Tag Archives: philosophy/religion

Term of Art: Heuristic

heu*ris*tic adj

  1. serving to indicate or point out; stimulating interest as a means of furthering investigation.
  2. encouraging a person to learn, discover, understand, or solve problems on his or her own, as by experimenting, evaluating possible answers or solutions, or by trial and error: a heuristic teaching method.
  3. of, pertaining to, or based on experimentation, evaluation, or trial and error methods.
  4. Computers, Math. Pertaining to a trial-and-error method of problem solving method used when an algorithmic method is impractical. –
  5. a heuristic method of argument.
  6. the study of heuristic procedure….

Flexner, Stuart Berg, and Lenore Crary Hauck, eds. Random House Unabridged Dictionary. New York: Random House, 1993.

Nietzsche on Protestantism

“Definition of Protestantism: hemiplegic paralysis of Christianity—and of reason.”

Friedrich Wilhelm Nietzsche

Excerpted from: Winokur, Jon, ed. The Big Curmudgeon. New York: Black Dog & Leventhal, 2007.

Plato

Finally this morning, here is a reading on Plato and its accompanying vocabulary-building and comprehension worksheet if you teach him in the context of global studies, English language arts, or even a philosophy class. This is a short but solid general introduction to ancient Greek thought in general and Plato in particular.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Term of Art: Historical Materialism

“Historical Materialism: A term applied by Karl Marx himself to his theory of society and history. ‘History entailed the analysis of how particular forms of society had come into existence, and the specific historical concepts within which apparently universal or eternal social forms—state, religion, market, and so forth—were located. Materialism denoted the rejection of Hegelian idealism and the primacy of socio-economic processes and relations. A sustained attempt to defend Marx’s account of the determining role in history played by the productive forces is made by William H. Shaw (Marx’s Theory of History, 1978).”

Excerpted from: Marshall, Gordon, ed. Oxford Dictionary of Sociology. New York: Oxford University Press, 1994.

Joseph Wood Krutch on New England

“The most serious charge which can be brought against New England is not Puritanism but February.”

Joseph Wood Krutch

The Twelve Seasons: A Perpetual Calendar Country “February: The One We Could Do Without” (1949)

Excerpted from: Schapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.

Aesop’s Fables: “The Boy Who Cried Wolf”

Here is a lesson plan on Aesop’s fable “The Boy Who Cried Wolf” along with its reading and comprehension worksheet if you can use them.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Term of Art: Encoding Specificity

“Encoding specificity: The effect on recall from memory of the relation between encoding operations at the time of learning and the cues…available at the time of recall, the effectiveness of the encoding operation being dependent on the nature of the cues at recall, and the effectiveness of particular cues at recall being dependent on the nature of the earlier encoding operations. For example, research has shown that if a person reads the sentence The man tuned the piano, together with many other sentences, and later tries to recall the objects mentioned in all the other sentences, then the cue nice sound facilitates the recall of piano, whereas the cue something heavy does not; but if the original sentence is The man lifted the piano, then something heavy is an effective cue but nice sound is not. References to this phenomenon can be traced to a book by the US psychologist Harry L. Hollingworth (1880-1956) published in 1928, where it was called the principle of reinstatement of stimulating conditions. Also called the encoding-retrieval interaction or transfer-appropriate processing.”

Excerpted from: Colman, Andrew M., ed. Oxford Dictionary of Psychology. New York: Oxford University Press, 2003.

Grant Wiggins, Jay McTighe, and John Dewey on Learning Ideas

Dewey’s genius grasped the educational principles underlying such sequences. Coming to understand an established idea in school must be made more like discovering a new idea than like hearing adult knowledge explained point by point. We learn complex and abstract ideas through a zigzag sequence of trial, error, reflection, and adjustment. As the facets tell us, the student needs to interpret, apply, see from different points of view, and so forth, all of which imply different sequences than those found in a catalog of existing knowledge. We cannot fully understand an idea until we retrace, relive, or recapitulate some of its history—how it came to be understood in the first place. The young learner should be treated as a discoverer, even if the path seemed inefficient. That’s why Piaget argued  ‘to understand is to invent.’”

Excerpted from: Wiggins, Grant, and Jay McTighe. Understanding by Design. Alexandria, VA: ASCD, 1998.

Arnold Toynbee on Education as a Human Activity

“Education is a specifically human activity. Unlike other animals, man inherits something over and above what is transmitted to him automatically by physical and psychic heredity.”

Arnold J. Toynbee (1889-1975), as quoted in The Teacher and the Taught (1963)

Excerpted from: Howe, Randy, ed. The Quotable Teacher. Guilford, CT: The Lyons Press, 2003.

Term of Art: Zeitgeist

“Zeitgeist: The characteristic spirit (Geist) of a historical era (Zeit). Eighteenth-century philosophers like Voltaire were intrigued by the idea of ‘the spirit of the age,’ but it was most fully developed by Hegel. Philosophies and works of art, he argued, cannot transcend the spirit or the age in which they are produced. Their expression is always symbolic and imperfect, and the progress of the human spirit is marked by the greater or lesser degree to which it captures the absolute spirit, or truth itself, beyond the limitations of any particular era. The term Zeitgeist has come to be used more loosely to describe the general cultural qualities of any period, such as ‘the sixties’ or ‘the romantic era,’ and does not carry the strong historicist connotations of Hegelian philosophy.”

Excerpted from: Marshall, Gordon, ed. Oxford Dictionary of Sociology. New York: Oxford University Press, 1994.