Category Archives: English Language Arts

This category contains domain-specific material–reading and writing expository prose, interpreting literature etc.–designed to meet the Common Core standards in English language arts while at the same time being flexible enough to meet the needs of diverse and idiosyncratic learners.

Refugee Intellectuals

“Refugee Intellectuals: (1930-1940) During the 1930s, a galaxy of European intellectuals–authors, artists, scholars, scientists–fled European totalitarianism and found refuge, permanent or temporary, in the United States. Their contributions to the nation’s cultural life–and later to its war effort–were incalculable. The hundreds of refugee intellectuals included:

  • George Balanchine, Russian dancer and choreographer, to U.S. 1933
  • Hans Bethe, German physicist, to U.S. 1935.
  • Bertolt Brecht, German playwright and poet, in U.S. 1941-49
  • Marcel Breuer, Hungarian architect, to U.S. 1937
  • Rudolf Carnap, German philosopher, to U.S. 1936
  • Albert Einstein, German physicist, to U.S. 1933
  • Erik Erikson, German psychoanalyst, to U.S. 1933
  • Max Ernst, German painter, in U.S. 1939-49
  • Enrico Fermi, Italian physicist, to U.S. 1938
  • Erich Fromm, German psychoanalyst, to U.S. 1934
  • Walter Gropius, German architect, to U.S. 1937
  • George Grosz, German painter, to U.S. 1933
  • Paul Hindemith, German composer, in U.S. 1940-52
  • Hans Hofmann, German painter, to U.S. 1930
  • Karen Horney, German psychoanalyst, to U.S. 1932
  • Wolfgang Kohler, German psychologist, to U.S. 1934
  • Fritz Lang, German film director, to U.S. 1934
  • Thomas Mann, German author, in U.S. 1938-53
  • Herbert Marcuse, German political philosopher, to U.S. 1934
  • Ludwig Mies van der Rohe, German architect, to U.S. 1937
  • Lazlo Moholy-Nagy, Hungarian painter, to U.S. 1937
  • Hans Morgenthau, German political scientist, to U.S. 1937
  • Erwin Panovsky, German art historian, to U.S.
  • Erwin Piscator, German theatrical director, in U.S. 1939-1951
  • Arnold Schoenberg, Austrian composer, to U.S. 1931
  • Joseph Schumpeter, Austrian economist, to U.S. 1932
  • Isaac Bashevis Singer, Polish-Yiddish novelist, to U.S. 1935
  • Igor Stravinsky, Russian composer, to U.S. 1937
  • George Szell, Hungarian conductor, to U.S. 1937
  • Leo Szilard, Hungarian physicist, to U.S. 1938
  • Edward Teller, Hungarian physicist, to U.S. 1935
  • Paul Tillich, German theologian, to U.S. 1933
  • Arturo Toscanini, Italian conductor, to U.S. 1930
  • John Von Neumann, Hungarian mathematician, to U.S. 1930
  • Bruno Walter, German conductor, to U.S. 1938
  • Kurt Weill, German composer, to U.S. 1935
  • Max Wertheimer, German psychologist, to U.S. 1933
  • Eugene Wigner, Hungarian physicist, to U.S. 1930

Excerpted from: Rosenbaum, Robert A. The Penguin Encyclopedia of American History. New York: Penguin, 2003.

Three Documents for a Study of Arthur Miller’s The Crucible

I am very quickly headed to retirement. Do you know I’m relieved? As I remove myself and my possessions from my final school, I realized I have some odds and ends in my folder that I developed for classes I co-taught over the past couple of years.

For the past couple of years, in the autumn, the teacher for the Junior English Language Arts class I co-taught started the year with a unit on Arthur Miller’s play on the Salem Witch Trials, The Crucible. So, here are a list of questions to drive discussion of the play as well as to arouse ideas for writing essays; this list of sentence stems similarly aims to get students thinking about the play as well as how to write about it. Finally, since The Crucible is an allegory on the McCarthy Era, here is a list of analytical questions to accompany an article on the Red Scare.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Common Errors in English Usage: Meantime/Meanwhile

Here is a worksheet on the use of meantime and meanwhile. As Paul Brians, the author of Common Errors in English Usage (to which he generously allows access at no charge at his Washington State University web page), from which this worksheet is adapted, observes, most people use these words interchangeably. Merriam-Webster appears to think so, identifying them as synonyms to each other in the electronic version of its Collegiate Encyclopedia (11th Edition). At the same time, Merriam-Webster designates both words, when separated by dashes (i.e. mean-time and mean-while) as nouns.

