Tag Archives: questioning/inquiry

Cultural Literacy: Black Panthers

Posted on February 25, 2021 | Leave a comment

Here is a Cultural Literacy worksheet on the Black Panthers. Because the authors of The Dictionary of Cultural Literacy, from which, like all the books I use to inform instructional material, I copy verbatim, use the term “Black Panthers,” I have preserved their text.

However, I have always thought of the Panthers, and therefore referred to them as the Black Panther Party, which is how they refer to themselves, and which represents them as the agents of history I would argue they have been in my lifetime.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

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Cultural Literacy: W.E.B. Du Bois

Posted on February 24, 2021 | Leave a comment

Here is a Cultural Literacy worksheet on W.E.B. Du Bois. He is a world-historical figure about whom, I confess, I know less than I should.

Fortunately, I found my way to the rich public programming at Yale University’s Beinecke Rare Book & Manuscript Library, where I have been attending particularly rich and edifying webinars on Monday afternoons. These are open to the public; if you’re on Twitter, simply follow the Beinecke, which regularly tweets about upcoming events. Otherwise, searching “Mondays at Beinecke” (or clicking on that hyperlink) will take you to a calendar of events at the Library.

In any case, the Beinecke possesses some of W.E.B. Du Bois’s papers, which came to the Library by way of one of the major collections at the library, the James Weldon Johnson and Grace Nail Johnson Papers, which is a treasure trove of materials related to Black History in the United States in the twentieth century.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

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Cultural Literacy: Muhammad Ali

Posted on February 23, 2021 | Leave a comment

Here is Cultural Literacy worksheet on Muhammad Ali. He was the greatest, you know? This is a full-page worksheet that can be used as independent practice.

Muhammad Ali really requires (or I hope he doesn’t) little or no explanation or amplification. He was ubiquitous in the media in my childhood, meeting with The Beatles and appearing in a series of photographs with them, and writing a poem with Marianne Moore in addition to his public and principled refusal to fight in the Vietnam War (even as a little kid, this thrilled me). So when an actor friend argued that Ali was one of the most exposed figures in the history of media, I had to agree. My friend’s point, though, was this: it took real courage for Canadian actor Eli Goree to take on the role of Ali; how does one portray such a profound, well-known, and ultimately sui generis personality? If you want to see, take a look at Regina King’s great new film, One Night in Miami on Amazon.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

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Cultural Literacy: Burundi

Posted on February 22, 2021 | Leave a comment

Here is a Cultural Literacy worksheet on the Central African nation of Burundi. This is another African nation that fell victim to the depredations of colonialism, in its case Germany and then Belgium. Like its neighbor, Rwanda, Burundi’s principal ethnic groups are the Hutus and the Tutsis; also, as in Rwanda, the Tutsis have attacked the Hutus and perpetrated a genocide–known as the Ikiza–against them. And, in 1993, one year before the genocide in Rwanda, there was civil conflict following an attempted coup in Burundi that resulted in the deaths of 25,000 Tutsis.

In other words, this worksheet, which is a full page and as such useful for independent practice, opens the door to an exploration of European colonialism and its legacy in colonized nations.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

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The Weekly Text, February 19, 2020, Black History Month 2021 Week III: A Reading and Comprehension Worksheet on Robert Johnson

Posted on February 19, 2021 | Leave a comment

This week’s Text, in this blog’s ongoing observation of Black History Month 2021, is this reading on Robert Johnson with its accompanying vocabulary-building and comprehension worksheet.

If your students know anything about Robert Johnson, it is probably the legend that surrounds his acquisition of his breathtaking facility in playing the guitar: to wit, that he made a deal with the devil himself. In exchange for endowing Robert Johnson with preternatural ability in playing the guitar, the devil took ownership of Robert Johnson’s soul. This has been the stuff of popular culture for a long time, and I’ll cite Walter Hill’s 1986 film Crossroads–a title derived from one of Mr. Johnson’s best-known songs, made a rock-and-roll standard by the British trio Cream–as a conspicuous example. The number of guitarists Robert Johnson inspired is as impossible to overstate as the influence of his songs in American popular music over the years.

Put another way, this is probably very high-interest material for some students. If you want to consider the role of Papa Legba in Robert Johnson’s crossroads story, you and your student very likely have the makings of a synthetic research paper. There are, in the final analysis, West African cultural touchstones behind the story of Robert Johnson’s encounter with the devil at the crossroads.

Incidentally, the great music writer Robert Palmer, in his book Deep Blues, reported that Robert Johnson was given an “ice course.” i.e. a glass of poisoned whiskey, by a jealous husband in a rural juke joint. You probably won’t be surprised that there is a lot of speculation on this floating around on the Internet. As the headline to one of these articles rightly puts it, “The only solid fact about Robert Johnson is his music….” Which, in fact, is a pretty good place to start in writing about this towering figure in American culture.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

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Cultural Literacy: Letter from Birmingham Jail

Posted on February 18, 2021 | Leave a comment

Here is a Cultural Literacy worksheet on Martin Luther King Jr.’s justly famous “Letter from Birmingham Jail.” This is a full-page document, so it is suitable for use as independent practice–or however you need to alter it for your students. This is a brief introduction to the letter and the gravamen of its argument. It should not, indeed cannot, be used as a substitute for the actual text of the Letter.

