Tag Archives: readings/research

The 4 Games of Ancient Greece

“Pythian * Isthmian * Nemean * Olympic

The Pythian Games were held in honour of Apollo at Delphi; the Isthmian Games, at Corinth for Poseidon; the Nemean Games, at Nemea in honour of Zeus. But the most famous in the ancient world were the Olympic Games, held in honor of Zeus at Olympia in the Peloponnese, which attracted city states from across the Greek (and later Roman) world.

Each of these PanHellenic Games were held at intervals of either two or four years and were arranged so that each year there was at least one competition open to any free-born Greek. The first recorded winner is from 776 BC though the practice was considerably more ancient. The Games seem to have been designed to select the very best in order that they could offer up a sacrifice that would be the most pleasing to the Gods. This also explains the sacred truce, the cult of heroic nudity, the simple garlands awarded to the victors and the decision of the Christian emperor Theodosius to close down the games in 394 BC.”

Excerpted from: Rogerson, Barnaby. Rogerson’s Book of Numbers: The Culture of Numbers–from 1,001 Nights to the Seven Wonders of the World. New York: Picador, 2013.

A Lesson Plan on Data Storage from The Order of Things

As you get older, you take it for granted, but it’s still fun to experience synchrony. A friend of mine and I land on synchrony quite often while texting–often using the same words simultaneously. In this case, the same day I interviewed with some very nice, clearly talented, unusually engaged and deeply committed folks at a computer-themed career and technical education high school in the North Bronx, I pulled out this lesson plan on data storage, adapted from text I grabbed from Barbara Ann Kipfer’s The Order of Things. I expect this would work well at a school such as theirs. I hope they find their way to it.

For your students, here is the list as reading and comprehension questions, which is the work of this lesson.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Mendelian Genetics

In general, I don’t teach science. But I’ve spent sufficient time in the company of the discipline, especially that middle-school and high-school level, that I know this reading on Mendelian genetics and its accompanying vocabulary-building and comprehension worksheet are the foundations of a broader inquiry into genetics.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Book of Answers: Eugene O’Neill’s Pulitzer Prizes

“How many Pulitzer Prizes did Eugene O’Neill win? Four, for Beyond the Horizon (1920), Anna Christie (1922), Strange Interlude (1928), and Long Day’s Journey into Night (1957).”

Excerpted from: Corey, Melinda, and George Ochoa. Literature: The New York Public Library Book of Answers. New York: Simon and Schuster, 1993.

Structuralism

“Structuralism: Seen as a form of constructivism, it is manifest as low-relief sculpture that interprets nature in the tradition of Cezanne by the application of simple geometric forms to a flat surface. Named by American artist Charles Biederman, it has a strong following in Holland and Canada.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

Gay Rights

Again, and as below, hearings on Amy Coney Barrett’s elevation to the United States Supreme Court are in session as I write this. Judge Barrett’s presence on the high court could be consequential indeed, especially for the LGBTQ community.

So you’ll understand why I think now is a good moment to post this reading on Gay Rights along with its accompanying vocabulary-building and comprehension worksheet.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Expressionism

“Expressionism: Art in which the emotions of an artist are paramount and take precedence over a rational and faithful-to-life rendering of subject matter. Expressionist compositions and forms therefore tend toward distortion and exaggeration, as in the art of El Greco. In modern art, expressionism is associated with German movements of the early 20th century, especially in Die Brucke and Der Blaue Reiter, which are usually referred to as German expressionism. In the Americas expressionism was embraced by Mexican muralists searching for a national style that incorporated European and pre-Columbian elements. See neo-expressionism.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

Jet Travel

National Public Radio ran a story this morning on airlines–among them Qantas and Royal Brunei–are offering “Flights to Nowhere.” People suffering travel withdrawal can board a plane and fly…back to the airport where they started!

I can’t pretend to understand anyone’s desire to do something like that, but at the same time, to each his or her own. In any case, I found this reading on jet travel and its attendant vocabulary-building and comprehension worksheet in the warehouse. You can see why I post it now.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Term of Art: Balance of Payments

“Balance of payments Macroeconomic term to denote the balance between a nation’s expenditure on imports and its receipts from exports, including invisible imports and exports. If the receipts from exports exceed the cost of imports, the balance is said to be in surplus: if vice versa it is in deficit. It is possible, and is often the case in the UK, to have a deficit balance on visible trade and a surplus balance on invisible trade. The sum of the two balances is known as the ‘balance on current account.’

A deficit can be financed by loans from abroad or by using national gold and foreign currency reserves to finance foreign payments which cannot be met any other way. However, if a deficit persists a government has to readjust permanently the pattern of trade. This may be done: (1) by reducing the value of its currency, making exports cheaper to foreigners and imports dearer, thereby discouraging demand for them; (2) by exchange controls, making it difficult to convert its own currency into foreign currency, thereby restricting investment of capital and spending abroad; (3) by import controls and tariffs to place foreign competitors at a disadvantage in competing with home producers, thereby decreasing demand for imports; (4) by deflating the home economy, by cutting employment and income and reducing the demand for both  home-produced and imported goods.”

Excerpted from: Cook, Chris. Dictionary of Historical Terms. New York: Gramercy, 1998.

Latin American Boom

“Latin American Boom: A term for the recognition and publication of Latin American fiction in Europe, the U.S., and Latin America during the 1960s. The ‘boom’ writers were innovative and experimental and yet also accessible, and included Gabriel Garcia Marquez, Carlos Fuentes, Mario Vargas Llosa, Jose Donoso, and Julio Cortazar. Guillermo Cabrera Infante is often considered part of the group. The reasons for the boom include attention and the awarding of prizes by publishers in Spain to Latin American authors; the Cuban Revolution (1959), which focused attention on the Americas; the exhaustion of the Nouveau Roman style and a renewed interest in vibrant storytelling; and the conjunction of imaginative work that engaged political and historical themes. Paradoxically, the fame of book writers has obscured the recognition of pre-boom writers like Onetti, Pinera, Lezama Lima, Lispector, Arguedas, and Arreola, while post-boom writers have found it hard to crack the commercial market, given the starlike promotion of the boom novelists. Notable exceptions are Isabel Allende and writers whose work has been made into successful U.S. films, plays, or musicals, such as Manuel Puig.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.