Tag Archives: drama/theater

The Algonquin Wits: George S. Kaufman on His Failures

“During the influenza epidemic of 1918, just after his first play had opened in New York, Kaufman reportedly went around advising people to ‘avoid crowds–see Someone in the House.'”

“After the flop of his first play, Someone in the House, Kaufman remarked, ‘there wasn’t.'”

Excerpted from: Drennan, Robert E., ed. The Algonquin Wits. New York: Kensington, 1985.

Rotten Reviews: A Midsummer Night’s Dream by William Shakespeare

“The most insipid, ridiculous play that I ever saw in my life.”

 Samuel Pepys, Diary

Excerpted from: Barnard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998. 

Term of Art: Magnum Opus

“Magnum Opus: A great work of art or literature, especially a writer’s culminating and greatest achievement; masterpiece. Plural: magna opera, magnum opuses,

‘It was the magnum opus of a fat spoiled rich boy who could write like an angel about landscape and like an adolescent about people.’ Norman Mailer, Cannibals and Christians”

Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.

Bhasa

“Bhasa (3rd century AD) Sanskrit dramatist. Bhasa’s works show great skill in narrative, exquisite poetry, the depiction of human sentiment, and excellent stagecraft. Svapna-Vasvadatta (The Dream of Vasavadatta) is the most popular of the thirteen Bhasa plays ndiscovered in 1912 by Pandit Garapati Sastri.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

Tea and Sympathy

“A play (1953) by the US writer Robert Anderson about the problems faced by a sensitive teenage boy at an elite New England boarding school who is accused of homosexuality. The ‘tea and sympathy’ in question is provided by the housemaster’s wife. A bowdlerized film version followed in 1956.

All you’re supposed to do is every once in a while give the boys a little tea and sympathy.

Robert Anderson: Tea and Sympathy (1953). I

Excerpted from: Crofton, Ian, ed. Brewer’s Curious Titles. London: Cassell, 2002.

Term of Art: Pathetic Fallacy

“Pathetic Fallacy: The ascribing of human traits and feelings to inanimate objects or nature, or the use of anthropomorphic images or metaphors. Also ANTHROPOPATHISM

John Ruskin coined the name and a later writer, James Thurber, created our favorite example of the pathetic fallacy in a cartoon caption for The New Yorker: ‘It’s a naive domestic Burgundy without any breeding, but I think you’ll be amused at its presumption.’”

William and Mary Morris, Harper Dictionary of Contemporary Usage

Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.

Tom Stoppard on Honesty

“It’s better to be quotable than to be honest.”

Tom Stoppard

Excerpted from: Winokur, Jon, ed. The Big Curmudgeon. New York: Black Dog & Leventhal, 2007.

Rotten Reviews: Mourning Becomes Electra by Eugene O’Neill

[This Rotten Review refers to a performance of Eugene O’Neill’s play in London in 1961.]

Mourning Becomes Electra is hollow.”

Bernard Levin, Daily Express

Excerpted from: Bernard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.

The Algonquin Wits: Peggy Wood to Aleck Woollcott

Peggy Wood, actress and Round Table frequenter, joined the group one day when [Alexander] Woollcott was discussion the feasibility of reviving Macbeth as a Broadway play. Acknowledging the arrival of Miss Wood, Aleck said, ‘We’re discussing the cast. I don’t think you’d make a very good Lady Macbeth, do you Peggy?’

‘No, Aleck,’ she answered. ‘But you would.’”

Excerpted from: Drennan, Robert E., ed. The Algonquin Wits. New York: Kensington, 1985.

Zoe Akins on the Greeks

“The Greeks Had a Word for It.”

Zoe Akins, U.S. Playwright, 1868-1951

Title of Play

Excerpted from: Shapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.