As you probably know, the “Letter from Birmingham Jail” remains one of the great pieces of English rhetoric, as well as an important philosophical statement. It is, in every sense, a world-historical document. It should be taught as such–as well as for its importance to the Civil Rights movement in the United States.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review

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Cultural Literacy: Black Muslims/Nation of Islam

Posted on February 17, 2021 | Leave a comment

Here is a Cultural Literacy worksheet on Black Muslims. The minute I saw the text that serves as the basis for this reading comprehension worksheet, let alone wrote the document, I was uneasy. In fact, I was and remain so uneasy about this worksheet that I rewrote it as a worksheet on the Nation of Islam.

Why was I uneasy? Well, first of all, thanks for asking! For starters, I think “Black Muslims” is an appellation contrived and articulated by White Americans in the 1960s to describe something they didn’t understand, and something, perhaps, that made them anxious. One thing I always tried to teach kids in my classes is that they possess a fundamental right, prerogative, indeed responsibility, to identify themselves–and not leave that important job to someone else. And I don’t know about you, but to my ear, the term “Black Muslims” coming out of the mouths of people who don’t identify as members of the Nation of Islam carries a note of derogation.

But it was an article of popular culture that supplied confirmation of my position on this worksheet–namely Regina King’s superlative new film  One Night in Miami. Have you seen it? It’s based on an actual night–February 25, 1964–when Malcolm X, Muhammad Ali, Jim Brown, and Sam Cooke met in a Miami hotel room. Based on the stage play by Kemp Powers, it is a powerful film of exceptionally strong dialogue (kudos to Mr. Powers for the strength of his exposition, which is among the best I have ever heard), stellar performances, and deft direction.

In any case, at one point in the film, as Malcolm X and Sam Cooke engage in a heated argument, Sam Cooke makes a sneering remark about “Black Muslims.” Malcolm X quickly retorts, “The Nation of Islam to you.”

And that, in the final analysis, is why this post contains two documents as well as a healthy dose of skepticism about the phrase “Black Muslims.”

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

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Cultural Literacy: Haiti

Posted on February 16, 2021 | Leave a comment

Here is a Cultural Literacy worksheet on Haiti. This is a full-page worksheet, so it is suitable, I think, for a number of uses besides the rather limited do-now scope of the shorter, half-page Cultural Literacy worksheets posted on this blog.

Have you, by any chance, read C.L.R. James’s well-regarded history of the Haitian Revolution, The Black Jacobins? I just started it yesterday, and it is all it is reputed to be: classic, at once passionate and analytical, infused with a rich contempt for tyranny, and and endowed with a welcome and edifying scholarly apparatus. I should also mention that Mr. James wrote with verve, and used his gifts as a prose stylist to produce fiction and drama as well.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

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Cultural Literacy: Crispus Attucks

Posted on February 15, 2021 | Leave a comment

Here is a Cultural Literacy worksheet on Crispus Attucks. Mr. Attucks was stevedore of African and Native American descent.

He was also the first person killed in the Boston Massacre in 1770, and therefore the first person killed for the cause of the independence of the original 13 colonies of this nation. Those are the basic facts of his life, and they should be known. Given the history of Americans of African descent in this country since, Crispus Attucks’ life might be an apt instantiation of irony, especially bitter irony–or even better, cruel irony–in history.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

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Cultural Literacy: Jazz

Posted on February 11, 2021 | Leave a comment

Here is a Cultural Literacy worksheet on Jazz. This is a full-page worksheet, so it is suitable for independent practice.

Jazz is principal genre of music played at Mark’s Text Terminal; in fact, as I type this, Kenny Dorham is playing “Blue Friday” from his fine 1959 recording Quiet Kenny. It’s a quartet set with Mr. Dorham backed by a rhythm section including pianist Tommy Flanagan, bassist Paul Chambers, and drummer Art Taylor. 

When I listened to jazz for the first time in high school (let the record reflect it was the original Impulse long-play vinyl record of John Coltrane Live at the Village Vanguard, side two, the almost 17-minute-long version of “Chasin’ the Trane”) , and I mean really listened, rather than simply heard, I knew I would be an aficionado of the music for the rest of my life. 

Over the years, the word Jazz (especially spelled out with a lower-case j) began to trouble me. Aside from its slangy sound and therefore connotation, it seemed like a miserly word to describe such original, variegated, and stately music. So, a few years back, when I heard an interview the great trumpeter (see him live if you can!) Nicholas Payton in which he said he takes issue with the word Jazz, I was relieved to hear him say it. He prefers the term “Black American Music,” which sounds good to me. If you’re interested in learning more of Mr. Payton’s thoughts about Jazz, you might want to take a look at this 2011 post from his blog.

Clint Eastwood has often said that Jazz and Blues are the perhaps “the only original art forms that we have” in the United States. It’s hard to disagree with that, and it’s hard not to at least consider the fact that Jazz especially has been ignored in the United States for two simple reasons: racism and a lack of good taste, tendencies that far too many Americans express proudly. Jazz is our classical music, and maybe for that reason alone it is time to find a new name for this complex, vibrant, uniquely American music.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

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Posted in English Language Arts, Essays/Readings, Independent Practice, Social Sciences, Worksheets

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