hall

Beatrice Kaufman, who held little appreciation for music of any sort, once accompanied Oscar Levant to Carnegie Hall to hear Stokowski conduct Bach’s B Minor Mass. While en route to the theater Beatrice realized they were going to be late and urged her escort, ‘In heaven’s name let’s hurry or we’ll miss the intermission.’”

Excerpted from: Drennan, Robert E., ed. The Algonquin Wits. New York: Kensington, 1985.

The Weekly Text, March 20, 2020, Women’s History Month 2020 Week III: A Reading and Comprehension Worksheet on the Flappers

Alright, I do want to remember that March is Women’s History Month. This week’s Text, in observation of the month, is a reading on flappers along with its accompanying vocabulary-building and comprehension worksheet. The reading is short, but it allows for the possibility of asking a critical question about them: were they avatars of female agency, and thus an early paradigm of feminism?

This post on the cartoon character Betty Boop, which I posted almost exactly a year ago, might complement today’s Text, depending on how far you want to go with this. I can tell you that the Betty Boop material has been of relatively high interest to the students I’ve served over the years.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Book of Answers: The Bell Jar

“Who wrote The Bell Jar? The novel of attempted suicide and recovery was written by Sylvia Plath, but was published under the pseudonym of Victoria Lucas in 1963. It did not appear under the author’s name until 1966.”

Excerpted from: Corey, Melinda, and George Ochoa. Literature: The New York Public Library Book of Answers. New York: Simon and Schuster, 1993.

Everyday Edit: Mother Teresa

This Everyday Edit worksheet on Mother Teresa is the last of these documents I have to post for Women’s History Month 2020. Let me point out one more time (until next month, when I will have a half-dozen or so to post in observation of Asian Pacific American Heritage Month 2020) that you can find a yearlong supply of Everyday Edit worksheets at Education World, where they are free for the taking.

And if you find typos in this documents, they’re there for a reason, so fix the dang things!

Beryl Bainbridge

“Beryl Bainbridge: (1934-2010) English novelist. Bainbridge’s novels are distinguished by the uncommon psychological acuity with which she treats ordinary people in working class environments. Much of her macabre, black-comic fiction draws on her reflections and memories of growing up in Liverpool under the shadow of World War II. Typically, her first novel, A Weekend with Claude (1967), centers on an act of violence. Another Part of the Wood (1968), examines the death of a child which occurred because negligent adults were preoccupied with their own sexual concerns. Harriet Said (1972), begins with an accidental killing by a thirteen-year-old girl. Bainbridge’s comic irony and sense of destructive forces lurking beneath the familiar are again evident in The Bottle Factory Outing (1974), Sweet William ((1975), A Quiet Life (1976), and Injury Time (1976). Young Adolf (1978) imaginatively reconstructs Hitler’s probable visit to his half-brother in Liverpool in 1912 (to avoid conscription), revealing the violence, paranoia, and posturing of the young man, who craved affection but did nothing to win it. Winter Garden (1980) is a thriller about an English artist who disappears in Russia. In 1984, Bainbridge published the diary she kept during the filming of a BBC television series in 1983, entitled English Journey, or, The Road to Milton Keynes. Her subsequent works of fiction are Filthy Lucre, or the Tragedy or Ernest Ledwhistle (1986) and An Awfully Big Adventure (1989).”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

The Weekly Text, March 13, 2020, Women’s History Month 2020, Week II: A Reading and Comprehension Worksheet on Toni Morrison

For Week II of Women’s History Month 2020, here is a reading on Toni Morrison with its accompanying vocabulary-building and comprehension worksheet.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Book of Answers: George Sand

“What was George Sand’s real name? The French author of Consuelo (1842) was born Amadine Lucie Aurore Dupin.”

Excerpted from: Corey, Melinda, and George Ochoa. Literature: The New York Public Library Book of Answers. New York: Simon and Schuster, 1993.

Zora Neale Hurston on the Life of Men

“Ships at a distance have every man’s with on board. For some they come in with the tide. For others, they sail forever on the same horizon, never out of sight, never landing until the Watcher turns his eyes away in resignation, his dreams mocked to death by Time. That is the real life of men.”

Zora Neale Hurston

Their Eyes Were Watching God ch. 1 (1937)

Excerpted from: Schapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.