Tag Archives: readings/research

Tibetan Language

“Tibetan language: Sino-Tibetan language spoken by more than 5 million people in Tibet (Xizang), Qinghai, Sichuan, and Gansu provinces in China; Bhutan; northern Nepal; and Jammu and Kashmir Province in India and Pakistan. Since the occupation of Tibet by China in 1959, enclaves of Tibetan-speakers have dispersed to India and other parts of the world. Spoken Tibetan comprises a very diverse range of dialects, conventionally divided into several groups: Western, including Balti and Ladakhi in Jammu and Kashmir; Central, including the speech of Lhasa and most of the Nepalese dialects (including Sherpa); Southern, including the dialects of Sikkim and Bhutan; Khams, or Southeastern, including the dialects of the interior plateau, southern Qinghai, eastern Tibet, and parts of western Sichuan; Amdo or Northeastern, including the dialects of northern Qinghai, southern Gansu, and northern Sichuan. Most Tibetans share a common literary language, written in a distinctive scripts of disputed origin first attested in the 8th century AD.”

Excerpted from: Stevens, Mark A., Ed. Merriam Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.

Matsuo Basho III

“Clouds now and again

Give a soul some respite from

Moon-gazing—behold.”

Matsuo Basho, Poem (translation by Bernard Lionel Einbond)

Excerpted from: Schapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.

The Weekly Text, 6 May 2021, Asian Pacific American Heritage Month Week I: A Reading and Comprehension Worksheet on Confucianism

May is Asian American and Pacific Islander Heritage Month (which I have shortened, for typographical purposes, as above, to Asian Pacific American Heritage Month; I hope I offend no one with this stylistic liberty). As usual Mark’s Text Terminal will observe the month with a series of document posts and quotes relating to the history of Asian and Pacific Islander Americans as well as Asia and the Pacific Islands themselves.

So, let’s kick off the month with this reading on Confucianism along with its attendant vocabulary-building and comprehension worksheet.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Term of Art: Study Skills

“study skills: Learning strategies that help and individual organize time, materials, and information. Special educators long ago recognized the importance of teaching study skills to students with learning disabilities; such skills have recently become a part of many school curricula starting in the elementary grades.

While some students seem to succeed in school with only basic study skills, many learning-disabled students benefit greatly from being taught ideas such as how to maintain a notebook and how to organize materials in each class. Time management is another essential study skill needed to complete long and short assignments on time as well as to schedule time for appointments, friends, and work. Note-taking and active reading strategies are also important study skills for all students, including those with learning disabilities.”

Excerpted from: Turkington, Carol, and Joseph R. Harris, PhD. The Encyclopedia of Learning Disabilities. New York: Facts on File, 2006.

Albert Einstein

Finally this morning, here is a reading on Albert Einstein with its accompanying vocabulary-building and comprehension worksheet. Enough said.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Protagonist

“Protagonist: (Greek ‘first combatant’) The first actor in a play; thence the principal actor or character. In Greek tragedy the playwright was limited to the protagonist (first actor), deuteragonist (second actor) and tritagonist (third actor). It is probable that in the first place Greek drama consisted of a Chorus and the leader of the Chorus. Thespis (6th century BC) is believed to have added the first actor to give greater variety to the dialogue and action. The second and third were added by Aeschylus and Sophocles respectively. The protagonist has come to be the equivalent of the hero.”

Excerpted from: Cuddon, J.A. The Penguin Dictionary of Literary Terms and Literary Theory. New York: Penguin, 1992.

Topology

“topology: In mathematics, the study of the property of a geometric object that remains unchanged by deformations such as bending, stretching, or squeezing but not breaking. A sphere is topologically equivalent to a cube because, without breaking them, each can be deformed into the other as if they were made of modeling clay. A sphere is not equivalent to a doughnut, because the former would have to be broken to put a hole in it. Topological concepts and methods underlie much of modern mathematics, and the topological approach has clarified very basic structural concepts in many of its branches. See also algebraic topology.”

Excerpted/Adapted from: Stevens, Mark A., Ed. Merriam-Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.

Rainbows

This cool, overcast, and rainy day in New York City seems like a perfect time to post this reading on rainbows and its attendant vocabulary-building and comprehension worksheet. It’s straightforward stuff, so I suppose there is really not much more to say about it.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Simile

“Simile: (Latin neuter of similis ‘like’) A figure of speech in which one thing is likened to another, in such a way as to clarify and enhance an image. It is an explicit comparison (as opposed to the metaphor, q.v., where the comparison is implicit) recognizable by the use of the words ‘like’ or ‘as.’ It is equally common in prose and verse and is a figurative device of great antiquity. The following example comes from Graham Greene’s Stamboul Train:

‘The great blast furnaces of Liege rose along the line like ancient castles burning in a border raid.’

And this instance in verse from Ted Hughes’ poem February:

‘The wolf with its belly stitched full of big pebbles;

Nibelung wolves barbed like black pine forest

Across a red sky, over blue snow…’

See also EPIC SIMILE.”

Excerpted from: Cuddon, J.A. The Penguin Dictionary of Literary Terms and Literary Theory. New York: Penguin, 1992.

The Lost Weekend

The Lost Weekend: A film (1945) adapted by director Billy Wilder and Charles Brackett from a 1944 novel by Charles R. Jackson about a struggling writer who surrenders to alcoholism one weekend after he falls victim to writer’s block. Starring Ray Milland, the film caused a considerable stir: representatives of the liquor industry offered $5 million of the negative, so that it could be destroyed, fearing the effect it would have upon sales of alcohol, and members of the temperance movement also tried to have the films stopped, suspecting that it might actually encourage people to drink. The novel and film popularized the phrase ‘lost weekend’ for any period spend in dissolute living or drunkenness.”

Excerpted from: Crofton, Ian, ed. Brewer’s Curious Titles. London: Cassell, 2002.