Tag Archives: fiction/literature

Alice Childress

“Alice Childress: (1916-1994) U.S. playwright, novelist, and actress. She grew up in Harlem and studied drama with the American Negro Theater, where she wrote, directed, and starred in her first play, Florence (produced 1949). Her other plays, some featuring music, include Trouble in Mind (produced 1955), String (1969), The African Garden (1971), and Gullah (1984). She was also a successful writer of children’s books, including A Hero Ain’t Nothing But a Sandwich (1973).”

­­­­­­­­­Excerpted from: Stevens, Mark A., Ed. Merriam Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.

The Weekly Text, 6 March 2026, Women’s History Month Week I: A Reading and Comprehension Worksheet on Zora Neale Hurston

We’ve now turned the corner into Women’s History Month 2026. Mark’s Text Terminal opens its observance of this month with this reading on Zora Neale Hurston along with its attendant vocabulary-building and comprehension worksheet.

Whether or not one teaches Hurston’s novels, it seems to me that students, by the time they graduate high school, ought to know about this important figure in United States cultural and intellectual history.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Brown Girl, Brownstones

“Brown Girl, Brownstones: (1959) A novel by Paule Marshall, The title refers to the rows of Victorian brownstone houses that abound in Fulton Park, Brooklyn, where Selina Boyce, the main character, lives. Selina is the daughter of Barbadian immigrants who moved to the U.S. twenty years earlier. After two decades of labor, mostly as domestics and factory workers, they, along with other Barbadians, have moved out of a cockroach-infested nieghborhood to better environs, with dreams of owning their own house. The Boyces attempt to acquire one of the brownstones and rise in the eyes of other middle-class Barbadians, However, Selina’s father, Deighton, has a vision of a perfect house he would consider living in, the kind of house in which whites would want to live. The money to acquire a house is obtained through inheritance, but because the house he wants is not available, Deighton decides to spend every bit of the money on a shopping spree on Fifth Avenue. The dream of the house is abandoned as the area is picked by inner-city developers for a major project.

Meanwhile, Selina has spiritually grown away from her family. She goes to college and copes with racism, temporarily transcending it through the medium of dance. However, the effect is short-lived: at a party following her stage performance, hosted by a rich white family on the Upper East Side, she begins to feel the pressure of racism again, through the unconsciously racist comments that are passed socially. But Selina emerges at the end of the novel as a much stronger person, having discovered herself through art.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

Ralph Waldo Ellison

“Ralph Waldo Ellison: (1914-1993) American novelist, essayist, short-story writer, and critic. Ellison was recognized as one of the most influential and accomplished American authors of the twentieth century. He is best-known for his highly acclaimed first novel, Invisible Man, the story of a young African-American man’s painful efforts to find identity and recognition in a society that sees only his superficial racial characteristics. Recipient of the National Book Award for fiction, Invisible Man is regarded as a masterpiece for its complex treatment of racial repression and betrayal.

Ellison’s first collection of essays, Shadow and Act (1964), covers over two decades of reviews, criticism, and interviews concerning such subjects as literature, music, art, and race. Going to the Territory (1986) echoes many of these concerns. Ellison’s short stories, written in the 1940s and 1950s, are often anthologized. He taught and lectured widely in both America and Europe and was Albert Schweitzer Professor of Humanities at New York University (1970-79). Ellison was at work on another novel, which had once already been destroyed by a fire at his home, at the time of his death.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

Alice Walker

“Alice (Malsenior) Walker: (b.1944) U.S. writer. Born in Eatonton, Georgia, Walker moved to Mississippi after attending Spelman and Sarah Lawrence colleges and became involved with the civil-rights movement. Her works are noted for their insightful treatment of African-American culture. Her third and most popular novel, The Color Purple (1982; Pulitzer Prize; film, 1985), depicts a black woman’s struggle for racial and sexual equality. Her later novels include The Temple of My Familiar (1989) and Possessing the Secret of Joy (1992). She has also written essays, some collected in In Search of Our Mothers’ Gardens (1983); several books of poetry; short stories; and children’s books.

Excerpted from: Stevens, Mark A., Ed. Merriam-Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.

[Addendum: The Color Purple was filmed a second time, in 2023; this second film adaptation was based on the Broadway musical of The Color Purple.]

