Here is a reading on Elvis Presley along with its attendant vocabulary-building and comprehension worksheet. This has tended to be high-interest material for some students, so I have tagged it as such.
For other students, Elvis may be of no interest whatsoever. I’d just like to mention that he presents an interesting case study on cultural appropriation. Did you know “Hound Dog” (which has been recorded, according to the song’s Wikipedia page, “more than 250 times”) was originally a hit for Big Mama Thornton (which was answered, humorously, by Rufus Thomas in his song “Bear Cat“) and was a number one hit for her on the R&B charts? Of that the first song (and his first hit single) he ever recorded, at Sun Studio’s Memphis Recording Service, was “That’s All Right,” composed by Arthur “Big Boy” Crudup?
In other words, this is a good reading to open a discussion about how white artists, especially in the 1950s, helped themselves to the work of black artists and got rich doing it. This is so well documented at this point that if you search “white artists not paying royalties to black artists” you will find a trove of information about this practice. Even gigantic media company BMG admits Black artists were cheated out of fair contracts and royalty payments. I salute Wilco frontman Jeff Tweedy for calling for reparations to Black recording artists.
There is a lot to chew on here. The essential question here is something like “What is cultural appropriation and what is outright theft? What is the difference?”
If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.
Mark's Text Terminal 
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