Tag Archives: drama/theater

Book of Answers: Plutarch’s Lives

“Who is featured in Plutarch’s Lives?  The Parallel Lives (first century A.D.) pairs biographies of famous Greeks and Romans, such as the orators Demosthenes and Cicero. The book provided background for some of Shakespeare’s plays, including Julius Caesar.”

Excerpted from: Corey, Melinda, and George Ochoa. Literature: The New York Public Library Book of Answers. New York: Simon and Schuster, 1993.

Term of Art: Anachronism

“(Greek ‘back-timing’) In literature anachronisms may be used deliberately to distance events and to underline a universal sense of verisimilitude and timelessness—to prevent something being ‘dated.’ Shakespeare adopted this device several times. Two classic examples are the references to the clock in Julius Caesar and to billiards in Antony and Cleopatra. Shaw also does it Androcles and the Lion when the Emperor is referred to as ‘The Defender of the Faith.’”

Excerpted from: Cuddon, J.A. The Penguin Dictionary of Literary Terms and Literary Theory. New York: Penguin, 1992.

The Algonquin Wits: George S. Kaufman on His Failures

“During the influenza epidemic of 1918, just after his first play had opened in New York, Kaufman reportedly went around advising people to ‘avoid crowds–see Someone in the House.'”

“After the flop of his first play, Someone in the House, Kaufman remarked, ‘there wasn’t.'”

Excerpted from: Drennan, Robert E., ed. The Algonquin Wits. New York: Kensington, 1985.

Rotten Reviews: A Midsummer Night’s Dream by William Shakespeare

“The most insipid, ridiculous play that I ever saw in my life.”

 Samuel Pepys, Diary

Excerpted from: Barnard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998. 

Term of Art: Magnum Opus

“Magnum Opus: A great work of art or literature, especially a writer’s culminating and greatest achievement; masterpiece. Plural: magna opera, magnum opuses,

‘It was the magnum opus of a fat spoiled rich boy who could write like an angel about landscape and like an adolescent about people.’ Norman Mailer, Cannibals and Christians”

Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.

Bhasa

“Bhasa (3rd century AD) Sanskrit dramatist. Bhasa’s works show great skill in narrative, exquisite poetry, the depiction of human sentiment, and excellent stagecraft. Svapna-Vasvadatta (The Dream of Vasavadatta) is the most popular of the thirteen Bhasa plays ndiscovered in 1912 by Pandit Garapati Sastri.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

Brewer’s Curious Titles: Tea and Sympathy

“A play (1953) by the US writer Robert Anderson about the problems faced by a sensitive teenage boy at an elite New England boarding school who is accused of homosexuality. The ‘tea and sympathy’ in question is provided by the housemaster’s wife. A bowdlerized film version followed in 1956.

All you’re supposed to do is every once in a while give the boys a little tea and sympathy.

Robert Anderson: Tea and Sympathy (1953). I

Excerpted from: Crofton, Ian, ed. Brewer’s Curious Titles. London: Cassell, 2002.

Term of Art: Pathetic Fallacy

“Pathetic Fallacy: The ascribing of human traits and feelings to inanimate objects or nature, or the use of anthropomorphic images or metaphors. Also ANTHROPOPATHISM

‘John Ruskin coined the name and a later writer, James Thurber, created our favorite example of the pathetic fallacy in a cartoon caption for The New Yorker: ‘It’s a naive domestic Burgundy without any breeding, but I think you’ll be amused at its presumption.’”

William and Mary Morris, Harper Dictionary of Contemporary Usage

Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.

Tom Stoppard on Honesty

“It’s better to be quotable than to be honest.”

Tom Stoppard

Excerpted from: Winokur, Jon, ed. The Big Curmudgeon. New York: Black Dog & Leventhal, 2007.

Rotten Reviews: Mourning Becomes Electra by Eugene O’Neill

[This Rotten Review refers to a performance of Eugene O’Neill’s play in London in 1961.]

“Mourning Becomes Electra is hollow.”

Bernard Levin, Daily Express

Excerpted from: Bernard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.