Tag Archives: questioning/inquiry

Christa Wolf

“Christa Wolf: (1929-2011) German novelist and essayist. Wolf’s major theme is the individual damaged and crippled by society. Der geteilte Himmel (1963; tr Divided Heaven, 1983), a critical account of East German society, established her as a major writer. Her highly acclaimed novel Nachdenken uber Christa T. (1968; tr The Quest for Christa T, 1970), both a requiem for a dead friend and an analysis of the limits of individual development set by society, caused a debate about new modes of narration in East German literature. The novel Kindheitesmuster (1976; tr Patterns of Childhood, 1984) is an attempt to come to terms with the National Socialist past. In Kein Ort Nurgens (1979; tr No Place on Earth, 1982), Wolf Depicts a fictional meeting between Kleist and Karoline von Gunderrode, two alienated individuals, both poets and both suicides, who longed for a different society. With this and other works, Wolf contributed to a reevaluation of Romanticism in the German Democratic Republic. Reverting to mythological sources in Kassandra (1983; tr 1984), Wolf finds in the story of Cassandra a foreshadowing of what was to become reality for subsequent centuries: the exclusion of women as subjects of history. Written in the aftermath of the Chernobyl nuclear catastrophe, Storfall, Nachrichten eines Tages (1987; tr Accident. A Day’s News, 1989) deals with Western civilization’s potential for destruction. Wolf’s short story, Was bleibt (1990; tr What Remains and Other Stories, 1993) led to a controversy about the status of literature by former East German authors. Selections in English of Wolf’s other writings include The Reader and the Writer: Essays, Sketches, Memories (1977), and The Author’s Dimension: Selected Essays (1993).”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

The Weekly Text, 22 March 2024, Women’s History Month Week 4: A Reading and Comprehension Worksheet on Mrs. Dalloway

On this, the penultimate Friday of Women’s History Month 2024, here is a reading on Mrs. Dalloway, the novel by Virginia Woolf, and its attendant vocabulary-building and comprehension worksheet. I rather doubt anyone is teaching this book at the secondary level. I confess I have found this book, at which I’ve taken several passes, more than a bit of a challenge. Still, these materials introduce the novel, and in so doing introduce Virginia Woolf herself, a significant figure in women’s history.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

The Weekly Text, 15 March 2024, Women’s History Month Week 3: A Reading and Comprehension Worksheet on Patti Smith

On this, the third Friday of Women’s History Month 2024, here is a reading on Patti Smith with its accompanying vocabulary-building and comprehension worksheet. I’d really like to think at this point that this extraordinary artist requires little introduction on this blog, so enough said.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Seneca Falls Convention

“Seneca Falls Convention: (July 19-20, 1948) Assembly held at Seneca Falls, New York, that launched the U.S.s women’s suffrage movement. The meeting was initiated by Elizabeth Cady Stanton (who lived in Seneca Falls) and Lucretia Mott. Over 200 people attended the meeting including 40 men, The group passed the Declaration of Sentiments, a list of grievances and demands modeled on the Declaration of Independence that called on women to organize and petition for their rights. A controversial demand for the right to vote passed by a narrow margin.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

The Weekly Text, 8 March 2024, Women’s History Month Week 2: A Reading and Comprehension Worksheet on Anne Bradstreet

For the second Friday of Women’s History Month 2024, here is a reading on Anne Bradstreet with its attendant vocabulary-building and comprehension worksheet. She was, as you may know (and I didn’t, I think, because I thought she was a key figure in North American Protestantism somehow, so a theocrat of some sort I suppose) a poet; in fact, she was the first person to publish a volume of poetry in Great Britain’s North American Colonies.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Cultural Literacy: Frankenstein

Moving right along this morning, here is a Cultural Literacy worksheet on the novel Frankenstein. This is a full-page document with a reading of five sentences and four comprehension questions.

How has what is ostensibly a horror story (which I’ve always read as an allegory on the naivete of Enlightenment notions about the perfectibility of man) to do with Women’s History Month? Well, this novel’s author is Mary Shelley, who was also known as Mary Wollstonecraft Shelley after her mother, Mary Wollstonecraft, who was a pioneering feminist and author of A Vindication of the Rights of Woman.

And while I am conflicted about using these women’s husbands to identify them, the two men are important for understanding the milieu in which Mary Shelley and her mother lived. Mary Shelley came by her name through her marriage to Percy Bysshe Shelley, the major English romantic poet. Mary Wollstonecraft married William Godwin, the British journalist, political philosopher, and novelist who, if he were alive today, would be quickly dismissed by the far right wing of the Republican Party as a man of the “woke left.”

