Tag Archives: literary oddities

Brewer’s Curious Titles: Brave New World

“A dystopian novel (1932) by Aldous Huxley (1894-1963). Its portrayal of an imagined future state in which men and women are processed into standardized batches by genetic engineering and lifelong conditioning was originally conceived as a challenge to the claims of H.G. Wells (1866-1946) for the desirability of eugenics. The title derives from Miranda’s exclamation in Shakespeare’s The Tempest (1611):

‘O brave new world,

That has such people in’t!’

V.i”

Excerpted from: Crofton, Ian, ed. Brewer’s Curious Titles. London: Cassell, 2002.

Rotten Reviews: An Aldous Huxley/Brave New World Omnibus

“A lugubrious and heavy-handed piece of propaganda.”

New York Herald Tribune

“… a somewhat amusing book; a bright man can do a good deal with two or three simple ideas.”

Granville Hicks, New Republic

“There are no surprises in it; and if he had no surprises to give us why would Mr. Huxley have bothered to turn this essay in indignation into a novel?”

New Statesman and Nation

Excerpted from: Bernard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.

Brewer’s Curious Titles: Brooklyn Bridge

“A long poem (1930) by the US poet Hart Crane (1899-1932). The work is a Whitmanesque celebration of America, its culture and history, and the image of Brooklyn Bridge acts as a link between past and present, a symbol of imagination and striving:

‘O Sleepless as the river under thee,
Vaulting the sea, the prairies dreaming sod,
Unto us lowliest sometime sweep, descend
And of the curveship lend a myth to God.’
Hart Crane, The Bridge, proem ‘To Brooklyn Bridge’

Brooklyn Bridge is a suspension bridge in New York City, spanning the East River and so linking Brooklyn and Manhattan Island. It was built in 1869-83, and incorporates a number of impressive technical innovations. With its tough, angular, futuristic structure, it became something of an icon for American modernists, being the subject of semi-abstract paintings by, for example, John Marin (1910-1932) and Joseph Stella (1917-1918). More recently, David and Victoria (‘Posh Spice’) Beckham chose to call their son Brooklyn because he was conceived while they crossed the bridge.”

Excerpted from: Crofton, Ian, ed. Brewer’s Curious Titles. London: Cassell, 2002.

The Devil’s Dictionary: Pantheism

“Pantheism: The doctrine that everything is God, in contradistinction to the doctrine that God is everything.”

Excerpted from: Bierce, Ambrose. David E. Schultz and S.J. Joshi, eds. The Unabridged Devil’s Dictionary. Athens: The University of Georgia Press, 2000. 

Rotten Rejections: In My Father’s Court

[This refers to the 1966 novel by Isaac Bashevis Singer.]

“Too pedestrian.”

Excerpted from: Bernard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.

The Algonquin Wits: George S. Kaufman to Herbert Bayard Swope at Dinnertime

“Herbert Bayard Swope, who had a penchant for dining at odd hours, called G.S.K. one evening at 9:30 one evening and asked, ‘What are you doing for dinner this evening?’

‘I’m digesting it,’ Kaufman replied.”

Excerpted from: Drennan, Robert E., ed. The Algonquin Wits. New York: Kensington, 1985.

Brewer’s Curious Titles: From Here to Eternity

“The first novel (1951) by James Jones (1921-77), who was serving in the US infantry in Hawaii when the Japanese bombed Pearl Harbor in 1941. Twice promoted and twice reduced to private, he fought at Guadalcanal and was wounded in the head by a mortar fragment. The novel, which won a National Book Award, draws on his own experiences in Hawaii and caused a sensation for its expose of army brutality and its outspokenness about sex and military mores. The film (1952) was a slick, sexually oblique version directed by Fred Zinnemann. The title comes from the poem ‘The Gentlemen Rankers’ (1889) by Rudyard Kipling (1865-1936) about oppressed junior ranks:

‘Gentlemen-rankers out on the spree,
Damned from here to Eternity,
God ha’ mercy on such as we.'”

Excerpted from: Crofton, Ian, ed. Brewer’s Curious Titles. London: Cassell, 2002.

Rotten Rejections: The Great Days by John Dos Passos

“I am rather offended by what seems to me quite gratuitous passages dealing with sex acts and natural functions.”

Excerpted from: Bernard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.

Rotten Reviews: Ulysses by James Joyce

“I finished Ulysses and think it is a misfire…. The book is diffuse. It is brackish. It is pretentious. It is underbred, not only in the obvious but in the literary sense. A first rate writer, I mean, respects writing too much to be tricky.”

Virginia Woolf, in her diary

“That the book possesses literary importance, except as a tour de force, is hard to believe. If we are to have the literature of mere consciousness there are numerous examples from the later Henry James to Virginia Woolf which import to consciousness a higher intrinsic value and achieve the forms of art.”

Springfield Republican reviewing the American edition 1934

Excerpted from: Bernard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.

The Algonquin Wits: Heywood Broun Completes a Questionnaire

“One morning, finding a self-analysis questionnaire on his desk, Broun included some of the questions in that day’s column:

‘What is my occupation? Newspaperman.’

‘Am I making a success of it? There seems to be a decided difference of opinion.’

‘What is my character and reputation? Unreliable and charming.’

‘What do other men think of me? Unreliable.’

‘What do I think of myself? Charming.’

‘Am I cleanly? Very much so in the summer.’

‘Punctual? No.’

‘Courteous? To a fault.

‘Have I any object in life? Yes, I want to be a writer.’

‘Am I on my way? Not precipitately.'”

Excerpted from: Drennan, Robert E., ed. The Algonquin Wits. New York: Kensington, 1985.