Category Archives: English Language Arts

This category contains domain-specific material–reading and writing expository prose, interpreting literature etc.–designed to meet the Common Core standards in English language arts while at the same time being flexible enough to meet the needs of diverse and idiosyncratic learners.

The Weekly Text, 22 April 2022: A Final Assessment Lesson Plan on Prepositions

This week’s Text is this final lesson plan of the prepositions unit that I have posted piecemeal over the years. That means there is a complete unit of seven lessons on using prepositions in prose on this blog. To find them, search “prepositions lesson plans” in the little box just to your right. Your search should yield all seven lessons.

Anyway, I open this lesson with this Everyday Edit worksheet on the Montgomery Bus Boycott. The work for this lesson will extend into a second day, so here is another Everyday Edit on Sarah Chldress Polk, First Lady. If you and your students find Everyday Edits useful–I’ve had a few students over the years who have found these documents so intellectually satisfying that they asked for more of them–you can click over to Education World, where the proprietors of that site generously supply a yearlong supply of them at no cost.

Finally, here is the worksheet and organizer upon which the work of this lesson, and the entire unit, really, is inscribed.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Tin Pan Alley

“Tin Pan Alley: Genre of U.S. popular music that arose in New York in the late 19th century. The name was coined by the songwriter Monroe Rosenfeld as the byname of the street on which the industry was based—28th Street between Fifth Avenue and Broadway in the early 20th century, around Broadway and 32nd Street in the 1920s, and ultimately on Broadway between 42nd and 50th Streets. ‘Tin Pan’ referred to the sound of pianos furiously pounded by ‘song pluggers‘ demonstrating tunes to publishers. The genre comprised the commercial music of songwriters of ballads, dance music, and vaudeville songs, and its name eventually became synonymous with U.S. popular music. Its demise resulted from the rise of film, audio recording, radio, and TV, which created a demand for more and different kinds of music, and commercial songwriting centers grew up in such cities as Hollywood and Nashville.”

Excerpted/Adapted from: Stevens, Mark A., Ed. Merriam-Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.

Common Errors in English Usage: Impassible (adj), Impassable (adj)

Here is a worksheet on differentiating the use of the adjectives impassible and impassable in prose. Actually, this isn’t a problem, I expect, most primary and secondary students will encounter. In the event they do, however, let me summarize this full-page document, with a three-sentence reading and ten modified cloze exercises: impassible is a non-standard version of impassive, which means, variously, “giving no sign of feeling or emotion,” “unsusceptible to or destitute of emotion,” and “unsusceptible to physical feeling.”

Impassable, on the other hand, simply means “incapable of being passed, traveled, crossed, or surmounted.” If nothing else, this is a simple usage exercise capable, I think, of helping students understand why good usage makes good writing, and also meets the Common Core Standard: “(L.11-12.1b)-Resolve issues of complex or contested usage, consulting references, (e.g., Merriam-Webster’s Dictionary of English Usage, Garner’s Modern American Usage) as needed.” Professor Brians’ book (which, incidentally, he allows access to at no cost at the Washington State University website) works well for this task or practice, I think, particularly where emergent or struggling readers are concerned.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Willa Cather on Trees

“I like trees because they seem more resigned to the way they have to live than other things do. I feel as if this tree knows everything I ever think of when I site here. When I come back to it, I never have to remind it of anything; I begin where I left off.”

O Pioneers! Pt. 2 ch. 8 (1913)

Excerpted from: Schapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.

Word Root Exercise: Phyto/o, -Phyte

Here is a worksheet on the Greek roots phyt/o and –phyte. They mean “plant” and “to grow.” If you teach in the hard sciences, particularly biology, this might be a useful document for you: these roots yield words such as chrysophyte, hydrophyte, and phytochrome among others.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

The Devil’s Dictionary: Lecturer

“Lecturer, n. One with his hand in your pocket, his tongue in your ear and his faith in your patience.”

Excerpted from: Bierce, Ambrose. David E. Schultz and S.J. Joshi, eds. The Unabridged Devil’s Dictionary. Athens: The University of Georgia Press, 2000. 

Cultural Literacy: Oxymoron

Here is a Cultural Literacy worksheet on the oxymoron as a rhetorical device. This is a half-page worksheet with a one-sentence reading, a relatively uncomplicated compound, with three comprehension questions. A simple introduction to this commonly used rhetorical move, even in everyday conversation.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Metonymy

“Metonymy: (Greek ‘name change’) A figure of speech in which the name or an attribute or a thing is substituted for the thing itself. Common examples are The Stage’ for the theatrical profession; ‘The Crown’ for the monarchy; ‘The Bench’ for the judiciary; ‘Dante’ for his works. See also ANTONOMASIA; METALEPSIS; SYNECHDOCHE.”

Excerpted from: Cuddon, J.A. The Penguin Dictionary of Literary Terms and Literary Theory. New York: Penguin, 1992.

Assiduous (adj)

Here is a context clues worksheet on the adjective assiduous. It means, as you probably know, “marked by careful unremitting attention or persistent application,” e.g. “an assiduous book collector,” “tended her garden with assiduous attention.” I stipulate that this isn’t exactly a high-frequency word in English. It is, however, a useful one.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

The Doubter’s Companion: A La Recherche du Temps Perdu

“A La Recherche du Temps Perdu: A work of genius written in bed. It opens with the narrator tucked between his sheets. It is rarely read for any length of time on a mattress.

It is also rarely read, but is often talked about and has had a major impact on many people who haven’t read it, if only because of the strain of waiting for Marcel Proust to be mentioned in conversation, which can happen as many as three times in a year. The educated person may the be required to make a comment on what they have only read about.

That literature could mean, as the French novelist Julian Gracq once complained, books more talked about than read indicates the extent to which language today may be used more to obscure and control than to communicate.”

Excerpted from: Saul, John Ralston. The Doubter’s Companion. New York: The Free Press, 1994.