Category Archives: Quotes

As every second post on this site is a quote. You’ll find a deep and broad variety of quotes under this category, which overlap with several other tags and categories. Many of the quotes are larded with links for deeper reading on the subject of the quote, or connections between the subject of the quotes and other people, things, or ideas. See the Taxonomies page for more about this category.

Ignacio Manuel Altamirano

Ignacio Manuel Altamirano: (1834-1893) Mexican novelist and poet. A full-blooded Indian, Altamirano was an adherent of Benito Juarez and fought against the French intervention in Mexico. In 1869, he founded Renacimiento, a review to encourage literary activity, almost moribund after fifteen years of turbulence. He became the mentor of the younger generation, to whom he advocated the importance of creating a literature rooted in national life. His poetry consists of a single volume of Rimas (1880), written before 1867 and notable for its description of the Mexican landscape. Altamirano’s preoccupation with purely Mexican themes and customs is also evident in the prose works for which he is best known: Clemencia (1869), a love story set against the background of the French intervention; La navidad en las montanas (1870), a novelette; and El Zarco (1901), a novel dealing with bandits in the state of Morelos.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

Term of Art: Invented Spelling

invented spelling: A unique spelling of a word created by a child who has not yet learned the correct spelling. Proponents of invented spelling believe that it encourages students  to express their ideas in writing before they have learned to spell. Critics worry that it introduces poor habits early in the learning process. Invented spelling is also referred to as temporary spelling, on the assumption that at some point students will learn how to spell the words accurately.”

Excerpted from: Ravitch, Diane. EdSpeak: A Glossary of Education Terms, Phrases, Buzzwords, and Jargon. Alexandria, VA: ASCD, 2007.

Octavo

“A book usually measuring between 5 by 8 inches and 6 by 9 1/2 inches, which is composed of sheets folded into eight leaves.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

Term of Art: Lexicon

“A lexicon is a collection, or stock, of words. This stock may be characteristic of an individual, a profession, a philosophy, or a ‘style’ (such as, say, a sermon), or it may be as unrestricted as an unabridged dictionary. A lexicon is usually to be distinguished from a glossary in being less focused and less restrictive. It could be argued, for instance, that this glossary need not, even ought not, contain the word lexicon in that, as is the case with many or the words discussed here, it is not a word with a special meaning within the analysis of rhetoric. I would respond that insofar as it is a word used to describe the range of vocabulary from which a given discipline or individual chooses, it is a word that can be useful to the rhetor. See ARGOT.”

Excerpted from: Trail, George Y. Rhetorical Terms and Concepts: A Contemporary Glossary. New York: Harcourt Brace, 2000.

Coordination and Subordination

“I want to pause here to digress on the seemingly underwhelming concepts of coordination and subordination. I will ask you to stifle your yawn as I acknowledge that they are easy to dismiss–ancient, faintly risible, uttered once long ago by acolytes of sentence diagramming in the era of chalk dust. They smack of grammar for grammar’s sake, and almost nobody cares about that. Teachers instead seek mostly to simply make sure the sentences work and dispense with the parsing of parts. It is so much simpler to tell kids to go with ‘sounds right’ (an idea that inherently discriminates against those for whom the sounds of language are not happily ingrained by luck or privilege) or to make the odd episodic correction and not worry about the principle at work.

But coordination and subordination are in fact deeply powerful principles worth mastering. They describe the ways that ideas are connected, the nuances that yoke disparate thoughts together. It is the connections as much as the ideas that make meaning. To master conjunctions is to be able to express that two ideas are connected but that one is more important than the other, that one is dependent on the other, that one is contingent on the other, that the two ideas exist in contrast or conflict. Mastering that skill is immensely important not just to writing but to reading. Students who struggle with complex text can usually understand the words and clauses of a sentence; it is the piecing together of the interrelationships among them that most often poses the problem. They understand the first half of a sentence but miss the cue that questions its veracity in the second half. And so without mastery of the syntax of the relationships–which is what coordination and subordination are–the sentence devolves–for weak readers–into meaninglessness.”

Doug Lemov

Excerpted from: Hochman, Judith C., and Natalie Wexler. The Writing Revolution: A Guide to Advancing Thinking through Writing in All Subjects and Grades. San Francisco: Jossey-Bass, 2017.

Osiris’s Twin Symbols of Power

“Flail * Crook

The Flail and Crook of Osiris symbolize the two harvests achieved by the farmer and the shepherd and are one of the root sources for all symbols of power, notably the medieval orb and sceptre favored by European royalty. In southern Asia, this is mirrored by the ritual sceptre (the Rodge) held in the right hand and a bell (the Drilbu) in the left of Indian statues. In Buddhist depictions the left hand my hold a Buddhist jewel, whilst the right hand is open in a gesture of sending blessings to the earth.”

Excerpted from: Rogerson, Barnaby. Rogerson’s Book of Numbers: The Culture of Numbers–from 1,001 Nights to the Seven Wonders of the World. New York: Picador, 2013.

Term of Art: Orthography

orthography: The formal name for spelling–the system for representing spoken language in written form. The spelling of English can be difficult to learn due to so many irregular spelling patterns. For example, ‘do,’ ‘due,’ and ‘dew’ are all pronounced the same way. English has 44 sounds, but it has only 26 letters.

The letter-sound correspondence is essential for reading, as is the sound-letter correspondence for correct spelling. Difficulties in these relationships can result in language disabilities.”

Excerpted from: Turkington, Carol, and Joseph R. Harris, PhD. The Encyclopedia of Learning Disabilities. New York: Facts on File, 2006.

The Trial by Franz Kafka

The Trial (German title: Der Prozess): A posthumously published novel (1925; English translation 1937) by Franz Kafka (1883-1924). Set in a nightmarish, proto-totalitarian world, it concerns the tribulations of Josef K., who is arrested and brought before a court, but the charges against him are never stated. He is driven to find out what he is supposed to have done wrong, and to seek acquittal–which he never succeeds in doing, but is taken to the edge of the city and killed ‘like a dog.’

Orson Welles directed a haunting film version (1963). In the opera The Visitation (1966), the US composer Gunther Schuller (1925-2015) transfers Kafka’s The Trial to the Southern states of the USA and Josef K. becomes a black student called Carter Jones.”

Excerpted from: Crofton, Ian, ed. Brewer’s Curious Titles. London: Cassell, 2002.

Rotten Rejections: Thomas Hardy

“…there crops up in parts a certain rawness of absurdity that’s very displeasing, and makes it read like some clever lad’s dream: the thing hangs too loosely together…half worthy of Balzac.”

Excerpted from: Bernard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.

Altamira

“One of the finest painted caves, and also one of the first to be discovered (in 1879). The site is south of Santander, in northeast Spain, and is famous for its polychrome animals [40], which include deer, bison, and wild boar painted in red, black, and a range or earth colors. Most of the art in the caves was produced by Magdalenian peoples.”

Excerpted from: Bray, Warwick, and David Trump. The Penguin Dictionary of Archaeology. New York: Penguin, 1984.