Tag Archives: term of art

Term of Art: Executive Functions

“Mental activities associated with self-control, attention, focus, or concentration that allow an individual to achieve specific goals. Problems in executive function are associated with dysfunction at the frontal part of the brain. Mild or nonspecific deficits of executive functions are common in the general population. Executive functions also may be impaired by injury to the brain, fatigue, depression, schizophrenia, anxiety, and various psychological disorders, including learning disability, and attention deficit hyperactivity disorder (ADHD).

Problems with attention, self-regulation, planning, and impulse control may be connected to differences in the processing of neurotransmitters, especially dopamine, in the brain.

Executive functions control four kinds of mental activities. Working memory is essential to the problem-solving process. Information must be held in mind and internalized while a task is being completed. Internalized or private speech allows people to use complex sets of rules in problem solving. These include rules for using sets of rules. Third is the control of emotions and impulses, which allows and individual to remain focused and to continually return to a path of progress toward a desired goal. This allows an individual to set aside the attraction of immediate gratification. The achievement of deferred greater gratification is the product of this kind of self-regulation. Fourth is reconstitution, a process of observing behaviors and then synthesizing components into new combinations. This function is essential to problem solving and survival in a complicated world.

Individuals with ADHD and learning disabilities may have problems in reading long assignments or completing writing projects, since these tasks require executive functions. These difficulties may be connected to differences in the way certain brain chemicals are processed in the prefrontal lobes.

Some individuals with executive function difficulties are also very impulsive, having a hard time considering alternatives and consequences before they act. In solving problems, they are likely to select the first alternative without weighing other possibilities. They often speak without thinking of the consequences of their statements. Some students with these problems get so fidgety that it is hard for them to sit through a 50- or 90-minute class session.

Many individuals with executive function difficulties experience problems with time. Understanding the passage of time and planning for the future or the completion of a task by a particular point in time can be challenge. These individuals may frequently arrive late to appointments or classes. Long-term academic projects are among the greatest challenges for students who have executive function difficulties.”

Excerpted from: Turkington, Carol, and Joseph R. Harris, PhD. The Encyclopedia of Learning Disabilities. New York: Facts on File, 2006.

Term of Art: Memorandum

“Memorandum (noun): A brief note or reminder or a record kept for future reference; a particular interoffice notice or staff communication; directive; informal diplomatic summary or outline, as of a decision or policy; official statement or observation for the record. Plural: memorandums, memoranda.

‘The authors evidently failed to understand that a memorandum for the President was only a writer’s device to sell books, not a framework that had to be taken literally…. Instead of capturing the emotion and suspense of politics at the center, the authors have indeed produced an overlong memorandum.'”

Edward Cowan, The New York Times

Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.

Term of Art: Allusion

“Allusion: Usually an implicit reference, perhaps to another work of literature or art, to a person or an event. It is often a kind of appeal to a reader to share some experience with the writer. An allusion may enrich the work by association (q.v.) and give it depth. When using allusions a writer tends to assume an established literary tradition, a body of common knowledge with an audience sharing that tradition and an ability on the part of the audience to ‘pick up’ the reference. The following kinds may be roughly distinguished: (a) a reference to events or people (e.g. there are a number in Dryden’s and Pope’s satires); (b) reference to facts about the author himself (e.g. Shakespeare’s puns on Will; Donne’s puns on Donne, Anne, and Undone; (c) a metaphorical allusion (there are many in T.S. Eliot’s work); an imitative allusion (e.g. Johnson’s to Juvenal in London).”

Excerpted from: Cuddon, J.A. The Penguin Dictionary of Literary Terms and Literary Theory. New York: Penguin, 1992.

Term of Art: Extrinsic Phonics

“Phonics taught as a supplemental learning aid rather than as an integral part of the program of reading instruction, often in separate workshops during special time periods.”

Excerpted from: Turkington, Carol, and Joseph R. Harris, PhD. The Encyclopedia of Learning Disabilities. New York: Facts on File, 2006.

Term of Art: Parable

An illustrative moral or religious story, usually brief and with generalized, simple characters and universal human application; telling or cautionary account.

‘I have never read a story better than Endurance, Alfred Lansing’s account of the Shackleton expedition to Antarctica; but no one considers it literature. If Mailer had written it, might we not read the same text as a parable or something or other.’”

Annie Dillard, Living by Fiction

Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.

