Tag Archives: fiction/literature

Postmodernism

They’re very likely something nobody at the elementary or secondary level needs, but here nonetheless are a reading on postmodernism and its accompanying vocabulary-building and comprehension worksheet. The one-page reading does a nice job of explaining what, for me, has always been a slippery concept. So if you’re teaching some or any of the authors discussed in this reading–among others you’ll find Thomas Pynchon, Italo Calvino, Toni Morrison, and Jean Rhys mentioned here–these documents probably aren’t of, uh, surpassing use to you.

On the other hand, as the reading points out, postmodernism is “notoriously difficult to define, whether in reference to literature, art, or anything else….” So there is the question of semantics to entertain here; a point of debate might be “Is there a stable definition of ‘postmodernism’ with concrete applied examples of the word?” Another might be an assertion in the reading, mostly accurate in my understanding of postmodernism, that the doctrine (such as it is) prescribes a view of the world that that “secure truths [do] not exist and that the world was therefore hopelessly fragmented.” That’s a grim assessment in many respects; but how, if at all, has it lent credibility to and generally abetted tyrants around the globe who began almost immediately, after a former president of the United States began flogging the term, began proclaiming most journalism (or journalism that doesn’t flatter the supreme leader) “fake news”? There, I think, is another point for debate.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Bell, Book, and Candle

“bell, book, and candle: A reference to features of the solemn ritual of major excommunication, as performed in the medieval Church of Rome. The decree of anathema, the official curse of excommunication, was read from the book of church ritual; the attendant priests held candles, which were dashed to the ground, symbolizing the extinction of grace and joy in the soul of the accused; and a bell was tolled, perhaps to simulate the tolling for the dead.

The phrase bell, book, and candle appears in Shakespeare’s King John (III, 3): ‘Bell, book, and candle shall not drive me back/ When gold and silver becks me to come on.’ Here, as in general usage, it represents the power and authority of Christianity.

Bell, Book, and Candle (1950) is also the title of a play by John Van Druten (1901-57), about a beautiful present-day witch who falls in love with a man and loses her powers as a sorceress.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

Elizabeth Hardwick on Reading

I recently found myself in receipt of The Uncollected Essays of Elizabeth Hardwick, published by The New York Review of Books for its fine series of “Classics.” I couldn’t help but notice, and feel a need to transcribe for future use, this essay on reading, titled, simply, “Reading.” There is a great deal in these 2,158 words to provoke thought–especially for teachers.

But what do you think?

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Realism (In Literature)

“realism: In literature, the theory or practice of fidelity to nature or to real life and to accurate representation without idealization. The 18th-century works of Daniel Defoe, Henry Fielding, and Tobias Smollett are among the earliest examples of realism in English literature. It was consciously adopted as an aesthetic program in the mid-19th century in France, when interest arose in recording previously ignored aspects of contemporary life and society; Gustave Flaubert’s Madame Bovary (1857) established the movement in European literature. The realist emphasis on detachment and objectivity, along with lucid but restrained social criticism, became integral to the novel in the late 19th century. The word has also been used critically to denote excessive minuteness of detail or preoccupation with trivial, sordid, or squalid objects. See also naturalism.

Excerpted from: Stevens, Mark A., Ed. Merriam-Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.

Book of Answers: Paradise Lost

“What playwright wrote a play called Paradise Lost that was not based on Milton’s poem? Clifford Odets, in 1935. The play was about the fall of a middle-class family.”

Excerpted from: Corey, Melinda, and George Ochoa. Literature: The New York Public Library Book of Answers. New York: Simon and Schuster, 1993.

H.G. Wells on Moral Indignation

“Moral indignation is jealousy with a halo.”

H.G. Wells

Excerpted from: Winokur, Jon, ed. The Big Curmudgeon. New York: Black Dog & Leventhal, 2007.

Bowdlerization

“Bowdlerization (noun): The altering, rewording, or striking out of parts of a literary work out of a sense of propriety or prudery, often with euphemistic paraphrases; moralistic censorship; prudishly modified version of a book. N. bowdlerism; v. bowdlerize. Also EXPURGATION

‘It now develops that even before it was submitted to the publisher, Dreiser’s work was greatly censored—indeed, bowdlerized—by his wife, “Jug,” and a good friend, newspaperman Arthur Henry.’ Ray Walters, The New York Times”

Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.

Isaac Asimov on Problems, Knowledge, and Ignorance

“If knowledge can create problems, it is not through ignorance that we can solve them.”

Isaac Asimov (1920-1922)

Excerpted from: Howe, Randy, ed. The Quotable Teacher. Guilford, CT: The Lyons Press, 2003.

Rotten Reviews: Two for John Gardner

“Rotten Reviews: The Wreckage of Agathon

’”Wreckage’ is appropriate…more hysterical than historical.’

Library Journal

Rotten Reviews: October Light

‘Within this great welter of word, symbols, and gassy speechifying and half-hatched allegory there was once, I suspect, a good lean novel, but I can’t find it….’

Peter Prescott, Newsweek”

Excerpted from: Barnard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.   

Brewer’s Curious Titles: True Grit

“True Grit: A film Western (1969) based on a novel (1968) of the same name by Charles Portis (b. 1933). The film starred John Wayne as an indomitable one-eyed marshal, ‘Rooster’ Cogburn, who is eventually persuaded to help a determined teenage girl avenge herself upon her father’s murderers. According to Portis, he picked up the phrase while researching memoirs about the old West, in which all manner of heroes were praised for their ‘grit’ (meaning their determination and courage):

‘I had never seen it in such profusion as in these books. There was grit, plain grit, plain old grit, clear grit, pure grit, pure dee grit (a euphemism for damned) and true grit. Thus the hard little word was in my head when I began the story.’

He jotted the phrase down on the title page of his script for use within the text when it became appropriate, and then realized it would make a good title itself. Portis was not, as he admitted himself, the first writer to make use of the phrase: as early as 1897 Bram Stoker quoted it in his novel Dracula.”

Excerpted from: Crofton, Ian, ed. Brewer’s Curious Titles. London: Cassell, 2002.