Tag Archives: readings/research

Graffiti Art

“Graffiti Art: (It., scratched) Beginning in the 1970s with the availability of aerosol spray paints, illegal graffiti statements and designs began to coat New York subway cars. Whereas political art took art from inside galleries and into the streets, the graffiti are movement appropriated this element of street culture and brought it into the elite world of New York art galleries. There, untrained artists like Jean-Michel Basquiat enjoyed brief recognition, while Keith Haring’s self-conscious use of the style made him its most famous proponent. Once in the galleries, however, graffiti art lost its element of illegal performance, its power as protest, and its context. Neutralized, it became fashion and quickly went out of style.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

A Lesson Plan on Historic Ages and Eras from The Order of Things

From the pages of Barbara Ann Kipfer’s The Order of Things, here is a lesson plan on historic ages and eras along with its reading and comprehension worksheet. As I note in the “About Posts & Texts” page, these worksheets are something I began developing this year as short exercises to take advantage of teachable moments and to help students develop an understanding of working with two symbolic systems (i.e. words and numbers) at the same time.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Homosexuality

When I started working with troubled adolescents in 1990, I was surprised to see that the the clinical professionals with whom I worked, tread very lightly, if at all, around the issue of sexual identity in the kids we saw. In fact, on the only occasion I saw it addressed directly, one of the more highly placed professionals in the program angrily denied that it was a precipitant to or a factor in other clinical issues.

I’m not qualified to speak deeply about clinical pathology, but at the same time I knew that gay kids coming of age in a deeply homophobic society faced challenges that I clearly hadn’t experience and therefore didn’t understand. I did know that gay kids suffered a very high rate of suicidality.

Things have changed, fortunately. Here is a reading on homosexuality along with its accompanying vocabulary-building and comprehension worksheet. This has, along the way in my time as a teacher, become a high-interest item, so I have tagged it as such.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Light in August by William Faulkner

“Light in August: A novel (1932) by William Faulkner (1898-1962), following the tragic career of the mixed-race central character, Joe Christmas. Faulkner’s working title had been Dark House, but when he heard his wife comment on the unique quality of the light in August in the American South he was taken with the phrase, and used it as the final title.”

Excerpted from: Crofton, Ian, ed. Brewer’s Curious Titles. London: Cassell, 2002.

A Lesson Plan on the Crime and Puzzlement Case “The Awesome Treasure”

Because they are, so to speak, flying off the shelf, here is a lesson plan on the Crime and Puzzlement case “The Awesome Treasure.”

I open this lesson with this Cultural Literacy worksheet on the idiom “Any Port in a Storm.” This scan of the illustration and questions drives the case; this typescript of the answer key helps you solve it.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Mahabharata

“Mahabhrata: One of the two great epic poems of ancient India (the other being the Ramayana), about eight times as long as the Iliad and the Odyssey together. It is a great compendium, added to as late as AD 600, although it had very nearly acquired its present form by the 4th century. Covering an enormous range of topics, the Mahabharata, with its famous interpolation, the Bhagavadgita, has as its central theme the great war between the sons of two royal brothers, in a struggle for succession. The brothers are Dhritarashtra and Pandu, their families being referred to respectively as the Kauravas and the Pandavas. The Pandavas ultimately prevail, the eldest of them, Yudhishtira, gains the throne, and Arjuna, one of his younger brothers and in many ways the hero of the entire epic (especially through the Bhagavadgita), gains the hand of the lovely Draupadi and brings her home as the wife of all five brothers, The epic also contains the Shantiparvan, an important discourse on statecraft, and the famous Savitri episode, the tale of Nala Damayantt. In its totality, it is an encyclopedia of Hindu life, legend, and thought: ‘What is not in the Mahabharata,’ says the Mahabharata, ‘is not to be found anywhere else in the world.'”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

Independent Practice: Indus Civilization

In the ongoing observation of Asian Pacific American Heritage Month 2020, here is an independent practice worksheet on Indus Civilization. This was key material in the global studies curriculum in New York City; it is integral, I would think, to understanding the rise of civilizations in river valleys around the world.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Italianate Style

“Italianate Style: An American residential architectural style seen ca. 1840-1865. Fancifully adapted from Italian Renaissance palaces, the American version is typically of two or three stories with a low-pitched hip roof, formal balance of design, wide and bracketed eves, and much interest in such façade details as window caps. Most examples have a cupola or belvedere. The innovation of cast-iron construction in the mid-19th century provided affordable, mass-produced Italianate facades such as those still found on the SoHo district of New York City.”

 Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

Lucky Luciano

Here is a relatively high-interest reading on Lucky Luciano along with its attendant vocabulary-building and comprehension worksheet. As I say tirelessly–and probably tiresomely as well–this material is in Microsoft Word so there is plenty of room to expand, contract, or otherwise manipulate it for your needs.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Term of Art: Taboo

“Taboo: The term taboo derives from the Tongan ‘tabu,’ meaning ‘sacred” or ‘inviolable.’ However, its contemporary use is broader, most generally meaning a social and often sacred prohibition put upon certain things, people, or acts, which render them untouchable or unmentionable. The most famous taboo is the near-universal incest taboo, prohibiting sexual or marriage relations between particular categories of kin. According  to both Sigmund Freud (Totem and Taboo, 1938) and Claude Levi-Strauss (The Elementary Structures of Kinship, 1969), society itself originated with the incest taboo. Other authors have stressed the function performed by taboos in society. Raymond Firth (in Symbols Public and Private, 1973) interpreted taboo as a mechanism of social control. In Purity and Danger (1966), Mary Douglas drew attention to the way in which taboo serves as a social marker, creating and maintaining social classifications.”

Excerpted from: Marshall, Gordon, ed. Oxford Dictionary of Sociology. New York: Oxford University Press, 1994.