Tag Archives: readings/research

Alexander Hamilton

OK, before I take my much-deserved leave of this institution this afternoon, here is a reading on Alexander Hamilton with its accompanying vocabulary-building and comprehension worksheet. The musical Hamilton, also produced as a film, might make this high-interest material.

Just sayin’.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Rococo Art

“Rococo Art: European art of the period from ca. 1730 to ca. 1780 characterized by the use of curvilinear ornament (see ROCAILLE). Considered the final phase of baroque art, rococo art is aristocratic, displaying a love of elegance in both style and subject matter. The French artists Watteau, Boucher, and Fragonard exemplify this art in painting, while fine examples in architecture are found in Germany and Austria as well as in other parts of Europe.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

Times New Roman or Comic Sans?

If you follow this blog regularly, you are likely aware of my obsession with handwriting. That mania extends to typefaces as well, and I have read, over the years, that the much-hated Comic Sans makes reading easy for students who struggle with the written word. I’ve always meant to test this. This morning, offhandedly, I performed that test with this short questionnaire on font styles.

To my surprise, most of my students told me they prefer Times New Roman. So, in the final analysis, I don’t know what to think.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Abolitionism

“Abolitionism: A term associated with protest on grounds of inhumanity and call for the abolition of: first, slavery (see, for example, the work of William Wilberforce, 1759-1833); and, more recently, prisons and imprisonment. The latter stance developed within Scandinavian criminology (see T. Mathiesen, The Politics of Abolition, 1974) but has since been taken up within wider critical criminology. Abolitionists argue that prisons are ineffective, their justification untenable, and their violations of human rights widespread. The abolitionist stance rejects reformism on the grounds that this perpetuates and legitimizes the existing system. Abolitionism proposes new responses to crime, offending, and disputes—for example, community-based alternatives to incarceration—and argues that the urge to punish and inflict pain must be challenged.”

Excerpted from: Marshall, Gordon, ed. Oxford Dictionary of Sociology. New York: Oxford University Press, 1994.

Book of Answers: The Narrative of Gordon Pym

“Is Poe’s The Narrative of Arthur Gordon Pym (1838) based upon actual events? Yes, the adventures of J.N. Reynolds, a stowaway who survived a mutiny, cannibalism, and other adventures.”

Excerpted from: Corey, Melinda, and George Ochoa. Literature: The New York Public Library Book of Answers. New York: Simon and Schuster, 1993.

A Lesson Plan on the Crime and Puzzlement Case “The Peek-a-Boo Girl”

Because I’ve been in the folder preparing some of them for a new job I am about to start, I’ll post this lesson plan on the Crime and Puzzlement case “The Peek-a-Boo Girl.”

I open this lesson with this Cultural Literacy worksheet on the Harlem Renaissance. This scan of the illustration and questions drives the lesson. Finally, here is the typescript of the answer key.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Term of Art: Situationism

“Situationism: The Situationist International was founded in 1957 with the merging of three European avant-garde literary and artistic groups. With roots in Dada’s assault on bourgeois sensibilities, the situationist movement emerged in Western Europe primarily in the 1960s. The situationists were highly politicized and theoretical, seeking, in their writings and art, to bring back meaningful social interactions to members of a depoliticized consumer society. Some artworks, such as paintings larger than buildings, blurred the boundaries between art forms. Others were altered reproductions of famous works, prefacing the reappropriated works of the 1980s and 1990s. The movement’s influence provided a theoretical base for students involved in the French general strike of 1968.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

Johnny Cash

For a student with certain interests, e.g. the kid I had in mind when I put this together, this reading on the late, great Johnny Cash and its accompanying vocabulary-building and comprehension worksheet are high-interest materials.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

A Bibliography on Electronic Screens, Child Development, and Learning from Parents Across America

If you’ve been teaching for ten years or more, you probably remember a time in your working life before smartphones became ubiquitous and turned your classroom into a battleground of wills over the presence of these devices in school. I have only one question for people who defend the presence of smartphones in classrooms: would you want your child–or any child–arriving in class every day with a smart television set and a cable modem and wireless router?

That is, of course, a rhetorical question (unless it’s not, which is very bad news indeed for this teacher). But the fact is this: we do allow smart televisions and cable modems/wifi routers when we allow smartphones in our schools. As I like to tell students, I have nothing, and I do mean nothing, that can compete with the constant stimulation, approbation, distraction, and amusement that these devices offer. What I have is material that requires prolonged attention, engagement, consideration, analysis, and, finally, deep thought. What I offer will more often than not challenge students’ views of the world–which I think is kind of the point of education, after all.

I’ve been waiting for a moment when I would have the stamina to write a lengthy essay to accompany this extended bibliography on the hazards of screens for child development and learning. I can’t summon the outrage–probably because where outrage is concerned, my well runneth dry–to add more than these few words of expository gloss to accompany this excellent document.

But I do want to thank the good people at Parents Across America for this document–and for all the excellent work they do.

Bruno Bettelheim

Bruno Bettelheim: (1903-1990) Austrian-born American psychologist, educator, and author, Bettelheim came to the U.S. in 1939 as a survivor of the Nazi concentration camps. Drawing from this experience, he wrote the widely read and influential study Individual and Mass Behavior in Extreme Situations (1943). He is best known, however, for his psychiatric work with severely disturbed children and its application to the study and education of normal children. Love Is Not Enough (1950), addressed to parents and a general readership, describes his work in his Orthogenic School for emotionally disturbed children and outlines means for meeting both children’s and parents’ needs in the modern family situation. Among his many other books are The Children of the Dream (1969), about communal childbearing in the kibbutz; A Home for the Heart (1974); and The Uses of Enchantment (1976), in which he discusses the psycho-social importance of fairy tales. Surviving and Other Essays (1979) contains diverse essays on problems in American society, on surviving under extreme duress, and on childhood schizophrenia. Freud and Man’s Soul was published in 1983, and Freud’s Vienna and Other Essays appeared in the year of his death.

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.