Term of Art: Discovery Learning

“An approach to learning based on the principle of ‘learning by doing’ in which new ideas develop. Discovery learning activities are designed so that students discover facts and principles themselves, through personal experience, rather than having them authoritatively explained by a textbook or a teacher. Discovery learning in prized by progressive and constructivist educators. Some of the principles of discovery learning have long been part of the repertoire of traditional teachers as well, especially in science classes, where, for example, students can directly observe the results of experiments. Critics claim that discovery learning is extremely time-consuming, difficult to manage, and inefficient because so much time is wasted waiting for students to ‘discover’ what is already known by their teachers.”

Excerpted from: Ravitch, Diane. EdSpeak: A Glossary of Education Terms, Phrases, Buzzwords, and Jargon. Alexandria, VA: ASCD, 2007.

Term of Art: Anagram

“Anagram: (Greek ‘writing back or anew’) The letters of a word or phrase are transposed to form a new word. For instance, the word ‘Stanhope’ can be turned into the word ‘phaetons.’ A common feature of crosswords. Samuel Butler’s title Erewhon is an anagram of  ‘nowhere.'”

Excerpted from: Cuddon, J.A. The Penguin Dictionary of Literary Terms and Literary Theory. New York: Penguin, 1992.

Term of Art: Graphophonemic Knowledge

“The understanding that words are made of sounds and sounds are written with letters in the right order. Students who understand this can blend sounds associated with letters into words and can separate words into component sounds for spelling and writing.

Students should be assessed to determine if they can hear sounds in spoken language prior to letter-sound instruction.”

Excerpted from: Turkington, Carol, and Joseph R. Harris, PhD. The Encyclopedia of Learning Disabilities. New York: Facts on File, 2006.

Term of Art: Grammar of Schooling

“The assumption that schools have certain invariable features, such as classrooms, teachers, subjects, textbooks, tests, report cards, rewards and sanctions, a certain architecture, and a certain layout of the classroom. Education historians David Tyack and William Tobin are credited with the phrase and the observation that the grammar of schooling is remarkably resistant to change.”

Excerpted from: Ravitch, Diane. EdSpeak: A Glossary of Education Terms, Phrases, Buzzwords, and Jargon. Alexandria, VA: ASCD, 2007.

Term of Art: Alliteration

“Alliteration: (Latin ‘repeating and playing upon the same letter’) A figure of speech in which consonants, especially at the beginning of words, or stressed syllables, are repeated. It is a very old device indeed in English verse (older than rhyme) and is very common in verse generally. It is used occasionally in prose. In Old English poetry alliteration was a continual and essential part of the metrical scheme and until the late Middle Ages was of was often used thus. However, alliterative verse becomes increasingly rare after the end of the 15th century and alliteration—like assonance, consonance and onomatopoeia—tends to more to be reserved for the achievement of special effect.

There are many classic examples, like Coleridge’s famous description of the sacred river Alph in Kubla Khan:

Five miles meandering with a mazy motion

Any others less well known, like this from the beginning of Norman MacCaig’s poem Mutual Life:

A wild cat, fur-fire in a bracken brush,

Twitches his club-tail,  rounds his amber eyes

At rockabye rabbits humped on the world. The air

Crackles about him. His world is a rabbit’s size.

And this, from the first stanza of R.S. Thomas’s The Welsh Hill Country:

Too far for you to see

The fluke and the foot-rot and the fat maggot

Gnawing the skin from the small bones,

The sheep are grazing at Bwlch-y-Fedwen,

Arranged romantically in the usual manner

On a bleak background of bald stone.

Alliteration is common in nonsense verse:

Be lenient with lobsters, and ever kind to crabs,

And be not disrespectful to cuttle-fish or dabs;

Chase not the Cochin-China, chaff not the ox obese,

And babble not of feather-beds in company with geese

in tongue-twisters:

Betty Botter bought some butter,

But, she said, the butter’s bitter;

If I put it in my batter

It will make my batter bitter,

But a bit of better butter,

That would make my batter better.

in jingles:

Dingle digle doosey,

The cat’s in the well,

The dog’s away to Bellingen

To buy the bairn a bell.

and in patter beloved of drill sergeants and the like:

Now then, you horrible shower of heathens, have I your complete hattention?

Hotherwise I shall have to heave the whole hairy lot of you into the salt box

where you will live on hopeful hallucinations for as long as hit pleases God and

the commanding hofficer”

Excerpted from: Cuddon, J.A. The Penguin Dictionary of Literary Terms and Literary Theory. New York: Penguin, 1992.