Tag Archives: readings/research

Bessie Smith

“Bessie Smith: (originally Elizabeth) U.S. blues and jazz singer, one of the most distinctive stylists of classic blues and the most successful black entertainer of her time. Born in Chattanooga, Tennessee, Smith sang popular songs as well as blues on the minstrel and vaudeville stage. She began recording in 1923 and appeared in the 1929 film St. Louis Blues. Her interpretations represent the fully realized tradition of the rural folk tradition of the blues to its urbane structure and expressiveness. A bold, supremely confident artist with a powerful voice and precise diction, she became known as ‘Empress of the Blues.’ She died from injuries sustained in a car crash, having apparently been refused treatment for reasons of racial prejudice.”

Excerpted/Adapted from: Stevens, Mark A., Ed. Merriam Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.

The Weekly Text, 17 June 2022: Summer of Soul Lesson 3

If you’ve been following along for the past couple of Fridays, then here is the third lesson plan of the Summer of Soul unit I wrote last spring to take advantage of high interest in that superb documentary and the events it records and assesses. To carry out this lesson, the third of four, I begin with this short reading with three comprehension questions on the Baby Boomer generation as a do-now exercise. The primary work of this lesson involves this truncated reading on Woodstock and its accompanying discussion guide and note-taking worksheet.

If you would prefer longer-form materials on Woodstock, you’ll find those here. Otherwise, that’s it for another week.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Chasten (vt)

This context clues worksheet on the transitive verb chasten was Merriam-Webster’s Word of the Day at some point. This isn’t a particularly high-frequency word in English–nor is its noun, chaste–which is too bad, as these are useful words. For the purposes of this document, chasten means “to correct by punishment or suffering.” Remember that this verb is used only transitively, so don’t forget your direct object: the subject of your sentence must chasten something or someone.

(Incidentally, if you’re interested, chasten also means “discipline,” “purify,” “to prune (as a work or style of art) of excess, pretense, or falsity,” “refine,” “to cause to be more humble or restrained,” and “subdue.”)

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Rhetorical Irony

“Rhetorical Irony: A form of irony in which the attitude and tone of the speker or writer is the exact opposite of what is expressed. Such irony is common in the work of Swift, Voltaire, Samuel (Erewhon) Butler, and Antatole France.”

Excerpted from: Cuddon, J.A. The Penguin Dictionary of Literary Terms and Literary Theory. New York: Penguin, 1992.

Rotten Reviews: Doris Grumbach on Mary McCarthy

“On television I see Mary McCarthy taking about her Vassar friend, the poet Elizabeth Bishop. I notice Mary’s instant icy smile, so often present when I interviewed her in Paris in 1966 for a book. George Grosz saw the same smile on Lenin’s face. ‘It doesn’t mean a smile,’ he said. I am fascinated by it. It represents, I think, an unsuccessful attempt to soften a harsh, bluntly stated judgement. Last summer, twenty-two years after the book I wrote about her, which she so disliked, appeared, I encountered Mary for the first time in an outdoor market in Blue Hill.

 ‘Hello Mary,’ I said. ‘Do you remember me?’

 Her smile flashed and then, like a worn-out bulb, disappeared instantly.

 ‘Unfortunately,’ she said.

 It didn’t mean a smile.”

 Doris Grumbach

Excerpted from: Barnard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.   

The Thin Man

The Thin Man: A comedy-mystery film (1934), starring William Powell and Myrna Loy as the ever-bantering and happily tippling husband-and-wife team Nick and Nora Charles, who, with the aid of their wire-haired terrier Asta, investigate the disappearance of the tall, eccentric inventor Clyde Wynant (Edward Ellis), who is the ‘Thin Man’ of the title. The screenwriters Albert Hackett and Frances Goodrich based their sparkling script on the novel The Thin Man (1932) by Dashiell Hammett (1894-1961), who is said to have based the wisecracking and mutual teasing of Nick and Nora on his own relationship with the playwright Lillian Hellman (1905-84). There were several more Thin Man films, generally less successful than the first.”

Excerpted from: Crofton, Ian, ed. Brewer’s Curious Titles. London: Cassell, 2002.

Rhetorical Figure

“Rhetorical Figure: An artful arrangement of words to achieve a particular emphasis and effect, as in apostrophe, chiasmus, and zeugma. A rhetorical figure does not alter the meanings of words as a metaphor may do. The repetitions in these lines from Gerard Manley Hopkins’sSt Winefred’s Well” are rhetorical in their emphasis and echoing:

‘T. What is it, Gwen, my girl? Why do you hove and haund me?

W. You came by Caerwys, sir?

V.                                 I came by Caerwys

W.                                                   There

Some messenger there might have met/met you from my uncle.

T. Your uncle met the messenger-/met me; and this is the message:

Lord Bueno comes to night./

W.                                                To night, sir!'”

Excerpted from: Cuddon, J.A. The Penguin Dictionary of Literary Terms and Literary Theory. New York: Penguin, 1992.

Tropic of Cancer

Tropic of Cancer: A semi-autobiographical novel (1934) in experimental form by the US writer Henry Miller (1891-1980). Unashamedly exhibitionistic, the book reflects Miller’s bohemian life and sexual activities during the 1920s and 1930s. Tropic of Capricorn (1939) is a companion volume, recalling his childhood and earlier life in the United States. Both books were banned in the United States until the 1960s. Of Tropic of Cancer, the poet and critic Ezra Pound (1885-1972) commented: ‘At last an unprintable book which is readable.’ The Tropics of Cancer and Capricorn are two parallel lines either side of the Equator between which the sun can be directly overhead at noon. Miller commented that

‘Cancer is separated from Capricorn only by an imaginary line… You live like a rock in the midst of the ocean; you are fixed while everything about you is in turbulent motion.’

A film version (1970) was directed by Joseph Strick.”

Excerpted from: Crofton, Ian, ed. Brewer’s Curious Titles. London: Cassell, 2002.

Review

“Review: A short notice of discussion or critical article in a paper, journal or periodical; (b) a journal or periodical containing articles on literature, art and philosophy. The Edinburgh Review is a famous example; so is the Quarterly Review. Publications like Horizon, Scrutiny, The London Magazine, Essays in Criticism, and Encounter might well be placed in this category.”

Excerpted from: Cuddon, J.A. The Penguin Dictionary of Literary Terms and Literary Theory. New York: Penguin, 1992.

Dizzy Gillespie

Dizzy Gillespie: (originally John Birks) (1917-1993) U.S. jazz trumpeter, composer, arranger, and bandleaders, one of the primary innovators of bebop. Born in Cheraw, South Carolina, Gillespie was influenced by Roy Eldridge and played with the big bands of Cab Calloway, Earl Hines, and Billy Eckstine before leading small groups in the mid-1940s. He pioneered bebop with saxophonist Charlie Parker and pianist Thelonious Monk. Bringing this approach to his big band in the late 1940s, Gillespie popularized the use of Afro-Cuban rhythms in jazz. Alternating between large and small ensembles for the rest of his career, his virtuosity and comic wit (in addition to his puffed cheeks and trademark 45° upturned trumpet bell) made him one of the most charismatic and influential musicians in jazz.

Excerpted/Adapted from: Stevens, Mark A., Ed. Merriam Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.