Category Archives: Reference

These are materials for teachers and parents, and you’ll find, in this category, teachers copies and answer keys for worksheets, quotes related to domain-specific knowledge in English Language Arts and social studies, and quotes on issues of professional concern. See the Taxonomies page for more about this category.

A Man for All Seasons by Robert Bolt

A Man for All Seasons: A play (1960), later a film (1967), by Robert Bolt (1924-95) about the Tudor statesmen Sir Thomas More and his opposition to Henry VIII’s divorce from Catherine of Aragon. The title was derived by Bolt from a description of More by his contemporary Robert Whittington (c. 1480 – c. 1530), who wrote:

 ‘More is a man of angel’s wit and singular learning; I know not his fellow. For where is the man of that gentleness, lowliness and affability? And as time requireth, a man of marvelous mirth and pastimes; and sometimes of as sad a gravity: as how say: a man for all seasons.’

Vulgaria (1521)

 Whittington in turn borrowed the tag from Erasmus, a friend of More’s, who had described More in his preface to In Praise of Folly (1509) with the words omnium horarum hominem (‘a man for all hours’).”

Excerpted from: Crofton, Ian, ed. Brewer’s Curious Titles. London: Cassell, 2002.

Historical Term: Blockade

blockade: Action to prevent supplies reaching an enemy, either by placing ships outside its ports, troops outside a city or cutting off traffic across a country’s borders. Under international law a neutral merchant vessel attempting to breach a blockade may be confiscated by the blockading country. The tactic was first attempted in the Napoleonic wars when Britain’s navy blockaded France, Portugal, and Spain. A recent naval blockade was imposed on 12 April 1982 by Britain on the Falkland Islands to cut off supplies to Argentine troops occupying them; it was lifted following the retaking of the islands by British forces in May and June 1982.”

Excerpted from: Cook, Chris. Dictionary of Historical Terms. New York: Gramercy, 1998.

The Devil’s Dictionary: Abridge

[N.B.: As he was almost constantly wont to do, Ambrose Bierce ironizes heavily here, using part of the United States Declaration of Independence to pun on the fact that Cromwell signed the death warrant that separated King Charles I from his head.]

“Abridge, vt. To shorten. When in the course of human events it becomes necessary for a people to abridge their king, a decent respect for the opinions of mankind requires that they should declare the causes which impel them to the separation. –Oliver Cromwell 

Excerpted from: Bierce, Ambrose. David E. Schultz and S.J. Joshi, eds. The Unabridged Devil’s Dictionary. Athens: The University of Georgia Press, 2000. 

The Algonquin Wits: Heywood Broun on Class War

“The trouble with me is that I inherited an insufficient amount of vengeful feeling. Kings, princes, dukes, and even local squires rode their horses so that they stepped upon the toes of my ancestors, who did nothing about it except to apologize. I would have joined most eagerly in pulling down the Bastille, but if anybody had caught me at it and given me a sharp look I’m afraid I would have put it back again.”

Heywood Broun

Excerpted from: Drennan, Robert E., ed. The Algonquin Wits. New York: Kensington, 1985.

John Dewey on the Fundamentals of Clear Thought

“Alertness, flexibility, curiosity are the essentials; dogmatism, rigidity, prejudice, caprice rising from routine, passion, and flippance are fatal.”

John Dewey

How We Think: A Restatement of the Relation of Reflective Thinking to the Educative Process

Excerpted from: Wiggins, Grant, and Jay McTighe. Understanding by Design. Alexandria, VA: ASCD, 1998.

WPA: Works Progress Administration

WPA: Works Progress Administration: (later renamed Works Projects Administration) This federal agency (1935-1943) established by the U.S. government provided depression-era relief to the unemployed by commissioning public works. More than 5,000 artists produced works ranging from monumental murals (Willem de Kooning) to documentary photographs (Dorothea Lange, Walker Evans).”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

Write It Right: Afraid

“Afraid. Do not say ‘I am afraid it will rain.’ Say, I fear that it will rain.”

Excerpted from: Bierce, Ambrose. Write it Right: A Little Blacklist of Literary Faults. Mineola, NY: Dover, 2010.

Doctrinaire

“Doctrinaire (adjective): Characterized by impractical, abstract doctrine or speculative opinion and thus narrow in point of view; rigidly theoretical or parochial, without flexibility or regard to circumstances; stubbornly doctrinal. Adverb: doctrinarily; noun: doctrinairism, doctrinaire, doctrinairian.

‘But there is, for me, a certain softness in her argument, based as it is on a diagnosis of psychology that is both excessively doctrinaire in its remedy and equivocal.’ Susan Sontag, Against Interpretation

Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.

A Lesson Plan on Nouns as the Indirect Objects of Verbs

OK, folks, here is the big post of the day, to wit, a lesson plan on nouns as the indirect objects of verbs. I open this lesson with this worksheet on homophones worksheet on the verbs (and nouns) compliment and complement. Here is the scaffolded worksheet at the center of this lesson; here too is teacher’s copy of the worksheet.

Now a few quick words of explanation. The verb and noun complement is often used in grammar manuals to describe predicates consisting of direct and indirect objects (and by the way, I posted a lesson plan on nouns as the direct objects of verbs a few days back that works well with this lesson), so I want students to recognize that meaning of this polysemous word when they see it. As I mentioned in the post on direct objects, this point of grammar will help students when they undertake to study a foreign language. Direct and indirect objects, particularly in inflected languages, require different case endings. For example, in Russian the direct object takes the accusative case ending, but indirect objects are in the dative case.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Term of Art: Hidden Curriculum

“Hidden Curriculum: In education, the hidden curriculum refers to the way in which cultural values and attitudes (such as obedience to authority, punctuality, and delayed gratification) are transmitted, through the structure of teaching and the organization of schools. This is different from the manifest or formal curriculum that is subject-based or topic-based. Philip Jackson’s classic work on Life in the Classroom (1968) points to three aspects of the hidden curriculum: crowds, praise, and power. In classrooms, pupils are exposed to the delay and self-denial that goes along with being one of a crowd; the constant evaluation and competition with others; and the fundamental distinction between the powerful and the powerless, with the teacher being effectively the infant’s first boss. Much sociological research has been concerned with the undesirable aspects of the hidden curriculum, whereby schools are said to sustain inequality, though sexism, racism, and class bias. If, as Emile Durkheim postulated, schools reflect the larger society of which they are a part, it is not surprising that, for good or for ill, the hidden curriculum reflects the values that permeate the other societal systems that interact with education.”

Excerpted from: Marshall, Gordon, ed. Oxford Dictionary of Sociology. New York: Oxford University Press, 1994.