Category Archives: Reference

These are materials for teachers and parents, and you’ll find, in this category, teachers copies and answer keys for worksheets, quotes related to domain-specific knowledge in English Language Arts and social studies, and quotes on issues of professional concern. See the Taxonomies page for more about this category.

Write It Right: Conclude for Decide

Conclude for Decide: “‘I concluded to go to town.’ Having concluded a course of reasoning (implied) I decided to go to town. A decision is supposed to be made at the conclusion of a course of reasoning, but it is not the conclusion itself. Conversely, the conclusion of a syllogism is not a decision, but an inference.”

Excerpted from: Bierce, Ambrose. Write it Right: A Little Blacklist of Literary Faults. Mineola, NY: Dover, 2010.

A Learning Support on the Admission of U.S. States

While rummaging around in the digital attic at Mark’s Text Terminal, I came upon this learning support on when states were admitted to the United States. I can’t for the life of me remember why I wrote it, but if you can use it, there it is.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Lily Tomlin on the Development of Language

“I personally think we developed language because of our deep need to complain.”

Lily Tomlin

Excerpted from: Winokur, Jon, ed. The Big Curmudgeon. New York: Black Dog & Leventhal, 2007.

Doctor Zhivago

“A novel (1957) by the Russian writer Boris Pasternak (1890-1960). Set against the background of the Russian Revolution and the ensuing civil war, it tells the story of poet and physician Yuri Zhivago, whose love for the beautiful Lara causes pain for all involved. In Russian, zhivago means ‘the living’, and the word has strong religious connotations: the Russian version of ‘Why do you seek the living among the dead’ (the question the angels ask the women who come to see Christ’s tomb in the Gospel of St. Luke) is ‘Chto vy ischyote zhivago mezhdu myortvykh?’ In addition, Yuri is the Russian version of George–the dragon-slaying saint.

The book brought Pasternak himself little happiness. Following his award of the Nobel Prize for Literature, he was pilloried by literary rivals, who accused him of plagiarizing other works, and his companion Olga Ivinskaya, on whom Lara was based, was thrown into prison by the Soviets. The first Russian publication of the novel did not take place until 1987.

David Lean’s epic film version (1965) lasts over 190 minutes, and stars Omar Sharif as Zhivago and Julie Christie as Lara. Maurice Jarre’s haunting ‘Lara’s Theme’, played on the balalaika, has become a favorite in all places where muzak is played.”

Excerpted from: Crofton, Ian, ed. Brewer’s Curious Titles. London: Cassell, 2002.

Rotten Rejections: The Four-Chambered Heart

“Miss Nin’s usual rather sensitive and lyrical writing on her usual theme of erotica interlarded with psychoanalytic interpretations… Miss Nin is distinctly caviar to the general public but I’m afraid it’s only red caviar at that…”

Excerpted from: Bernard, Andre, and Bill Henderson, eds. Pushcart’s Complete Rotten Reviews and Rejections. Wainscott, NY: Pushcart Press, 1998.

Term of Art: Addendum

“Addendum (noun) Something added or to be added, as a subsequent comment, note, or insertion; appended supplement. Plural: addenda.

‘The public is probably not deceived about the quality of most of these books. If the question of quality is brought up, the answer is likely to be: not, they are not ‘literature.’ But there is an unexpressed addendum: and perhaps they are all the better for not being imaginative, for not being literature—they are not literature, they are reality, and in a time like this what we need is reality in large doses.’ Lionel Trilling, The Liberal Imagination.”

Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.

Craft

“In traditional art history the line between art and craft was sharply defined. Crafts were always practical, if sometimes beautiful, objects produced by a skilled tradesman. Until the 16th century, both craftsmen and artists were paid according to the labor expended in making an item; with the rise in the status of the artist, however, artworks came to be viewed primarily aesthetically. This division is breaking down as more design and once-practical objects are adopted by the ever-expanding definition of art (e.g., Shaker craft and art, automobile design) and as artists turn to methods once exclusively those of craftspeople (e.g., quiltmaking, as seen in the AIDS memorial quilt or African-American artists working in the quilt medium; furniture design).”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

A Learning Support on Using Semicolons in Sentences

Here, finally, on an unseasonably warm morning in early January, is a learning support on using semicolons in sentences.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

The Devil’s Dictionary: Proofreader

“Proof-reader, n. A malefactor who atones for making your writing nonsense by permitting the compositor to make it unintelligible.”

Ambrose Bierce

Excerpted from: Bierce, Ambrose. David E. Schultz and S.J. Joshi, eds. The Unabridged Devil’s Dictionary. Athens: The University of Georgia Press, 2000.

Term of Art: Readability

“A measure of how easy it is to comprehend a text depending on a number of variables. These include vocabulary, sentence complexity, format, writing style, and topic, plus the reading comprehension level, interest, background information, and decoding skills of the reader.

Some methods of predicting the readability of a text are used to gauge whether an individual can successfully read and comprehend a passage. One such method is to read a section of a passage and count the number of words that are unfamiliar to the reader. If, for example, the reader encounters more than three unfamiliar words, the readability may be too difficult.

In educational settings, a text’s readability is often measured in grade level. For example, a history textbook with a readability of 9.3 means an average ninth grade, third month student should be able to read and comprehend it.”

Excerpted from: Turkington, Carol, and Joseph R. Harris, PhD. The Encyclopedia of Learning Disabilities. New York: Facts on File, 2006.