“Adolescent, n. Recovering from boyhood.”
Excerpted from: Bierce, Ambrose. David E. Schultz and S.J. Joshi, eds. The Unabridged Devil’s Dictionary. Athens: The University of Georgia Press, 2000.
“Adolescent, n. Recovering from boyhood.”
Excerpted from: Bierce, Ambrose. David E. Schultz and S.J. Joshi, eds. The Unabridged Devil’s Dictionary. Athens: The University of Georgia Press, 2000.
“Yet even as I wince at the terrible risk we all took, I remember thinking at the time that it was the right decision—because it it felt as though the hand of fate was ushering us forward.”
Melba Pattillo Beals on the Integration of Little Rock Schools, Warriors Don’t Cry (1994)
Excerpted from: Howe, Randy, ed. The Quotable Teacher. Guilford, CT: The Lyons Press, 2003.
“To what poem is Joan Didion referring in the title of her book Slouching Toward Bethlehem (1968)? She refers to the last line of ‘The Second Coming‘ (1921) by William Butler Yeats: ‘And what rough beast, its hour come round at last,/Slouches toward Bethlehem.'”
Excerpted from: Corey, Melinda, and George Ochoa. Literature: The New York Public Library Book of Answers. New York: Simon and Schuster, 1993.
“Patriotism in the female sex is the most disinterested of all virtues. Excluded from honors and from offices, we cannot attach ourselves to the State or Government from having held a place of eminence…. Yet all history and every age patriotic virtue in the female sex; which considering our situation equals the most heroic of yours.”
Letter to John Adams, 17 June 1782
Excerpted from: Schapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.
“…It is a pity that Mrs. Friedan has to fight so hard to persuade herself as well as her readers of her argument. In fact her passion against the forces of the irrational in life quite carries her away.
Yale Review
It is superficial to blame the ‘culture’ and its handmaidens, the women’s magazines, as she does… To paraphrase a famous line, ‘the fault dear Ms. Friedan, is not in our culture, but in ourselves.’”
New York Times Book Review
Excerpted from: Barnard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.
“Magdalena Abakanowicz: (1930-2017) Polish sculptor. A descendant of nobility, she graduated from Warsaw’s Academy of Fine Arts in 1955. She became the pioneer and leading exponent of sculpture made of woven fabrics, calling her three-dimensional weavings ‘Abakans’ (from her surname). She produced series of fabric forms called Heads (1975), Backs (1976-80), Embryology (1980), and Catharsis (1986). She has also exhibited paintings, drawings, and sculptures in other media internationally, and has been widely imitated in Europe and the U.S. Beginning in 1965, she taught at Poznan.”
Excerpted from: Stevens, Mark A., Ed. Merriam Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.
“Clare Boothe Luce: (1903-1987): American playwright and diplomat. Following her divorce from George T. Brokaw in 1929, Luce worked as an editor at Vogue and Vanity Fair. She published a novel, Stuffed Shirts (1933), under the name Clare Boothe Brokaw. In 1935 she married the publisher Henry Luce. She is best known for a series of theatrical successes, including The Women (1936), Kiss the Boys Goodbye (1938), Margin for Error (1939), Child of the Morning (1951), and Slam the Door Softly (1970). Luce’s political interests led her to public service. She served two terms (1943-47) in the House of Representatives from Connecticut and was ambassador to Italy from 1953 to 1956. She was confirmed as ambassador to Brazil in 1959 but resigned without serving because of controversy surrounding her confirmation.”
Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.
“Nawal El Saadawi: (1931-2021) Egyptian writer. The foremost woman writer of Egypt and the Middle East, el Saadawi has published nearly thirty books of fiction and sociology. She is also an influential activist for woman’s rights and a medical doctor. About half of her work has been translated from Arabic into English, including several novels. Woman at Point Zero (1983) is about a young village girl forced into prostitution and condemned to die for murder. The novel, which has been translated into twenty-two languages, chronicles the sexual exploitation of women in Egypt and examine the narrow range of options available to women in a conformist society. Other novels include God Dies by the Nile (1987), The Fall of the Imam (1988), and The Innocence of the Devil (1992). El Saadawi’s fiction draws on indigenous Arabic narratives, and thus her prose often seems highly stylized and poetic. Death of an Ex-Minister and Other Stories (tr 1987) reveals her experiments with diction, with the various narrative voices usually speaking in a monologue. The Hidden Face of Eve (1980), a sociological work, was the first book to document the horrors of clitoridectomy in northeastern Africa. El Saadawi has also written a travel account and political tracts devoted to women’s causes.
As Health Minister under the Anwar Sadat regime, el Saadawi was imprisoned for her outspoken opposition to that government’s social policies, which produced Memoirs from a Women’s Prison (tr 1986). In 1982 she formed the Arab Women’s Solidarity Association (AWSA), and international women’s organization which has a consultative status with the United Nations and combats state repression and censorship, The Cairo chapter of AWSA was forcibly closed in 1991, though it continues to operate without headquarters.”
Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.
“It is urged that the use of the masculine pronouns he, his, and him in all the constitutions and laws is proof that only men were meant to be included in their provisions. If you insist on this version of the letter of the law, we shall insist that you be consistent and accept the other horn of the dilemma, which would compel you to exempt women from taxation for the support of the government and from penalties for the violation of laws. There is not she or her or hers in the tax laws, and this is equally true in of all the criminal laws.”
Quoted in Ida Husted Harper, The Life and Work of Susan B. Anthony (1899)
Excerpted from: Schapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.
“When was Poetry magazine founded? The forum for works by many of the most influential American poets of the first part of the twentieth century was founded in Chicago in 1912 by Harriet Monroe.”
Excerpted from: Corey, Melinda, and George Ochoa. Literature: The New York Public Library Book of Answers. New York: Simon and Schuster, 1993.
You must be logged in to post a comment.