Tag Archives: readings/research

Two Reading and Comprehension Worksheets on Bob Dylan

The first record I owned, at the age of ten or eleven, was Pete Seeger Sings Woody GuthrieMy father brought it home for me one day. I loved it from the first time I listened to it, and I still listen to it now. Within a couple of years, I managed to follow Woody Guthrie’s influence to Bob Dylan, whose music I also continue to listen to almost 50 years later. In fact, many of his records, particularly Blood on the Tracks and John Wesley Harding receive almost weekly play here at Mark’s Text Terminal.

To my mind, it’s nearly impossible to underestimate the cultural importance of Bob Dylan’s work. In fact, so much ink has been spelled on it by so many astute critics that I hardly need to belabor the point here. While I know his selection for the Nobel Prize in Literature is controversial, my own opinion is that the man who wrote “Desolation Row” and “Visions of Johanna,” to mention just two of his most brilliant songs, certainly earned his laurels as a writer of lasting worth and importance.

So, last but not least on this May morning, I have two sets of readings and comprehension worksheets on Bob Dylan. The first set is a general biography of Bob Dylan’s musical career and is in some respects anodyne. The second set, which to some extent, by comparison, renders the first set of documents anodyne, is this reading and comprehension worksheet on Bob Dylan’s switch to electric music in 1965 and his legendary (or legendarily disastrous) appearance at the Newport Folk Festival in that year. It’s worth mentioning that Dylan’s appearance at Newport in 1965 is something of a cultural touchstone, both a gotterdammerung moment and an intimation of what was to come in American popular music. It pops up in various places as a reference point to a particular moment in the history of popular music.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

A Lesson Plan on Climatic Zones from The Order of Things

From the pages of The Order of Things, here is a lesson plan on climatic zones and they way they are organized, as well as the worksheet with list and comprehension questions that constitutes the work of this lesson.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Happening

“Happening: Happenings developed from a combination of assemblage and environment art as artists sought to free art further from the constraints of the wall and the frame. Resembling performance, these events often involved sculpture, sound, time, motion, and living persons. While participants began with a plan, there was no rehearsal and no repeat performance. Spontaneous audience participation was sometimes encouraged. Allen Kaprow is credited with inventing happenings, which took place in New York City in the 1960s.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

Walt Whitman

Last but not least this morning, on a lovely spring morning, what’s more appropriate than a reading on Walt Whitman along with its vocabulary-building and comprehension worksheet?

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Influenza Epidemic of 1918

While wandering around in the warehouse yesterday morning, I came across this reading on the influenza epidemic of 1918 and its accompanying vocabulary-building and comprehension worksheet. Given that this historical event has become something of a touchstone for understanding our current circumstances, i.e. the coronavirus pandemic, I can’t quite understand how I lost track of this material.

That is, until I read it. Over the years, I’ve developed a great deal of material based on the mostly excellent readings in the Intellectual Devotional series; I’ve also had a lot of success in using these materials. Students who would turn up their nose at a book, or a reading from a textbook (I especially understand the latter, as most corporate-published textbooks are lethal), will take on one of these–especially high-interest readings. This reading, however, is one of the weakest I’ve seen.

Which, however, provides some grist for the critical mill. Let’s start with the title of this reading. The influenza of 1918 was by any measure a pandemic–that’s why one of the John M. Barry’s book, The Great Influenza, one of the best on the subject, carries the subtitle “The Story of the Deadliest Pandemic in History.” So, the title for the reading in this post offers students an opportunity to differentiate, and understand the difference between, an epidemic and a pandemic. The influenza of 1918 was certainly a pandemic–remember that the Greek root pan means all. This reading, in short, presents an opportunity to teach students the importance of using language with precision.

In other words, the big question this reading raises is: Was the influenza outbreak of 1918 an epidemic or a pandemic?

