“If the world should blow itself up, the last audible voice would be that of an expert saying it can’t be done.”
Excerpted from: Winokur, Jon, ed. The Big Curmudgeon. New York: Black Dog & Leventhal, 2007
“If the world should blow itself up, the last audible voice would be that of an expert saying it can’t be done.”
Excerpted from: Winokur, Jon, ed. The Big Curmudgeon. New York: Black Dog & Leventhal, 2007
“Who wrote Arsenic and Old Lace? The 1941 play was written by Joseph Kesselring. The 1946 movie adaptation was directed by Frank Capra.”
Excerpted from: Corey, Melinda, and George Ochoa. Literature: The New York Public Library Book of Answers. New York: Simon and Schuster, 1993.
Here is a Cultural Literacy worksheet on Juan Peron. And yes, it does mention Eva (“Evita”) Peron, the Argentine dictator’s wife, subject of the West End musical by Andrew Lloyd Webber and Tim RIce. This is a half-page worksheet with a reading of three sentences and three comprehension questions.
If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.
Here is a reading on James Dean along with its accompanying vocabulary-building and comprehension worksheet. Does James Dean register with young people anymore? To my mind, Rebel Without a Cause is one of the great movies on adolescent angst. To my surprise, I learned while researching the fundamentals of this post that Rebel Without a Cause was actually released about a month after James Dean’s death on 30 September 1955.
If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.
“I have nothing against Brecht in his place, which is East Germany.”
Excerpted from: Winokur, Jon, ed. The Big Curmudgeon. New York: Black Dog & Leventhal, 2007.
“Mrs. Parker once said of a Katherine Hepburn performance: ‘She ran the gamut of emotions from A to B.’”
Excerpted from: Drennan, Robert E., ed. The Algonquin Wits. New York: Kensington, 1985.
“All writing is garbage. People who come out of nowhere to try to put into words any part of what goes on in their minds are pigs.”
Excerpted from: Winokur, Jon, ed. The Big Curmudgeon. New York: Black Dog & Leventhal, 2007.
“You’re obliged to pretend respect for people and institutions you think absurd. You live attached in a cowardly fashion to moral and social conventions you despise, condemn, and know lack all foundation. It is that permanent contradiction between your ideas and desires and all the dead formalities and vain pretenses of your civilization which makes you sad, troubled, and unbalanced. In that intolerable conflict you lose all joy of life and all feeling of personality, because at every moment they suppress and restrain and check the free play of your powers. That’s the poisoned and mortal wound of the civilized world.”
Excerpted from: Winokur, Jon, ed. The Big Curmudgeon. New York: Black Dog & Leventhal, 2007.
They’re very likely something nobody at the elementary or secondary level needs, but here nonetheless are a reading on postmodernism and its accompanying vocabulary-building and comprehension worksheet. The one-page reading does a nice job of explaining what, for me, has always been a slippery concept. So if you’re teaching some or any of the authors discussed in this reading–among others you’ll find Thomas Pynchon, Italo Calvino, Toni Morrison, and Jean Rhys mentioned here–these documents probably aren’t of, uh, surpassing use to you.
On the other hand, as the reading points out, postmodernism is “notoriously difficult to define, whether in reference to literature, art, or anything else….” So there is the question of semantics to entertain here; a point of debate might be “Is there a stable definition of ‘postmodernism’ with concrete applied examples of the word?” Another might be an assertion in the reading, mostly accurate in my understanding of postmodernism, that the doctrine (such as it is) prescribes a view of the world that that “secure truths [do] not exist and that the world was therefore hopelessly fragmented.” That’s a grim assessment in many respects; but how, if at all, has it lent credibility to and generally abetted tyrants around the globe who began almost immediately, after a former president of the United States began flogging the term, began proclaiming most journalism (or journalism that doesn’t flatter the supreme leader) “fake news”? There, I think, is another point for debate.
If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.
Posted in English Language Arts, Independent Practice, Social Sciences, Worksheets
Tagged building vocabulary/conceptual knowledge, cognition/learning/understanding, diction/grammar/style/usage, drama/theater, fiction/literature, literary oddities, philosophy/religion, questioning/inquiry, readings/research
“bell, book, and candle: A reference to features of the solemn ritual of major excommunication, as performed in the medieval Church of Rome. The decree of anathema, the official curse of excommunication, was read from the book of church ritual; the attendant priests held candles, which were dashed to the ground, symbolizing the extinction of grace and joy in the soul of the accused; and a bell was tolled, perhaps to simulate the tolling for the dead.
The phrase bell, book, and candle appears in Shakespeare’s King John (III, 3): ‘Bell, book, and candle shall not drive me back/ When gold and silver becks me to come on.’ Here, as in general usage, it represents the power and authority of Christianity.
Bell, Book, and Candle (1950) is also the title of a play by John Van Druten (1901-57), about a beautiful present-day witch who falls in love with a man and loses her powers as a sorceress.”
Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.
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