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

The Weekly Text, 23 February 2024, Black History Month 2024, Week IV: Alex Wheatle Lesson 5

For the fifth and final Friday of Black History Month 2024, here is the fifth and final lesson of a unit on the life and times of Alex Wheatle. I open this lesson with this Cultural Literacy worksheet on social class.

This unit final assessment is the principal work for this lesson, and for the unit itself. You will note that it is a broad melange of tasks. I prepared this document with the idea that I would rarely, if ever, use it in its entirety. Rather, I would pick and choose among the questions and writing imperatives for what best suited the needs and abilities of a whole class in general and single students in particular. In other words, this document was prepared for ease of differentiation.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

The Weekly Text, 16 February 2024, Black History Month 2024, Week III: Alex Wheatle Lesson 4

For the third week of Black History Month 2024, here is the fourth lesson of five on the life and times of the British Young Adult novelist Alex Wheatle. I open this lesson with this Cultural Literacy worksheet on the Battle of Britain.

This lesson deals with the aftermath of the New Cross Fire, which is collectively remembered in England as the New Cross Massacre. The centerpiece of this lesson is this chapter from Darcus Howe: A Political Biography (London: Bloomsbury Academic, 2022), “13 Dead and Nothing Said.” This is a fifteen-page article, and I prepared this excerpted and adapted version of it. Finally, here is the comprehension and analysis worksheet that attends the reading.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

The Weekly Text, 9 February 2024, Black History Month 2024, Week II: Alex Wheatle Lesson 3

For this, the second week of Black History Month 2024, here is the third lesson of five on the life, times, and art of British Young Adult novelist Alex Wheatle. This lesson deals with the infamous New Cross House Fire on 18 January 1981. It was a fraught and seminal moment for Britain’s black community, and it is dealt with in the film that attends this unit, Alex Wheatle. The film dramatizes the events at New Cross on that night with a photomontage that is underpinned by Linton Kwesi Johnson, in particularly mellifluous voice, reading his poem about the event, “New Crass Massakah.”

If you open the link under Mr. Johnson’s name above, you will find the Wikipedia article on him that observes that in “2002 he became the second living poet, and the only black one, to be published in the Penguin Modern Classics series.” For some reason, finding that book proved very difficult, and I ended up with what would appear to be an American subsidiary edition published by Copper Canyon Press in Port Townshend, Washington. I assembled a large assortment of documents for this lesson.

Let’s start with this fine introduction to the the collection of Linton Kwesi Johnson poems, Mi Revalueshanary Fren (Port Townshend, Washington: Copper Canyon Press, 2006) I secured. The well-regarded American poet and novelist Russell Banks wrote it, and it is a doozy. I haven’t used it in both the instances I taught this unit, but I wanted to have it around so that I can use it to help students understand the importance of Mr. Johnson’s work. It seems that I have some future plans for this document, because I took the time to prepare a second version with a lexicon appended.

I open this lesson with this context clues worksheet on the adjective crass. The reading for this lesson, unsurprisingly, is the poem “New Crass Massakah.” I prepared this second version with each stanza numbered if you need something a bit more supportive and supported. Should you need to use the numbered version, you’ll probably need to do some editing on the comprehension and analysis worksheet that attends the poem.

Finally, here is the list of the New Cross dead. Nota bene, please, that the oldest of them was 22–and most were teenagers.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

The Weekly Text, 2 February 2024, Black History Month 2024, Week I: Alex Wheatle Lesson 2

For the first Friday of Black History Month 2024, and following last week’s relatively turgid Text, this week’s Text is the second lesson of five on the British young adult novelist Alex Wheatle. The do-now for this unit is this Cultural Literacy worksheet on the British Empire. I think a word of caution on this document is called for: this is a full-page worksheet with a reading of four long compound sentences and seven comprehension questions. In other words, it can and probably should be pared down. But I do think it’s important, when teaching about racism around the world, and particularly England, to deal with the problem of imperialism, manifest destiny, or whatever other nonsensical ideologies are in play to justify imperial land and resource grabs.

This biography of Alex Wheatle is adapted from The Guardian; if you want the full version of the article, it’s under that hyperlink–and is 1,898 words long, a fact which strikes me as salient here. Finally, here is the comprehension and analysis worksheet that accompanies the reading.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.