Tag Archives: united states history

Dexter Gordon

Dexter (Keith) Gordon: (1923-1990) U.S. tenor saxophonist, one of the most influential saxophonists in modern jazz. Born in Los Angeles, Gordon played in the big bands of Lionel Hampton and Billy Eckstine in the early 1940s, later working in small groups with Charlie Parker, Tadd Dameron, and fellow tenorist Wardell Gray. He was incarcerated on narcotics charges in the early 1950s, and moved to Denmark in 1962. A starring role in the film Round Midnight (1986) revived his career.

Excerpted/Adapted from: Stevens, Mark A., Ed. Merriam Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.

Cultural Literacy: Vidkun Quisling

While I very much doubt there will be much demand for it, here nonetheless is a Cultural Literacy worksheet on Vidkun Quisling. This is full-page worksheet with a reading of four sentences and five comprehension questions.

Quisling’s surname name became a synonym for traitor and collaborator after his decision, which this document covers, to collaborate with the Nazis during during the German occupation of Norway in World War II. I first encountered this use while reading Christopher Simpson’s excellent book Blowback many years ago; he uses the term, in that study, “quisling governments” to describes the complicity of officials in the Soviet Baltic states and Ukraine in the Holocaust, particularly the events depicted in a film like Defiance–i.e. the role of the Einsatzgruppen in the early days of the the Nazi invasion of the Soviet Union.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Soul Music

soul music: Style of U.S. popular music sung and performed primarily by black musicians, having its roots in gospel music and rhythm and blues. The term was first used in the 1960s to describe music that combined rhythm and blues, gospel, jazz, and rock music and that was characterized by intensity of feeling and earthiness. In its earliest stages, soul music was found most commonly in the South, but many of the young singers who were to popularize it migrated to cities in the North. The founding of Motown Records in Detroit and Stax-Volt in Memphis did much to encourage the style. Its most popular performers include James Brown, Ray Charles, Sam Cooke, and Aretha Franklin.”

Excerpted from: Stevens, Mark A., Ed. Merriam-Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.

The Weekly Text, 3 June 2022: Summer of Soul Lesson 1

During the month of June Mark’s Text Terminal will offer a four-lesson unit on Ahmir “Questlove” Thompson’s 2021, Oscar-winning documentary, Summer of Soul. As you probably know, this film compellingly documents, using the long-lost footage the late Hal Tulchin shot, of the 1969 Harlem Cultural Festival held in Mount Morris Park, now known as Marcus Garvey Park.

Without further ado, and in keeping with the general practice at Mark’s Text Terminal of keeping the documents up front (ahead of my bloviation, that is) in posts, here is the first lesson plan of the Summer of Soul unit. I open this lesson with this Cultural Literacy worksheet on the Black Arts Movement, which I think is particularly salient to both this lesson and this unit. Here is a worksheet to guide research into the principals–spread across 50 years–involved in the production of the 1969 Harlem Cultural Festival and the long overdue documentary on it, Summer of Soul. Finally, here is the poster or handbill (or both) from the event itself.

Now, if you would like to develop this unit further (there is plenty of room for that, it seems to me, particularly if your students are interested), here is the unit plan. To write additional lessons, should you want it, here is the lesson plan template. If you write further lessons for this unit, and want to create materials using the format in these documents, here is the worksheet template.

Finally, here is a Cultural Literacy worksheet on the A.M.E. Church (i.e. the African Methodist Episcopal Church) that I stacked in the planning materials folder for future use. One direction this unit might go further with, or serve as a jumping-off point for another unit, say, on the Black Church, using Henry Louis Gates’ recent series on the subject to explore the connection between the Black Church and the Civil Rights Movement. There was a a gospel day at the 1969 Harlem Cultural Festival–including, movingly, Mahalia Jackson and Mavis Staples sharing a microphone–and the film performs a badly needed service in making the connection not only between the Black Church and the Civil Rights Movement explicit, but also the connection between the Black Church and soul music. I don’t know about you, but sometimes when I listen to some old O’Jays records, it sounds like the men in the group left their church choir rehearsal and went straight to Kenny Gamble and Leon Huff’s recording studio. “Love Train,” in fact, is arguably a gospel song.