Yet, as Professor Brians also points out, some usage experts designated specific uses for each of these adverbs and nouns. It is that designation that drives this worksheet, which is a full page and features a reading of two longish sentences and five modified cloze exercises. This might be a useful exercise for opening a discussion about, well, English usage; that in turn might lead to a review of a usage manual to familiarize students with the, well, usefulness, of such a book.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Disclaimer

“Disclaimer (noun): A specific denial or disavowal, especially an explicit public statement of nonresponsibility or nonaffiliation; protective explanation; waiver. Adjective: disclamatory; verb: disclaim.

‘She turns on “Heated Topics,” a feminist talk show so controversial that it begins with viewer-discretion warning and ends with a disclaimer.’ Mary Cantwell, The New York Times”

Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.

Cultural Literacy: Irregular Verb

As below with the counterpart to this document, a Cultural Literacy worksheet on regular verbs, I am confident that this document appears elsewhere on this blog. Nonetheless, I think it’s not a bad idea to have this Cultural Literacy worksheet on the irregular verb adjacent to a run of 17 lessons on writing sentences.

This is a half-page worksheet with a two-sentence reading and three comprehension questions.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

The Weekly Text, 17 July 2026: Introduction to Writing Sentences Lesson 6, Writing the Declarative Sentence

Mark’s Text Terminal offers you the sixth lesson plan, from the Introduction to Writing Sentences unit, as the Weekly Text for 17 July 2026, this one on writing the declarative sentence. This lesson opens with this Cultural Literacy worksheet on the intransitive verb. This is a half-page worksheet with a reading of four sentences and three comprehension questions.

And here is the scaffolded worksheet that is the primary work of this lesson.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Common Errors in English Usage: Mean and Median

We’re in the middle of a long run of posts that offer worksheets adapted from Paul Brians‘ excellent usage manual Common Errors in English Usage–which, as I always point out, Professor Brians allows free access to at his Washington State University web page.

This one is on the use of the words mean and median. While this is ostensibly a usage exercise (in a full-page worksheet with a reading of four sentences and five modified cloze exercises) that aims to assist students in differentiating these two nouns and using them properly, it also includes basic instructions on how to calculate a mean.

So there is a bit numeracy work here as well.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Term of Art: Reciprocal Reading/Teaching

“reciprocal reading/teaching: A situation in which teachers and students take turns in reading or discussing a written passage. Reciprocal reading is useful because teachers model good reading such as pausing at punctuation, using intonation, and tracking with a finger. Reciprocal teaching also can involve shared discussion where the teacher can model good comprehension and questioning strategies to promote critical thinking.

In reciprocal teaching and learning, teachers and students share in the process of a learning activity and teachers can also monitor and assess students while they try out new reading/thinking strategies.”

Excerpted from: Turkington, Carol, and Joseph R. Harris, PhD. The Encyclopedia of Learning Disabilities. New York: Facts on File, 2006.

Cultural Literacy: Regular Verb

Although I am fairly confident that this this half-page Cultural Literacy worksheet on the regular verb (with a two-sentence reading and three comprehension questions), can stand by itself, placing it as a post adjacent to lessons on writing sentences strikes me, this morning, as a good idea.

So there you are.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Word Origins: Banana

“banana: [L16th] Africa is the original home of the banana. The word traveled to English through Portuguese and Spanish from Mande, a language group of West Africa, arriving in the 16th century. In the 20th century slang expressions began to appear. American people began to go bananas with excitement, anger, or frustration in the 1950s. The top banana, ‘the most important person in an organization,’ derives from US theatrical slang. It referred to the comedian with top billing in a show, a use first recorded in 1953 from a US newspaper, which also mentions second and third bananas. People have been slipping on a banana skin since the beginning of the 20th century: the comic writer P.G. Wodehouse (1881-1975) referred in 1934 to “Treading upon Life’s banana skins.” The banana republic, a small state, especially in Central America, whose economy is almost entirely dependent on its fruit-exporting trade, was referred to as early as 1904.”

Excerpted from: Creswell, Julia. Oxford Dictionary of Word Origins. New York: Oxford University Press, 2010.