Category Archives: Quotes

As every second post on this site is a quote. You’ll find a deep and broad variety of quotes under this category, which overlap with several other tags and categories. Many of the quotes are larded with links for deeper reading on the subject of the quote, or connections between the subject of the quotes and other people, things, or ideas. See the Taxonomies page for more about this category.

Lover-Monarchs

“Antony and Cleopatra * Justinian and Theodora * Ferdinand and Isabella *            William and Mary

Antony and Cleopatra are the archetypal lover-monarchs, They met at a magnificent conjunction of fleets off the coast of modern Turkey in the autumn of 41 BC. Antony was in command of the eastern half of the Roman Empire; Cleopatra ruled over the Hellenistic monarchy of Egypt; they met in order to forge a diplomatic alliance, but became lovers. Their attempt to conquer the East was destroyed by Octavian, but the pair gained immortality with their double suicides, their colorful descendants (Caligula, Nero, and Queen Zenobia), and their leading Shakespearian roles.

The Emperor Justinian’s long reign, which saw the definitive establishment of the Byzantine Empire, was aided by his truste wife, Theodora, who brought a street-fighter determination to the partnership. Her mother had been a dancer and her father a bear-trainer, and she had grown up working in the circuses, brothels, and dance halls of Constantinople.

Ferdinand of Aragon was a womanizing, ruthless warrior-king of Aragon; Isabella, the intellectual heir of the richer but troubled Kingdom of Castile; they were cousins and their marriage began as an elopement. But their long reign was a political triumph, marked by their joint conquest of Moorish Granada (and notorious expulsion of Muslims and Jews) and the lucky patronage of Columbus and the discovery of America, which helped to forge the nation of Spain.

Britain’s most famous joint monarchs were William (of Orange) and Mary (Stuart): A personal union of cousins that ended the Anglo-Dutch naval wars and created a Protestant bulwark against Louis XIV’s expansionist Catholic kingdom of France. Their union allowed them to be ‘jointly offered the throne’ by Parliament when their uncle/father, James II, had been deposed. Mary miscarried their child in the first year of their marriage and was never able to conceive again, but kept an affectionate relationship with her husband, who had just one mistress and one boyfriend–his ex-pageboy Arnold van Keppel (who he elevated to Earl of Abelmarle). The appeal of the Keppels as royal companions has remained constant, with Edward VII and, most recently, Prince Charles, falling in love with Arnold’s descendants.

Excerpted from: Rogerson, Barnaby. Rogerson’s Book of Numbers: The Culture of Numbers–from 1,001 Nights to the Seven Wonders of the World. New York: Picador, 2013.

Rotten Rejections: And To Think That I Saw It on Mulberry Street

[This, of course, refers to Dr. Seuss’s 1937 book, which refers to Mulberry Street in Springfield, Massachusetts, which was the good doctor’s home, rather than the famous street in Little Italy in Manhattan.]

“…too different from other juveniles on the market to warrant its selling.”

Excerpted from: Bernard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.

Public Art

public art: Most artwork created from the dawn of history has been public art in the sense that it was located in places of public gathering or worship, such as Greek temple sculpture and medieval church frescoes. Since the 1960s, artists’ appetites for creating works too large to be exhibited in galleries or museums, coupled with government-sponsored initiatives, have resulted in the placement of large, publicly funded sculptures in many parks and plazas, with various degrees of critical and popular success, Public uproar over Richard Serra’s site-specific Tilted Arc in Manhattan eventually forced its removal. Other artists created earthworks, such as Christo’s Running Fence, which required vast amounts of open space. See MEDIA ART.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

Term of Art: Orthographic Awareness

orthographic awareness: An individual’s command of the sound-letter relationship,. As children learn to write, their approaches to spelling change as they become more aware of sounds and letters. In the beginning, children often spell very simply (such as ‘bt’ for ‘boat’). As they get older they may apply conventions of spelling but still misspell (‘bote’ for ‘boat’).

With more exposure to written language, as they become more proficient readers and learn specific spelling patterns, young writers begin to apply more sophisticated spelling patterns (‘boat’ for ‘boat’). Individuals with learning disabilities who have underdeveloped orthographic awareness often have problems with spelling.”

Excerpted from: Turkington, Carol, and Joseph R. Harris, PhD. The Encyclopedia of Learning Disabilities. New York: Facts on File, 2006.

