“Ruth Gordon once described to G.S.K. [George S. Kaufman] a new play in which she was appearing: ‘In the first scene I’m on the left side of the stage, and the audience has to imagine I’m eating dinner in a crowded restaurant. Then in scene two I run over to the right side of the stage and the audience imagines I’m in my own drawing room.’”
Excerpted from: Drennan, Robert E., ed. The Algonquin Wits. New York: Kensington, 1985.
Posted in English Language Arts, New York City, Quotes, Reference
Tagged drama/theater, humor, literary oddities
While I have to assume that Seinfeld remains in syndication, new episodes left the airwaves long ago; in fact, the last episode was broadcast over 20 years ago on May 14, 1998. Since he remains something of a global cultural icon, this reading on Jerry Seinfeld and its accompanying vocabulary-building and comprehension worksheet might remain of interest to students.
If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.
“A collection of stories (1931) by the US writer Damon Runyon (1884-1946), comprising amusing tales of gangster life, told in Runyon’s colorful version of New York underworld patois. The first collection was followed by several others, and the stories feature characters such as Joe the Joker, Nicely-Nicely, Apple Annie, and Regret the Horseplayer. The musical comedy entitled Guys and Dolls (1950), based on Runyon’s stories and with music and lyrics by Frank Loesser (1910-69) and book by Jo Swerling and Abe Burrows, focuses on the romance that develops between a Salvation Army worker (representing the ‘dolls’) and gambler Sky Masterson (representing the ‘guys’). It was filmed in 1955 starring Frank Sinatra, Marlon Brando, and Jean Simmons.”
Excerpted from: Crofton, Ian, ed. Brewer’s Curious Titles. London: Cassell, 2002.
“The Trial (German title: Der Prozess): A posthumously published novel (1925; English translation 1937) by Franz Kafka (1883-1924). Set in a nightmarish, proto-totalitarian world, it concerns the tribulations of Josef K., who is arrested and brought before a court, but the charges against him are never stated. He is driven to find out what he is supposed to have done wrong, and to seek acquittal–which he never succeeds in doing, but is taken to the edge of the city and killed ‘like a dog.’
Orson Welles directed a haunting film version (1963). In the opera The Visitation (1966), the US composer Gunther Schuller (1925-2015) transfers Kafka’s The Trial to the Southern states of the USA and Josef K. becomes a black student called Carter Jones.”
Excerpted from: Crofton, Ian, ed. Brewer’s Curious Titles. London: Cassell, 2002.
“Whoso neglects learning in his youth, loses the past and is dead to the future.”
Euripides (480-406 B.C.)
Excerpted from: Howe, Randy, ed. The Quotable Teacher. Guilford, CT: The Lyons Press, 2003.
“Actor, n. One who peddles ready-made emotion, and who, despising us for the qualities on which he feeds, is by us despised for the unwholesome character of his diet.”
Excerpted from: Bierce, Ambrose. David E. Schultz and S.J. Joshi, eds. The Unabridged Devil’s Dictionary. Athens: The University of Georgia Press, 2000.
Posted in English Language Arts, Quotes, Reference
Tagged drama/theater, humor, literary oddities
“Extraordinary how potent cheap music is.”
Excerpted from: Winokur, Jon, ed. The Big Curmudgeon. New York: Black Dog & Leventhal, 2007.
Posted in English Language Arts, Quotes, Reference
Tagged drama/theater, humor, literary oddities, music
“After the first stage performance of Our Town, the producers reportedly found Woollcott—a true sentimentalist—sobbing openly on a fire escape in the theater alley. ‘Pardon me Mr. Woollcott,’ one of them asked, ‘will you be endorsing the play?’
Rising, Aleck replied, ‘Certainly not! It doesn’t need it. I’d as soon think of endorsing the Twenty-third Psalm.’”
Excerpted from: Drennan, Robert E., ed. The Algonquin Wits. New York: Kensington, 1985.
Posted in English Language Arts, New York City, Quotes, Reference
Tagged drama/theater, humor, literary oddities, readings/research
“affective fallacy: A critical term denoting the confusion between what a literary work is and what it does. That is, a work should be judged solely on its literary components, not by its emotional (or affective) impact on the reader. It was first identified as a critical ‘error’ by Monroe Beardsley and W.K. Wimsatt in The Verbal Icon (1954). It is related to intentional fallacy, in which a work is judged according to what the author presumably intended to say or in relation to the author’s biography.”
Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.
“A much-performed American musical by Leonard Bernstein (1918-90), with lyrics by Stephen Sondheim (b. 1930). It was first staged in 1957. The story is an updated version of Romeo and Juliet set in New York’s West Side dockland area, with the Montagues and the Capulets being replaced by rival teenage gangs, the Sharks and the Jets. The rivalry erupts into violence as a result of the love between Tony, one of the Jets, and Maria, the sister of the leader of the Sharks. The 1961 film version won an Oscar for best picture.”
Excerpted from: Crofton, Ian, ed. Brewer’s Curious Titles. London: Cassell, 2002.
Posted in English Language Arts, Quotes, Reference, Social Sciences
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