Category Archives: Reference

These are materials for teachers and parents, and you’ll find, in this category, teachers copies and answer keys for worksheets, quotes related to domain-specific knowledge in English Language Arts and social studies, and quotes on issues of professional concern. See the Taxonomies page for more about this category.

Steven Jay Gould on the End of the Second Millenium

 “People in the past, in religious civilizations, had a real profound terror of apocalyptic catastrophe. What frightens us in our secular age is the computer breakdown that’ll occur if computers interpret the 00 of the year 2000 and a return to 1900.”

Conversations About the End of Time introduction, ed. Catherine David et al (1999)

Excerpted from: Shapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.

Rotten Reviews: A Doll’s House by Henrik Ibsen

“It [Henrik Ibsen’s play A Doll’s House] was as though someone dramatized the cooking of a Sunday dinner.”

Clement Scott, Sporting and Dramatic News, 1889

Excerpted from: Bernard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.

Conceptual Scheme

“The general system of concepts which shape or organize our thoughts and perceptions. The outstanding elements of our everyday conceptual scheme include spatial and temporal relations between events and enduring objects, causal relations, other persons, meaning-bearing utterances of others, and so on. To see the world as containing such things is to share this much of our conceptual scheme. A controversial argument of Davidson’s urges that we would be unable to interpret speech from a different conceptual scheme as even meaningful; we can therefore be certain a priori that there is no difference of conceptual scheme between any thinker and ourselves. Davidson daringly goes on to argue that since translation proceeds according to a principle of charity, and since it must be possible for an omniscient translator to make sense of us, we can be assured that most of the beliefs formed with the commonsense conceptual framework are true.”

Excerpted from: Blackburn, Simon. The Oxford Dictionary of Philosophy. New York: Oxford University Press, 2008.

A Learning Support on Roman Gods and Goddesses

Here is a learning support on the primary Roman deities. If you teach anything related to classical mythology, you might find this useful.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Stephen Leacock on Advertising

“Advertising may be described as the science of arresting human intelligence long enough to get money from it.”

Stephen Leacock

Excerpted from: Winokur, Jon, ed. The Portable Curmudgeon. New York: Plume, 1992.

Brewer’s Curious Titles: A Boy’s Own Story

“The first novel (1982) in a trilogy of semi-autobiographical novels by the US novelist Edmund White (b. 1940). It charts a boy’s growing awareness of his homosexuality. The others are The Beautiful Room is Empty (1988) and Farewell Symphony (1997).

The title is an ironic echo of The Boy’s Own Paper (often referred to as ‘the BOP), a boy’s magazine published from 1879 to 1967, initially by the Religious Tract Society. The last issue of the BOP featured on its cover the 21-year-old Manchester United footballer George Best, described as a role model who ‘doesn’t smoke, drinks only occasionally, and restricts his card playing to sessions which ease the boredom of travelling.'”

Excerpted from: Crofton, Ian, ed. Brewer’s Curious Titles. London: Cassell, 2002.

Rotten Reviews: Max Eastman on Ernest Hemingway

“It is of course a commonplace that Hemingway lacks the serene confidence that he is a full-sized man.”

Max Eastman

New Republic, 1933

Excerpted from: Bernard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.

Term of Art: Metonymy

“The figurative or symbolic use of the name of one thing for that of another with which it is associated, or of an attribute for the whole, e.g., ‘brass’ for military officers. Adjective: metonymic, metonymical; adverb: metonymically; noun: metonym.

‘A full set would also have included the brazen Perelman pun (‘My choler wilted’ for ‘My anger subsided’)…the Perelman micro-metonymy (‘Hanna listened to the veins throbbing in my temple’ for ‘I was speechless with anger at Hanna’) and the Perelman extrapolation of cliché into metaphor (‘The whole aviary in my head burst into song’ for ‘I was bird-brained’).’” Tom Wolfe, The New York Times

Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.

Term of Art: Adaptation

“Broadly speaking, the recasting of a work to fit another, such as the recasting of novels and plays as film or television scripts. For example, Stephen Hero, A Passage to India, The Prime of Miss Jean Brodie, and Les Liaisons dangereuses as stage plays; The Forsythe Saga, Daniel Deronda, War and Peace, Brideshead Revisited and The Jewel in the Crown as television dramas. Sometimes a cycle or sequence is adapted: for instance, the dramatization of some of the Canterbury Tales as a musical comedy (1967). Short stories and poems are often equally suitable.

As an extension there are works like the Peyton Place and Colditz of which episodes continued to be presented long after the original stories had been used up.”

Excerpted from: Cuddon, J.A. The Penguin Dictionary of Literary Terms and Literary Theory. New York: Penguin, 1992.

Brewer’s Curious Titles: Brave New World

“A dystopian novel (1932) by Aldous Huxley (1894-1963). Its portrayal of an imagined future state in which men and women are processed into standardized batches by genetic engineering and lifelong conditioning was originally conceived as a challenge to the claims of H.G. Wells (1866-1946) for the desirability of eugenics. The title derives from Miranda’s exclamation in Shakespeare’s The Tempest (1611):

‘O brave new world,

That has such people in’t!’

V.i”

Excerpted from: Crofton, Ian, ed. Brewer’s Curious Titles. London: Cassell, 2002.