Amber

amber: Fossilized pine resin. It was much appreciated in antiquity not only for its beauty but for its supposed magical properties–of attracting small particles when warmed and rubbed. The major source in Europe is along the southeast coast of the Baltic and North Sea, and minor ones in even in southeast Europe. However, the distribution of finds strongly supports the view that there was an important trade in amber following specific routes up the Elbe and Vistula, across the upper Danube to the Brenner Pass, and so down to the Adriatic and the countries bordering it. Other objects and ideas travelled by the same route, which made it an important factor in European prehistory. The trade began in the Early Bronze Age but expanded greatly as a result of the Mycenaeans’ interest. Even Britain was brought into this trading area, as witnessed by amber spacer plates in barrows of the Wessex Culture. Later, amber was very popular with the Iron Age peoples of Italy, particularly the Picenes.

Excerpted from: Bray, Warwick, and David Trump. The Penguin Dictionary of Archaeology. New York: Penguin, 1984.

Two Learning Supports on Abbreviations and Symbols

While I don’t mean to say that the method doesn’t have universal application–it does, and I think it’s probably the best way to build literacy, particularly in procedural knowledge of English prose–I think Hochman and Wexler’s The Writing Revolution curriculum might have particularly effective application in the school in which I presently serve.

So, I have returned to working up some new curriculum for social studies base on it. This morning I made two learning supports, the first one on abbreviations and the second one on symbols. Both documents are in Microsoft Word (as is just everything here at Mark’s Text Terminal), so you can alter them to your students’ needs.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Joseph Louis Lagrange on Antoine Lavoisier

“[Remark the day after the guillotining of the great chemist Antoine Lavoisier on 8 May 1794]: ‘Il ne leur a fallu qu’un moment pour faire tomber cette tete, et cent annees, peut-etre, ne suffiront pas pour en reproduire une semblable.’

It took them only an instant to cut off that head, but it is unlikely that a hundred years will suffice to reproduce a similar one.”

Joseph Louis Lagrange

Quoted int J.B. Delambre, “Eloge de Lagrange,” Memoires de l’Institut (1812)

Excerpted from: Shapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.

The Hitch-Hiker’s Guide to the Galaxy

“A cult radio serial by Douglas Adams (1952-2001), broadcast in 1978 and 1979. The story begins with the imminent destruction of Earth to make way for a hyperspace express route, and the escape of Earthling Arthur Dent and his exterrestrial friend Ford Prefect by hitching a ride on a Vogon spacecraft. The programme combined the comic with the surreal and introduced a host of eccentric characters. In 1981 the serial was adapted for television. The fictional book mentioned in the title gives handy tips to space travellers, and is frequently quoted; its verdict on the Earth is ‘mostly harmless.’ It transpires that the Earth was originally constructed to solve the question of Life, the Universe, and Everything, to which the answer turns out to be 42.

Adams went on to adapt and extend the idea in book form, characteristically producing a “trilogy in five parts’: A Hitch-Hiker’s Guide to the Galaxy (1979), The Restaurant at the End of the Universe (1980), Life, the Universe and Everything (1982), So Long, and Thanks for All the Fish (1984), and Mostly Harmless (1992).”

Excerpted from: Crofton, Ian, ed. Brewer’s Curious Titles. London: Cassell, 2002.

How Confusing Is the Mapping in English?

“The principle may not come naturally, but surely we could make the particulars easier. If you were creating an alphabet for English from scratch, you would probably create 44 letters and match each speech sound with one letter. We’d call that one-to-one matching. Written English, alas, was not created from scratch. Our language is a mongrel: Germanic origins, heavily influenced by the Norman invasion and later by the adoption of Greek and Latinate words. That’s a problem because when we borrowed words, we frequently retained the spelling conventions of the original language. The result is that English uses a many-to-many matching. One letter (or letter combination) can signify many sounds, as the letter ‘e’ does: red, flower, bee.”

Excerpted from: Willingham, Daniel T. The Reading Mind: A Cognitive Approach to Understanding How the Mind Reads. San Francisco: Jossey-Bass, 2017.

Thomas Kuhn on “Normal Science”

“‘Normal science’ means research firmly based upon one or more past scientific achievements, achievements that some particular scientific community acknowledges for a time as supplying the foundation for its further practice.”

Thomas Kuhn

The Structure of Scientific Revolutions ch.2 (1962)

Excerpted from: Shapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.