Monthly Archives: December 2022

byzantine (adj)

You noted, I expect, that the header for this post contains what is generally used as a substantive and in that role is capitalized. Byzantine, of course, means, variously, “of, relating to, or characteristic of the ancient city of Byzantium,”  “of, relating to, or having the characteristics of a style of architecture developed in the Byzantine Empire especially in the fifth and sixth centuries featuring the dome carried on pendentives over a square and incrustation with marble veneering and with colored mosaics on grounds of gold,” and “of or relating to the churches using a traditional Greek rite and subject to Eastern canon law.”

What we have in the context clues worksheet on the adjective byzantine with a lower-case b, is a run-of-the-mill modifier. Used this way, the word means “of, relating to, or characterized by a devious and usually surreptitious manner of operation <a ~ power struggle>,” “intricately involved,” and “labyrinthine <rules of ~ complexity>.” I tend to use this word as synonym for complex and complicated. It’s a tricky word, polysemous and altering between proper and common status. It shows up enough in academic prose, I would argue, that students probably ought to learn it.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Book of Answers: The Glass Menagerie

On what work did Tennessee Williams base The Glass Menagerie (1944)? The Broadway play was drawn from a screenplay called The Gentleman Caller, which Williams wrote while he was under contract as a screenwriter for MGM in the early 1940s.

Excerpted from: Corey, Melinda, and George Ochoa. Literature: The New York Public Library Book of Answers. New York: Simon and Schuster, 1993.

Cultural Literacy: Old Boy Network

OK, here’s another document I prepared for my sociology course, to wit, a Cultural Literacy on the concept of the old boy network. This is a half-page worksheet with a reading of one long compound sentence with a colon in the middle of it, and two comprehension questions. Just the basics, but it gets the job done of introducing the concept. Students may need case studies to apply this knowledge, of course.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Term of Art: Specific Learning Disability

“specific learning disability: A legal term that plays a central role legislation governing learning disabilities. As described in Public Law 94-142 (amended by PL 101-76), ‘specific learning disability’ means a disorder on one or more of the basic psychological processes involved in understanding or in using spoken or written language. This may manifest itself in an imperfect ability to listen, think, speak, read, spell, or do mathematical calculations.

The term includes such conditions as perceptual handicaps, brain injury, minimal brain dysfunction, dyslexia, and developmental aphasia. The term does not include children whose conditions are primarily caused by visual hearing, or motor problems; mental retardation; emotional disturbance; or due to environmental, cultural, or economic disadvantage.”

Excerpted from: Turkington, Carol, and Joseph R. Harris, PhD. The Encyclopedia of Learning Disabilities. New York: Facts on File, 2006.

The Weekly Text, Friday 23 December 2022: History of Hip-Hop Lesson 3, The Medieval Troubadour

If there is a lesson that can be omitted from this unit–and I realized this the minute I began its preparation–it is this third lesson, on the Medieval Troubadours. Yes they are part of the global oral tradition, but in a highly peculiar way. For instance, they used the Occitan language, which is now endangered. Their songs were born of the chivalric tradition and celebrate courtly love. This is a long way of saying that this material may not be of surpassing interest to teenagers.

In any event, I open this lesson with this Cultural Literacy worksheet on the concept of a capella singing. Here is the reading and questions on the troubadours themselves, which is the principal work of this lesson.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Matt Ritchel and Michel Martin on the Adolescent Mental Health Crisis in the United States

[This post appears to have drawn a lot of attention, so I’m moving it to the top of the site for another week so it’s easy to find.]

Last Friday evening, as I am wont to do at the end of the week, I was watching the week’s YouTube clips on the shows I follow. I stumbled across this clip from Amanpour and Company featuring Michel Martin and Matt Richtel discussing the adolescent mental health crisis in the United States. It served as a bracing reminder to me (which I seriously needed) of what young people have endured, and continue to experience, during the pandemic and after. Mr. Richtel, a winner of the Pulitzer Prize, has been researching and writing on the inner experiences of contemporary teenagers in a series in the The New York Times headlined “The Inner Pandemic.” If you’re dealing in any capacity with adolescents, I can say with considerable confidence that you won’t regret the twenty-minute or so investment of time this video requires.

Nietzsche on Convictions

“Convictions are more dangerous enemies of truth than lies.”

Friedrich Wilhelm Nietzsche

Excerpted from: Winokur, Jon, ed. The Big Curmudgeon. New York: Black Dog & Leventhal, 2007.

Common English Verbs Followed by an Infinitive: Agree

Here is a worksheet on the verb agree as it is used with gerund. I would happily agree to avoid wasting my time preparing subpar curricular materials.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

“Manner of,” “Style of”

“’Manner of,’ ‘Style of’: In describing a work of art, ‘in the manner/style of’ refers to stylistic similarity to the artist named, but not necessarily direct influence. Compare ‘follower of,’ ‘circle of,’ ‘school,’ ‘workshop.'”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

Cultural Literacy: Lyric

Here is a Cultural Literacy worksheet on the lyric as a form in poetry–and by extension, then, lyrics in music. This is a half-page document with a reading of three short sentences followed by three comprehension questions. A short, symmetrical introduction to the lyric form and nothing more.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.