The Weekly Text, 13 February 2026, Black History Month Week II: A Lesson Plan on Richard Wright’s Poem “Between the World and Me”

One of the better (by which I mean most interesting) things I worked on and finally finished last year is this lesson plan on Richard Wright’s poem “Between the World and Me.” As you may know, Ta-Nehisi Coates, in an obvious homage, took this title for his exceptional and necessary book of the same name.

A few years back, a colleague of mine taught it to a class in which I was the co-teacher. This was during the 2021-2022 school year: we were back after the pandemic, still wearing masks, and I had just moved back to New York City after three years away. In other words, I filed away the poem for days when I had a clearer head.

Three years later, and after a second case of covid which left me cognitively bereft for about 18 months, I was able to recover my senses and develop this lesson. Without further ado, then, here is a Cultural Literacy worksheet on Richard Wright (two-sentence reading, three comprehension questions–very simple), which serves as the do-now exercise for this lesson. Here is the the text of the poem itself; and here is the comprehension and analysis worksheet that is the principal work of this lesson.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

The Weekly Text, 6 February 2026, Black History Month Week I: 27 Pages of Annotations (Covering All 17 Chapters) on Chimamanda Ngozi Adichie’s Novel “Purple Hibiscus”

OK–Black History Month 2026 has arrived. As I say every year, at Mark’s Text Terminal every month is Black History Month because Black History is American History. At the same time, far be it from me to second guess a person of Carter G. Woodson’s stature; Black History Month is his brainchild. This month I have a couple of new things to roll out, developed in the year since the last time the calendar spun around to February.

So let’s start out with these 27 pages of annotations I prepared to accompany all 17 chapters of Chimamanda Ngozi Adichie’s first novel Purple Hibiscus. As you may know, Ms. Adichie is a member of a group of writers known as the “Children of Achebe” (about which I heard a great deal on a public radio program several years ago, and can now find no credible source for citation on the Internet). Artificial Intelligence (which I think dubious at best) yields a list of names that include Ms. Adichie, as well as Helon Habila, Chigozie Obioma, and Sefi Atta.

Achebe, of course, refers the the late, great, Chinua Achebe, whose novel Things Fall Apart is universally regarded as a masterpiece of post-colonial literature. Purple Hibiscus is also an exemplary post-colonial novel. And it’s difficult to get past the first sentence of this fine book without noticing Ms. Adichie’s homage to Chinua Achebe: “Things started to fall apart at home when my brother, Jaja, did not go to communion and Papa flung his heavy missal across the room and broke the figurines on the etagere.”

Finally, in preparing this post, I intended to refer to material I’d prepared and published for Ms. Adichie’s short book (pamphlet, really, and literally the transcript of a TED talk), We Should All Be Feminists. To my surprise, I somehow never staged this material for inclusion in this blog. I have two versions of the unit, one complete and one incomplete. The complete unit was prepared for a small class of emergent readers and writers, so there is a lot of material. Needless to say, now that I have uncovered this lapse, I have this material in the warehouse and ready for publication.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Rotten Reviews: A Joseph Heller Omnibus

We Bombed in New Haven

“A dud of the first magnitude…”

Saturday Review

Something Happened

“…surely it’s time to declare a moratorium on brain-damaged children used as metaphors for mental and emotional decay.”

Library Journal 

Good as Gold

“…a self-indulgent ventilation of private spleen…Heller operates as if he were a jewel thief wearing boxing gloves.”

Newsweek

Excerpted from: Barnard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.   

Book of Answers: Bleak House

“What was the interminable law case in Dickens’ Bleak House (1852-53)? Jarndyce v. Jarndyce, a case stemming from a dispute about distribution of an estate.”

Excerpted from: Corey, Melinda, and George Ochoa. Literature: The New York Public Library Book of Answers. New York: Simon and Schuster, 1993.

Potboiler

“Potboiler: A work written merely to gain a livelihood. The term is at least as old as the 18th c. A classic example of the potboiler that transcends its immediate end is Johnson’s philosophical ‘novel’ or didactic ‘romance’ (qq.v.Rasselas (1759), which was written in the evenings of a week to defray the expenses of his mother’s funeral and to pay her debts. See KITSCH

Excerpted from: Cuddon, J.A. The Penguin Dictionary of Literary Terms and Literary Theory. New York: Penguin, 1998.