Tag Archives: term of art

Term of Art: Socialization

“Socialization is the process by which we learn to become members of society, both by internalizing the norms and values of society, and also by learning to perform our social roles (as worker, friend, citizen, and so forth).

There is an ongoing dispute about the relative importance of nature versus nurture (or hereditary and environment) in human development. A related debate concerns the extent to which humans are over-socialized. Are humans ruled by their social manners and role-playing skills to the extent that basic human instincts are eradicated? This debate pits the psychological perspective of Freud, which views socialization as working against our natural inclinations and drives, against the functionalist perspective that sees socialization as essential for the integration of society. Recent studies have focused on social class differences in socialization, some of which have to do with language (see B. Bernstein, Class, Codes, and Control, 1971), others . of which are more concerned with differences in value orientation (see M. Kohn, Class and Conformity, 1969).

Socialization is no longer regarded as the exclusive preserve of childhood, with the primary agents being the family and school. It is now recognized that socialization continues throughout the life-course. It is also recognized that socialization is not simply a one-way process, in which individuals learn how to fit into society, since people may also redefine their social roles and obligations. Any understanding of socialization must therefore take account of how the process relates to social change. In this sense, some schools of sociological theory imply an allegedly ‘over-socialized conception of man in society,’ in that they overstate the extent to which values are internalized and action is normative in orientation–a charge often leveled, for example, against normative functionalism (See D. Wrong, ‘The Oversocialized Conception of Man,’ American Sociological Review, 1961).”

Excerpted from: Matthews, Gordon, ed. Oxford Dictionary of Sociology. New York: Oxford University Press, 1994.

Term of Art: Antecedent

“1. The words in a text, usually a noun phrase, to which a pronoun or other grammatical unit refers back. Cook is the antecedent of him in: ‘In 1772. Cook began his second voyage, which took him further south than he had ever been.’ Similarly, his second voyage is the antecedent of which. With impersonal it, this, that, which, the antecedent may be a whole clause or paragraph, as in: ‘Might not the coast of New South Wales provide and armed haven? To some people this looked good on paper, but there is no hard evidence that it did so to William Pitt or his ministers.’ Despite the implications of the name, an antecedent can follow rather than precede: ‘For his first Pacific voyage, Cook had no chronometer.’ 2. In logic, the conditional element in a proposition. In If they did that, they deserve our respect, the antecedent is they did that.”

Excerpted from: McArthur, Tom. The Oxford Concise Companion to the English Language. New York: Oxford University Press, 2005.

Term of Art: Demonstrative

“Demonstrative: A term used in association with pronouns and determiners as an adjective and a noun: a demonstrative pronoun; three demonstratives in one sentence. A demonstrative usage indicates relationships and locations, such as between this (near the speaker and perhaps the listener) and that (not near the speaker, perhaps near the listener, or not near either).”

Excerpted from: McArthur, Tom. The Oxford Concise Companion to the English Language. New York: Oxford University Press, 2005.

Term of Art: Metonymy

“A figure of speech which designates something by the name of something associated with it: the Crown substituting for monarchy, the stage for the theater, No. 10 Downing Street for the British Prime Minister, the White House for the US president. A word used metonymically (crown, as above) is a metonym. Metonymy is closely related to and sometimes hard to distinguish from metaphor. It has sometimes been seen as a kind of synecdoche and sometimes as containing synecdoche. Both metaphor and metonymy express association, metaphor through comparison, metonymy through contiguity and possession. Many standard items of vocabulary are metonymic. A red-letter day is important, like the feast days marked in red on church calendars. The work redcap (a porter) originally referred to a piece of red flannel tied for visibility around the caps of baggage carriers at New York’s Grand Central Station. On the level of slang, a redneck is a stereotypical member of the white rural working class in the Southern US, originally a reference to necks sunburned from working in the fields.”

Excerpted from: McArthur, Tom. The Oxford Concise Companion to the English Language. New York: Oxford University Press, 2005.

Term of Art: Explicit Grammar Instruction

“Instruction in the descriptive terminology and and prescriptive rules of a given language, including syntax and the function of different parts of speech.”

Excerpted from: Ravitch, Diane. EdSpeak: A Glossary of Education Terms, Phrases, Buzzwords, and Jargon. Alexandria, VA: ASCD, 2007.

Term of Art: Verb Phrase

“1. Also verbal phrase. In traditional grammar, a term for the main verb and any auxiliary or combination of auxiliaries that precedes it: can spell; may have cried; should be paid; might have been transferred. 2. In generative grammar, a term roughly equivalent to the traditional predicate. It includes the traditional verb phrase with (at least) any complements of the verb, such as the non-bracketed parts of the following sentences: (They) have understood his intention); (Susan) was very patient.”

Excerpted from: McArthur, Tom. The Oxford Concise Companion to the English Language. New York: Oxford University Press, 2005.

Term of Art: Curriculum

“The curriculum comprises the subjects and courses taught in any educational institution. It is a formal statement, by the institution, of what is to be learned. In British schools, following the 1988 Education Reform Act, the curriculum is determined nationally and consists of a number of core subjects that must be studied by all school students. (See P. Wexler, Sociology of the Curriculum, 1991.)

Excerpted from: Matthews, Gordon, ed. Oxford Dictionary of Sociology. New York: Oxford University Press, 1994.

Term of Art: Accusative

“Accusative: Indicating a direct object (or noun or pronoun predicated on a direct object) or certain adverbial complements, e.g. ‘She wrote a book,’ ‘He imagined my sister to be her,’ ‘I waited one week.'”

Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.

Term of Art: Achievement

“achievement: The successful accomplishment of, or performance in, a socially defined task or goal. Talcott Parsons (in Social [sic] Theory and Modern Society, 1967) suggests that modern societies use indices of achievement–examination credentials or performance in role-based tasks–rather than ascriptive criteria to recruit, select, and evaluate individuals for particular roles, However, research demonstrates the continued influence of ascription in social stratification, notably according to such factors as race and sex. There is an interesting cross-disciplinary discussion of the concept and its interpretation of achievement, its relationship to creativity and innovation, and its role in explaining economic growth in England and Japan since the seventeenth century, in Penelope Gouk (ed.), Wellsprings of Achievement (1995).”

Excerpted from: Matthews, Gordon, ed. Oxford Dictionary of Sociology. New York: Oxford University Press, 1994.

Term of Art: Achievement Motivation

“achievement motivation: Defined as the need to perform well or the striving for success, and evidenced by persistence and effort in the face of difficulties, achievement motivation is regarded as a central human motivation. Psychologist David McClelland (The Achieving Society, 1961) measured it by analyzing respondent’s narratives; rather more controversially he hypothesized that was related to economic growth. Lack of achievement motivation was, for a period during the 1950s and 1960s, a fashionable explanation for lack of economic development in the Third World–notably among certain American modernization theorists. This thesis was much criticized by dependency theorists such as Andre Gunder Frank (Latin America: Underdevelopment or Revolution, 1969).”

Excerpted from: Matthews, Gordon, ed. Oxford Dictionary of Sociology. New York: Oxford University Press, 1994.