OK: more (perhaps considerably more) said than necessary. If this material interests you, stay tuned for the next three Fridays at Mark’s Text Terminal to collect the next three lessons.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Cultural Literacy: Mao Zedong

This Cultural Literacy worksheet on Mao Zedong is a full-page document: it contains a seven-sentence reading with seven comprehension questions. In other words, it is suitable for a variety of functions in a social studies (yeesh to that term, as always) classroom. This worksheet, like virtually every posted document on this website, is formatted in Microsoft Word. That means it is open to your editorial hand, should it not quite address your curricular requirements or the needs of your students.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Albert Einstein

Finally this morning, here is a reading on Albert Einstein with its accompanying vocabulary-building and comprehension worksheet. Enough said.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

The Lost Weekend

The Lost Weekend: A film (1945) adapted by director Billy Wilder and Charles Brackett from a 1944 novel by Charles R. Jackson about a struggling writer who surrenders to alcoholism one weekend after he falls victim to writer’s block. Starring Ray Milland, the film caused a considerable stir: representatives of the liquor industry offered $5 million of the negative, so that it could be destroyed, fearing the effect it would have upon sales of alcohol, and members of the temperance movement also tried to have the films stopped, suspecting that it might actually encourage people to drink. The novel and film popularized the phrase ‘lost weekend’ for any period spend in dissolute living or drunkenness.”

Excerpted from: Crofton, Ian, ed. Brewer’s Curious Titles. London: Cassell, 2002.

Limners

“Limners: Untutored American artists who executed naïve and literal portraits. Often itinerant, they worked mostly in the 18th and early 19th centuries.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

Cultural Literacy: Woodstock

Here is a Cultural Literacy worksheet on Woodstock. This is a half-page worksheet with a nicely symmetrical three-question reading followed by three comprehension questions. Even with this brevity, as is typical of so many of the squibs found in The New Dictionary of Cultural Literacy, this is a surprisingly thorough general introduction to both the Woodstock Festival and its cultural legacy.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

The Doubter’s Companion: History

“History: A seamless web linking past, present and future.

Contemporary Western society attempts to limit history to the past, as if it were the refuse of civilization. Individuals who hold power tend to see history only as mythology which can be manipulated to distract the citizenry, but is not useful in itself.

Among the different humanist areas of, history has nevertheless survived best the pseudo-scientific reduction of non-scientific learning to theoretically objective standards. The other cornerstones of humanism—literature and philosophy—have been severely damaged by the drive to quantify and objectify everything in sight. Intellectual accounting is not a synonym for thinking. Driven by this vain search for objectivity, literature and philosophy have come to resemble the obscure and controlling scholasticism of the Middle Ages.

If the historical approach has been able to resist these trends, it may be because power structures require a comforting background of mythology and mythology requires a sweep of civilization. Thus, history is welcome as a superficial generalization viewed at a hazy distance.

Our technocracy is frightened by the idea that ideas and events could be part of a large flow and therefore less controllable than expertise would like to suggest. For them, history is a conservative force which blocks the way to change and to new answers. In reality, history only becomes an active force when individuals deform it into a weapon for public manipulation. By that process it ceases to be history.

The twentieth century has been dominated by a catastrophic explosion of ideologies of which communism and fascism have been the most spectacular. Neo-conservatism is a recent minor example. The fleeting success of these ideologies has been made possible in part by the denial of history—or rather, by freezing history into narrow bands of logic, the sole purpose of which is to justify a specific ideology.

This does not mean that history becomes a beacon of truth when it is separated from ideology. History is not about truth but about continuity, and not about a limited dialectic but about an unlimited movement. To the extent that ethics remain in the foreground, history cannot be grossly deformed. The ethics which Western civilization has attempted to push forward for two and a half millennia are scarcely a secret. If anything, they have remained painfully obvious as one set of power structures after another has sought to marginalize or manipulate them. It is in this context that ideology most typically seeks to fix our attention on a single, conclusive pattern which can be presented as inevitable and which therefore carries a deformation of ethics.

These destructive experiences illustrate the value of history as a guarantor of both stability and change. It is neither a conservative nor a revolutionary force. Instead, history is a constant memory and its value lies in our ability to make it a highly conscious part of our lives. In an age which presents abstract analysis—a method that denies continuity and memory—as the sole respectable method of exercising power, history is perhaps the sole intact linear means of thought.”

Excerpted from: Saul, John Ralston. The Doubter’s Companion. New York: The Free Press, 1994.