Tag Archives: professional development

Jerome Bruner II: On Avoiding Inundation in Curriculum Design

“Let me suggest one answer [to the problem of going into depth and avoiding excessive coverage] that grew from what we have done. It is the use of the organizing conjecture. They serve two functions, one of them obvious: putting perspective back into the particulars. The second is less obvious and less surprising. The questions often seemed to serve as criteria for determining where [students] were getting and how well they were understanding.”

Jerome Bruner

Beyond the Information Given: Studies in the Psychology of Knowing

Excerpted from: Wiggins, Grant, and Jay McTighe. Understanding by Design. Alexandria, VA: ASCD, 1998.

Jerome Bruner I: On Instructional Design

[In late 2002, as I considered entering the teaching profession, I was running an internet-based used and rare book business–also named Mark’s Text Terminal. It happened that I had several of Jerome Bruner’s books in stock, so I read them all. Encountering the quote below a second time, 16 years later, in my current rereading of Grant Wiggins and Jay McTighe’s Understanding by Design, I was reminded of how resonant it was in the context of the way I was educated, and how it appeared to summarize the act of instructional design and delivery. Here it is for your consideration.]

“The curriculum of a subject should be determined by the most fundamental understanding that can be achieved of the underlying principles that give structure to a subject…. Teaching specific topics or skills without making clear their context in the broader fundamental structure of a field of knowledge is uneconomical…. An understanding of fundamental principles and ideas appears to be the main road to adequate transfer of training. To understand something as a specific instances of a more general case–which is what understanding a more fundamental structure means–is to have learned not only a specific thing but also a model for understanding other things like it that one may encounter.”

Jerome Bruner

The Process of Education

Excerpted from: Wiggins, Grant, and Jay McTighe. Understanding by Design. Alexandria, VA: ASCD, 1998.

John Locke on Education and Educated People

“Certain subjects yield to a general power that may applied in any direction and should be studied by all.”

John Locke (1632-1704)

Excerpted from: Howe, Randy, ed. The Quotable Teacher. Guilford, CT: The Lyons Press, 2003.

Term of Art: Ambiguity

“Ever since William Empson published Seven Types of Ambiguity (1930) this term has had some weight and importance in critical evaluation. In brief, Empson’s theory was that things are not often what they seem, that words connote at least as much as they denote—and very often more.  Empson explained thus: ‘We call it ambiguous…when we recognize that there should be a puzzle as to what the author meant, in that alternative views might be taken without sheer misreading….An ambiguity, in ordinary speech, means something very pronounced, and as a rule witty or deceitful.’ He uses every word in an extended sense and finds relevance in any ‘verbal nuance, however slight, which gives room for alternative reactions to the same piece of language.’ ‘The machinations of ambiguity,’ he says, ‘are among the very roots of poetry.’

He distinguishes seven main types, which may summarized as follows:

  1. When a detail is effective in several ways simultaneously.
  2. When two or more alternative meanings are resolved into one.
  3. When two apparently unconnected meanings are given simultaneously.
  4. When alternative meanings combine to make clear a complicated state of mind in the author.
  5. A kind of confusion when a writer discovers his idea while actually writing. In other words, he has not apparently preconceived the idea but come upon it during the act of creation.
  6. Where something appears to contain a contradiction and the reader has to find interpretations.
  7. A complete contradiction which shows that the author was unclear as to what he was saying.

In varying degrees, Gerard Manley Hopkins’s poem The Bugler’s First Communion exemplifies all seven types.”

Excerpted from: Cuddon, J.A. The Penguin Dictionary of Literary Terms and Literary Theory. New York: Penguin, 1992.

Term of Art: Aberrant Behavior

“Irregular behavior that deviates from what is considered normal. In sociology, the use of the term implies that the behavior in question is performed in secret and mainly for reasons of self-interest, as for example in the case of certain unusual sexual practices. This may be contrasted with ‘non-conforming behavior,’ which usually refers to public violations of social norms, often carried out specifically to promote social change. Thus the political or religious dissenter proclaims his or her deviance to as wide an audience as possible. The implications of this distinction for theories of deviance are discussed fully by Robert K. Merton in his essay ‘Social Problems and Sociological Theory’ (R.K. Merton and R. Nisbet, Contemporary Social Problems, 1971).

