Category Archives: Reference

These are materials for teachers and parents, and you’ll find, in this category, teachers copies and answer keys for worksheets, quotes related to domain-specific knowledge in English Language Arts and social studies, and quotes on issues of professional concern. See the Taxonomies page for more about this category.

Imamu Amiri Baraka

“Formerly Leroi Jones, 1934-2014). American poet and playwright. Dutchman, a taut one-act play, part realistic, part ritualistic, crystalizing the conflicts between white and black cultures, established Baraka as an important force in stimulating black playwriting and production. Slave Ship (1967), relies on music and action as much as language to unfold its haunting story. Baraka’s theater is aggressive and provocative, yet lyrical in its theatrical effect. His prolific output of essays and poetry includes Preface to a Twenty Volume Suicide Note (1961) The Dead Lecturer (1964), Black Magic (1969) and Hard Facts (1976); his work is collected in Selected Plays and Prose and Selected Poetry (both 1979). Two other works appeared in 1979: a collection of poetry AM/TRAK and Spring Song. Reggae or Not, prose writings, appeared in 1981. Baraka’s later works have become increasingly polemical and separatist, causing many white liberals to desert him. He also published The Music: Reflections on Jazz and Blues (1987), Shy’s Wise: The Griot’s Tale (1994), and Jesse Jackson and Black People (1994).”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

W.E.B. DuBois as Psychologist

“The Negro is a sort of seventh son, born with a veil, and gifted with second-sight in this American world—a world which yields him no self-consciousness, but only lets him see himself through the revelation of the other world. It is a peculiar sensation, this double-consciousness, this sense of always looking at one’s self through the eyes of others, of measuring one’s soul by the tape of a world that looks on in universal contempt and pity.”

W.E.B. DuBois

“Strivings of the Negro People” (1897)

Excerpted from: Shapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.

James Baldwin

“(1924-1987) American novelist and essayist. Baldwin’s first novel, Go Tell It on the Mountain, about the religious awakening of a fourteen-year-old black youth, was based closely on Baldwin’s own experience as a young storefront preacher in Harlem. His subsequent novels, including Giovanni’s Room (1956), Another Country (1962), Tell Me How Long the Train’s Been Gone (1968) and If Beale Street Could Talk (1974), are movingly written accounts of emotional and sexual suffering and growth, often played out against the background of social intolerance toward freely expressed sexuality (particularly homosexuality) as well as racism. Baldwin was a distinguished essayist whose nonfiction works include Notes of a Native Son (1955), Nobody Knows My Name (1961), and The Fire Next Time, all passionately angry indictments of an American society that institutionalizes race discrimination. In his own protest against inhumane conditions, Baldwin left the U.S. at twenty-four to live in France, where most of his work was written; he returned to America in 1977. He also wrote plays, such as The Amen Corner (1955), Blues for Mister Charlie (1964), and One Day, When I Was Lost (1973), a script based on The Autobiography of Malcolm X. Baldwin’s sixth novel, Just Above My Head (1979), is a thirty-year saga of a group of Harlem friends whose individual odysseys through wars, poverty, and the civil rights struggle bring them to various fates. In 1985 he published The Price of the Ticket: Collected Non-Fiction, 1948-1985, and in 1986, Evidence of Things Not Seen, an analysis of racism in the light of the Atlanta murders of black children.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

Muhammad Ali on Refusing the Draft During the Vietnam War

[Refusing to be drafted to fight in the Vietnam War;] “I ain’t got no quarrel with the Viet Cong.”

Muhammad Ali

Press conference, Miami, Florida, February, 1966

Excerpted from: Shapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.

Claude Browne

“(1937-2002) American writer. Brown’s reputation rests primarily on his best-selling autobiographical novel, Manchild in the Promised Land, which depicts his upbringing in Harlem, experiences in a succession of correctional institutions, and eventual escape from the ghetto when he goes to college. The Children of Ham (1976) is a collection of sketches of a group of Harlem adolescents and their attempts to survive in a living hell dominated by heroin.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

Duke Ellington on Bebop

“Playing ‘bop’ is like Scrabble with all the vowels missing.”

 Excerpted from: Shapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.

Quoted in Look. 10 August 1954

Charles Richard Drew

“Drew, Charles Richard: (1904-1950) U.S. physician and surgeon. Born in Washington, D.C., he received his PhD from Columbia University. While researching the properties and preservation of blood plasma, he developed efficient ways to process and store plasma in blood banks. He directed the U.S. and Britain’s World War II blood-plasma programs until 1942. An African-American, he resigned over the segregation of the blood of blacks and whites in blood banks. He died in an auto accident.”

Excerpted from: Stevens, Mark A., Ed. Merriam Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.

Paul Laurence Dunbar on the Mask

“We wear the masks that grins and lies,
It hides our cheeks and shades our eyes,–
This debt we pay to human guile…

But let the world dream otherwise,
We wear the mask!”

Paul Laurence Dunbar

“We Wear the Mask” 1. I, 14 (1895)

Excerpted from: Shapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.

for colored girls who have considered suicide when the rainbow is not enough

“A play (1974) by the US writer Ntozake Shange (b. 1948) consisting of 20 ‘choreopoems’ about the experience of African-American women in modern Western society. One of the longest running shows in Broadway history, the play’s extraordinary title, with its unconventional spellings and rejection of accepted grammatical rules, was intended by the author to represent the independence of African-American culture from Western influence. The mutilation of words throughout the title and text are reportedly meant to remind the reader of the mutilation of African slaves through branding and other punishments.”

Excerpted from: Crofton, Ian, ed. Brewer’s Curious Titles. London: Cassell, 2002.

Kofi Annan on the Legitimacy of the United Nations

“When states decide to use force to deal with broader threats to international peace and security, there is no substitute for the unique legitimacy provided by the United Nations.”

Kofi Annan

Opening speech to United Nations General Assembly, New York, N.Y., 12 September 2002

Excerpted from: Shapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.