Monthly Archives: February 2020

Ama Ata Aidoo

Ama Ata Aidoo: (1940-) Ghanaian dramatist, poet, novelist, and short-story writer. Aidoo’s career as a writer began while still an undergraduate at the University of Ghana with the 1964 performance of The Dilemma of a Ghost (pub 1965). Her work, consistently engaged with women’s issues, uses Africa’s oral traditions and styles to place these concerns in the larger context of the African struggle against colonialism, neocolonialism, and exploitation. Aidoo’s second play, Anowa (1970), is set in the late 19th, and is an adaptation of an old Ghanaian legend. In her collection of short stories, No Sweetness Here (1970), Aidoo turns her critical yet compassionate attention to the postindependence era, demonstrating her ability to as a storyteller and witty social critic. Our Sister Killjoy (1979) is an innovative novel which examines, through an interplay of prose and poetry, the maturation of a young Ghanaian woman who travels to Germany and England. Her second novel, Changes: A Love Story (1991), which won the 1992 Africa Section of the Commonwealth Writers’ Prize, recounts the trials and tribulations of the Esi Sekyi, a young educated career woman. In Aidoo’s sensitive depiction of Sekyi’s second marriage to a polygamous man, she explores the uses of Africa’s past to women and men who are attempting to create more meaningful personal and public lives. Aidoo’s other works include her two volumes of poetry, Someone Talking to Sometime (1985) and An Angry Letter in January (1991), and The Eagle and the Chicken and Other Stories (1987) and The Eagle and the Chicken and Other Stories (1987) and Birds and Other Poems (1987), both written for children. Aidoo is one of the most important African writers today.

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

A Twelfth Research Worksheet on Famous Photographers: Gordon Parks

Yesterday I posted eleven short research worksheets on famous photographers which I wrote for some students interested in the art of photography. Here is a twelfth, this one on the great Gordon Parks.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Book of Answers: Jamaica Kincaid

“Where was novelist Jamaica Kincaid born? St. John’s, Antigua, in the West Indies, in 1949. Her given name is Elaine Potter Richardson.”

Excerpted from: Corey, Melinda, and George Ochoa. Literature: The New York Public Library Book of Answers. New York: Simon and Schuster, 1993.

The Weekly Text, February 14, 2020, Black History Month Week II: A Reading and Comprehension Worksheet on Oprah Winfrey

At the end of Week II of Black History Month 2020, here is a short reading on Oprah Winfrey along with its vocabulary-building and comprehension worksheet.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Daniel Willingham on Prior Knowledge and Inferring

I noted that making inferences is sometimes possible when you lack background knowledge and vocabulary the writer assumed you have, but that doing so is mentally taxing. Much of the reading expected of students (especially in the later elementary grades and beyond) is difficult. It’s not only difficult in terms of vocabulary and knowledge; they read texts with more complex structures, texts that convey abstract and subtle ideas, and they are asked to put these texts to new purposes, like understanding the author’s technique. In short, students don’t do the type of reading where comprehension is smooth and there’s an opportunity to get lost in the story. They mostly read in situations where reading feels like work. What impact do you think that has on students’ attitude toward reading? Do they confuse leisure reading with the reading they do for school? If so, what might be done to disabuse them of that notion?”

Excerpted from: Willingham, Daniel T. The Reading Mind: A Cognitive Approach to Understanding How the Mind Reads. San Francisco: Jossey-Bass, 2017.

Conclave (n)

The lasts time the Catholic Church swapped out popes (when Benedict XVI resigned), I wrote this context clues worksheet on the noun conclave to help students understand this concept and what was happening at that moment in the Church.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Do Not Join Independent Clauses with Commas

[If you’d like a copy of this material to use as a teaching and learning support, click that hyperlink; like almost everything at Mark’s Text Terminal, it’s a Word document, so you may manipulate it freely.]

“Do not join independent clauses with a comma.

     If two or more clauses grammatically complete and not joined by a conjunction are to form a single compound sentence, the proper mark of punctuation is a semicolon.

Mary Shelley’s works are entertaining; they are full of engaging ideas.

It is nearly half past five; we cannot reach town before dark.

It is, of course, equally correct to write each of these as two sentence, replacing the semicolons with periods.

Mary Shelley’s works are entertaining. They are full of engaging ideas.

It is nearly half past five. We cannot reach town before dark.

If a conjunction is inserted, the proper mark is a comma. (Rule 4).

Mary Shelley’s works are entertaining, for they are full of engaging ideas.

It is nearly half past five, and we cannot reach town before dark.

     A comparison of the three forms given above will show clearly the advantage of the first. It is, at least in the examples given, better than the second form because it suggests the close relationship between the two statements in a way that the second does not attempt, and better than the third because it is briefer and therefore more forcible. Indeed, this simple method of indicating relationships between statements is one of the most useful devices of composition. The relationship, as above, is commonly one of cause and consequence.

     Note that if the second clause is preceded by an adverb, such as accordingly, besides, then, therefore or thus, and not by a conjunction, the semicolon is still required.

I never had been in the place before; besides, it was dark as a tomb.

     An exception to the semicolon is worth noting here. A comma is preferable when the clauses are very short and alike in form, or when the tone of the sentence is easy and conversational.

Man proposes, God disposes.

The gates swung apart, the bridge fell, the portcullis was drawn up.

I hardly knew him, he was so changed.

Here today, gone tomorrow.”

Excerpted from: Strunk, William Jr., and E.B. White. The Elements of Style, Fourth Edition. New York: Longman, 2000.

A Lesson Plan on Politics and Leaders as Causes of History

OK, as I wait for the last backup of the day to run itself to completion, here is a lesson plan on politics and leaders as a cause of history. I open this lesson with this context clues worksheet on the noun civilization. This worksheet and note-taking blank demonstrates, I think, the extent to which I use this and other of my “Causes of History” (apologies to the ILS professors at Amherst College) as brainstorming activities, driven by Socratic questioning and activated by taking notes.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

The Devil’s Dictionary: Cupid

“Cupid, n. The so-called god of love. This bastard creation of a barbarous fancy was no doubt inflicted upon mythology for the sins of its deities. Of all unbeautiful and inappropriate conceptions this is the most reasonless and offensive. The notion of symbolizing sexual love by a semisexless babe, and comparing the pains of passion to the wounds of an arrow—of introducing this pudgy homunculus into art grossly to materialize the subtle spirit and suggestions of the work—this is eminently worthy of the age that, giving it birth, laid it on the doorstep of posterity.”

Excerpted from: Bierce, Ambrose. David E. Schultz and S.J. Joshi, eds. The Unabridged Devil’s Dictionary. Athens: The University of Georgia Press, 2000. 

Cultural Literacy: Significant Other

Tomorrow is Valentine’s Day, so this seems like a good time to publish this Cultural Literacy worksheet on the concept of the “significant other.”

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.