Excerpted from: Matthews, Gordon, ed. Oxford Dictionary of Sociology. New York: Oxford University Press, 1994.

Lee Iacocca on Teaching in a Rational Society

“In a completely rational society, the best of us would aspire to be teachers and the rest of us would have to settle for something less, because passing civilization along from one generation to the next ought to be the highest honor and highest responsibility anyone could have.”

Lee Iacocca

Iacocca (1986)

Excerpted from: Howe, Randy, ed. The Quotable Teacher. Guilford, CT: The Lyons Press, 2003.

Term of Art: Pathetic Fallacy

“Pathetic Fallacy: The ascribing of human traits and feelings to inanimate objects or nature, or the use of anthropomorphic images or metaphors. Also ANTHROPOPATHISM

‘John Ruskin coined the name and a later writer, James Thurber, created our favorite example of the pathetic fallacy in a cartoon caption for The New Yorker: ‘It’s a naive domestic Burgundy without any breeding, but I think you’ll be amused at its presumption.’”

William and Mary Morris, Harper Dictionary of Contemporary Usage

Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.

How Students Learn History in the Classroom IV

“Some students think alternative historical accounts are created when people deliberately distort the truth, usually because they are ‘biased.’ The everyday idea of bias as something like taking sides allows students to attempt to solve the problem by looking for accounts written by someone neutral. This approach makes sense for everyday clashes between two people with clear interests in some practical outcome (Who started the fight?), but it does not work for history, where alternative accounts may have nothing to do with taking sides over a practical issue. The ideal of neutrality is sometimes broadened into writing from a ‘perspective-free’ stance.

Such ideas will cause difficulties for students until they can see that stories are not so much copies of the past as ways of looking at it. The key notion here is that stories order and make sense of the past; they do not reproduce it. There can be no ‘complete’ story of the past, only accounts within the parameters authors unavoidably set when the decide which questions to ask…. All this means that accounts demand selection, and therefore a position from which selection is made. A point of view is not merely legitimate but necessary; perspective-free accounts are not possible. Research suggests that some students already understand this point by the end of eighth grade. They know we can assess the relative merits of alternative accounts by asking the right questions. What are the accounts claiming to tell us? What questions are they asking? Are they dealing with the same themes? Are they covering the same time span? How do they relate to other accounts we accept and other thing we know?”

Excerpted from: Donovan, M. Suzanne, and John D. Bransford, eds. How Students Learn History in the Classroom. Washington, DC: National Academies Press, 2005.

How Students Learn History in the Classroom III

“A community-centered approach requires the development of norms for the classroom and school, as well as connections to the outside world, that support core learning values. Learning is influenced in fundamental ways by the context in which it takes place. Every community, including classrooms and schools, operates with a set of norms, a culture—explicit or implicit—that influences interactions among individuals. This culture, in turn, mediates learning. The principles of How People Learn have important implications for classroom culture. Consider the finding that new learning builds on existing conceptions, for example. If classroom norms encourage and reward students only for being “right,” we would expect students to hesitate when asked to reveal their unschooled thinking. And yet revealing preconceptions and changing ideas in the course of instruction is a critical component of effective learning and responsive teaching. A focus on student thinking requires classroom norms that encourage the expression of ideas (tentative and certain, partially and fully formed), as well as risk taking. It requires that mistakes be viewed not as revelations of inadequacy, but as helpful contributions in the search for understanding.”

Excerpted from: Donovan, M. Suzanne, and John D. Bransford, eds. How Students Learn History in the Classroom. Washington, DC: National Academies Press, 2005.

Learning Support: English Language Arts Posters Text

For a variety of reasons, I have always found the kinds of classroom decorations available for purchase in “teachers’ stores” (what the heck is a teachers store, anyway?) to be insincerely cheerful and annoyingly inauthentic. For that reason, I developed a short unit on making classroom posters. One component of this exercise is this raw text for making classroom posters on English Language Arts topics.

Observing students as they work on creating posters helps me assess a wide range of student abilities, including organizing and executing a task as well as persisting to finish that task, following directions, reading, writing, and spelling, and understanding the basic concepts the text outlines.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.