Because one seldom has a chance to see real genius at work, this reading on The Three Stooges and its accompanying vocabulary-building and comprehension worksheet might be a salutary antidote to that deficit.
If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.
“A collection of stories (1931) by the US writer Damon Runyon (1884-1946), comprising amusing tales of gangster life, told in Runyon’s colorful version of New York underworld patois. The first collection was followed by several others, and the stories feature characters such as Joe the Joker, Nicely-Nicely, Apple Annie, and Regret the Horseplayer. The musical comedy entitled Guys and Dolls (1950), based on Runyon’s stories and with music and lyrics by Frank Loesser (1910-69) and book by Jo Swerling and Abe Burrows, focuses on the romance that develops between a Salvation Army worker (representing the ‘dolls’) and gambler Sky Masterson (representing the ‘guys’). It was filmed in 1955 starring Frank Sinatra, Marlon Brando, and Jean Simmons.”
Excerpted from: Crofton, Ian, ed. Brewer’s Curious Titles. London: Cassell, 2002.
Here is a reading on paparazzi and its accompanying vocabulary-building and comprehension worksheet. This material is of high interest for some students in my experience using it. Don’t forget the paparazzi is a plural noun; the singular is paparazzo.
If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.
“The Trial (German title: Der Prozess): A posthumously published novel (1925; English translation 1937) by Franz Kafka (1883-1924). Set in a nightmarish, proto-totalitarian world, it concerns the tribulations of Josef K., who is arrested and brought before a court, but the charges against him are never stated. He is driven to find out what he is supposed to have done wrong, and to seek acquittal–which he never succeeds in doing, but is taken to the edge of the city and killed ‘like a dog.’
Orson Welles directed a haunting film version (1963). In the opera The Visitation (1966), the US composer Gunther Schuller (1925-2015) transfers Kafka’s The Trial to the Southern states of the USA and Josef K. becomes a black student called Carter Jones.”
Excerpted from: Crofton, Ian, ed. Brewer’s Curious Titles. London: Cassell, 2002.
Ok, in the ongoing observation of Hispanic History Month 2019 at Mark’s Text Terminal, here is a reading on Eva Peron and its accompanying vocabulary-building and comprehension worksheet. If you have students interested in the musical theater, this might be high interest material for them, given that Eva Peron’s life constitutes the source material for Andrew Lloyd Webber and Tim Rice’s musical Evita.
If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.
“Ten Days that Shook the World: A book (1919) by the US journalist John Reed (1887-1920), an eyewitness account of the Bolshevik Revolution in Russia in 1917. Reed, who came from a wealthy background, was one of the leading radical figures in the USA, became a friend of Lenin and helped to found the US Communist Party. Accused of treason in the USA, he fled to Soviet Russia, where he died of typhus. After his death the US Communist Party established many ‘John Reed’ clubs for writers and artists in US cities. His life is the subject of the film Reds (1981), directed by and starring Warren Beatty.”
Excerpted from: Crofton, Ian, ed. Brewer’s Curious Titles. London: Cassell, 2002.
As I get ready to leave school for the day, I’ll post this reading on Bonnie and Clyde and its attendant vocabulary-building and comprehension worksheet. Nota bene, please, that this is not biographical material on Bonnie Parker and Clyde Barrow, but rather a reading on Arthur Penn’s film starring Faye Dunaway and Warren Beatty, respectively, in the title roles.
Have you seen it? It’s a masterpiece by any standard I recognize.
If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.
“auteur theory: A theory of film criticism and analysis that derived from the writings of Francois Truffaut, Jean-Luc Godard, Eric Rohmer, and others, which appeared in the influential magazine Cahiers du cinema in the early 1950s. In an article printed in Cahiers in 1954, Truffaut proposed “la politique des auteurs” in an effort to free directors from traditional script-dominated films. Truffaut and his colleagues, who were to become the vanguard of the New Wave, held that, although films are collaborative efforts, they should ultimately bear the artistic stamp of the director, whose personal vision creates the film as an author (auteur) would create a book. The theory was first championed in the U.S, by the critic Andrew Sarris.”
Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.
Finishing up on this unutterably beautiful morning in Southwestern Vermont, here is a reading on the classic film The Wizard of Oz along with its accompanying worksheet for building vocabulary and comprehension.
If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.
“Apocalypse Now: A film (1979) directed by Francis Ford Coppola, loosely based on the story Heart of Darkness by Joseph Conrad (1857-1924). The title refers to the Revelation of St. John the Divine, also called the Apocalypse; ‘apocalypse’ (Greek apokalupsis) literally means an uncovering, but is popularly taken to mean the violent end of the world, as described by St, John. The ‘Now’ in the title refers to the fact that the film is set during the Vietnam War (which had come to an end four years before the film’s release). The film stars Martin Sheen as US Army captain detailed to assassinated the renegade Colonel Kurtz, played by Marlon Brando, and includes such epic set pieces as a helicopter assault conducted to the accompaniment of Wagner’s ‘The Ride of the Valkyries.’ The massive cost of the film, which was shot in the Philippines and complicated when Martin Sheen suffered a heart attack, was compounded by the extent to which it went over schedule. In the film business it became known by the alternative titles Apocalypse When? or Apocalypse Later. During filming Coppola referred to the film as his “Idiodyssey.” He later said
‘We made Apocalypse the way Americans made war in Vietnam. There were too many of us, too much money and equipment—and little by little we went insane.’
In 2001 Coppola released his own cut, Apocalypse Now Redux (redux is Latin for ‘brought back,’ ‘restored’), which included the fabled ‘French plantation sequence,’ the existence of which had been rumored among fans for years.”
Excerpted from: Crofton, Ian, ed. Brewer’s Curious Titles. London: Cassell, 2002.
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