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Annie Allen

“Annie Allen: (1949) A book by Gwendolyn Brooks, winner of the Pulitzer Prize in 1950. Its three parts fom a connected sequence about a black girl growing to womanhood. ‘Notes from the Childhood and the Girlhood’ includes eleven poems which provide glimpses of Annie’s birth, her practical and didactic mother, and her response to racism, killing, and death. ‘The Anniad,’ a mock heroic poem in forty-three stanzas, and three ‘Appendix’ poems, reveal Annie’s dreams of a gallant lover who goes off to war, returns home, marries her, leaves her, and returns home to die. The fifteen poems of ‘The Womanhood’ show how Annie looks bravely at a world she would like to reform. By the end, her outlook on life has changed from egoistic romanticism into realistic idealism.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

The Great Debaters: Lesson 5

Here is the fifth lesson plan of the unit plan on the Denzel Washington film The Great Debaters. This lesson addresses the attempts of the Communist Party USA to enlist Americans of African descent in the class struggle in the United States. This is a complex and fraught topic, and I believe an entire academic career might be profitably spent on this topic. A good place to go to get a general sense of it is Richard Wright’s superlative memoir Black Boy. Because of Melvin Tolson’s involvement in labor organizing, and his possible membership in the Communist Party (a fact, I find, very hard to pin down), there are scenes in the film of Tolson (played, once again, by Denzel Washington) organizing farmers and farmworkers), I wanted students to understand the allure of the Communist Party to oppressed Black people.

Unsurprisingly, I open this lesson with this context clues worksheet on the noun socialism. In the event the lesson continues into a second day, here is another on the noun communism. Finally, here is the reading and comprehension worksheet at the center of this lesson.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Manchild in the Promised Land by Claude Brown

“Manchild in the Promised Land: (1965) An autobiographical novel by Claude Brown. Set in Harlem in the 1940s and 1950s, the novel is a coming-of-age story in which Sonny, the author, escapes the ghetto and the drugs, prostitution, and violence that plague it. Having sought refuge in higher education, the author conveys a sense of warmth toward the Harlem ghetto while simultaneously contributing to the spirited social criticism of the time.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

The Great Debaters: Lesson 4

Okay, here is the fourth lesson plan of a total of eight in The Great Debaters unit here at Mark’s Text Terminal. This lesson is on James Farmer Jr., the legendary Civil Rights activist, who is a key figure in the narrative of this unit and in the film in which this unit culminates. It’s worth mentioning here that Mr. Farmer’s father, James Farmer Sr. (played in the film by the estimable Forest Whitaker), was a truly heroic figure and probably worth a lesson in this unit. Unfortunately, when planning such a unit, one must make choices. I may return to this unit at some point and add a lesson about James Farmer Sr. What do you think?

I open this lesson with this context clues worksheet on the verb matriculate, which is used both intransitively and transitively. In the event the lesson goes into a second day (depending on the length of your class period and how you choose to teach this material, there is a good chance it will), then here is another on the noun labor union, a concept and concrete assembly of people that is a key aspect of the biography of Melvin Tolson.

Finally, here is the reading and comprehension worksheet on James Farmer Jr. that is the gravamen of this lesson.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

The Great Debaters: Lesson 3

Here is the third lesson plan for The Great Debaters unit plan. This is a reading and discussion lesson on the protagonist of the film, Melvin Tolson, whom Denzel Washington plays with his usual grace and aplomb.

I open this lesson with this context clues worksheet on poetry and this one on prose. I assume it’s obvious that I hope students, from these two active exercises, will understand the difference between poetry and prose, and to use these two conceptual words competently. The mainstay of this lesson is this reading and comprehension worksheet on Melvin Tolson himself. As with the previous lesson, I envisioned this as group work, with each group taking a share of the vocabulary words and comprehension questions. That may not be tenable, depending on the size of your class (or, if you are using this during the COVID19 crisis, depending on the vagaries of online learning). But, this is a fairly flexible document and can be altered and used to best fit your circumstances.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.