Category Archives: English Language Arts

This category contains domain-specific material–reading and writing expository prose, interpreting literature etc.–designed to meet the Common Core standards in English language arts while at the same time being flexible enough to meet the needs of diverse and idiosyncratic learners.

Word Root Exercise: -Ics

Alright: here is a worksheet on the Greek root ics, which is enormously productive in English. It means study of, science, skill, practice,  and knowledge. You’ll find it in words like physics, phonics, and analytics among many, many other English words used across the domains of the common branch curriculum.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Gesamtkunstwerk

“Gesamtkunstwerk: (Ger., total work of art) Term applied to the art of the Baroque and Rococo periods, which sought unification of architecture, sculpture, painting, and sometimes even the applied and decorative arts into a ‘total work of art.’ For example, Gianlorenzo Bernini’s execution of the Coronaro Chapel in S. Maria della Vittoria in Rome. By extension, the same idea applies to other periods.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

The Weekly Text, November 6, 2020: A Lesson Plan on Areas and Surfaces from The Order of Things

Okay, folks, it’s Friday again. This week’s Text is this lesson plan on areas or surfaces, contrived from Barbara Ann Kipfer’s excellent reference book The Order of Things. You’ll need this list as reading and its comprehension questions to deliver this lesson.

Incidentally, this is one of fifty of these I’ve written since this pandemic began last March. For years I’d perused Ms. Kipfer’s book, recognizing in it the potential for a wide variety of lessons to build literacy and procedural knowledge in working with a variety of symbolic systems. I’ve also worked up a unit plan and users’ manual (both of which I’ll post on the “About Posts & Texts” page) to explain and rationalize the use of these lessons.

So be on the lookout for those materials. About half of the unit is already posted on this site–just search “The Order of Things.”

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Term of Art: Verbal

“Verbal: A verb form that functions in a sentence as a noun, an adjective, or an adverb rather than as a principal verb. Thinking can be fun. An embroidered handkerchief. (See also gerund, infinitive, and participle.)”

Excerpted from: Strunk, William Jr., and E.B. White. The Elements of Style, Fourth Edition. New York: Longman, 2000.

Vivacious (adj)

It’s the kind of adjective the late, great Joseph Mitchell called a “tinsel word,” and I am hard pressed to disagree. Nevertheless, here is a context clues worksheet on the adjective vivacious. I wrote this, I think, to help native Spanish speakers make the connection between the Spanish verb vivir, “to live” and the use of the Latin roots at its base–viv, vivi, vit, “life, living, live.”

In that role, this document might work well with this worksheet on the Latin word roots viv, vivi, and vit.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Term of Art: Bilateral Agreement

“Bilateral agreement: Agreement to which there are two parties as opposed to a multilateral agreement involving several parties.”

Excerpted from: Cook, Chris. Dictionary of Historical Terms. New York: Gramercy, 1998.

Cotton Gin

Because it was one of those advances in the technology of human, and because it had enormous economic, political, and social consequences, this reading on the cotton gin and its accompanying vocabulary-building and comprehension worksheet are key parts of any “social studies” curriculum and integral to the United States history curriculum. This reading really serves as a beginning to the bigger historical and conceptual questions about technology, continuity, and change. Those conceptual questions about continuity and change, in my experience, turn up on high-stakes tests. 

For starters, where those questions of change and continuity are concerned, any study of the cotton gin must reckon with its role in expanding slavery in the United States.

Incidentally, students tend not to see a device like the cotton gin as “technology.” That young people who came of age with Cold War computing power in their pockets would labor under this misconception is unsurprising. I use every opportunity that presents itself to remind students that technology is “a manner of accomplishing a task especially using technical processes, methods, or knowledge.” Under that definition (from Merriam-Webster’s Collegiate Dictionary, 11th Edition), technical processes are a relative area of endeavor, and context dependent. For the very earliest humans, even a sharpened stone used as a knife is a technology used for accomplishing a task.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Write It Right: Bar for Bend

Bar for Bend. ‘Bar sinister.’ There is no such thing in heraldry as a bar sinister.

Excerpted from: Bierce, Ambrose. Write it Right: A Little Blacklist of Literary Faults. Mineola, NY: Dover, 2010.

Erudite (adj)

Here is a context clues worksheet on the adjective erudite. This is the state in which I would prefer to leave my students.

And on the day after election day, 2020? I’ll belabor the obvious and argue that overall in the United States, we could use some more erudition.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Book of Answers: The Protocols of the Elders of Zion

“When did ‘The Protocols of the Elders of Zion‘ first appear? The anti-Semitic forgery first appeared in a St. Petersburg newspaper in 1903. It purported to document the conspiracy of Judaism to take over the world. It may have been written by Czar Nicholas II’s secret police.”

Excerpted from: Corey, Melinda, and George Ochoa. Literature: The New York Public Library Book of Answers. New York: Simon and Schuster, 1993.