Category Archives: Reference

These are materials for teachers and parents, and you’ll find, in this category, teachers copies and answer keys for worksheets, quotes related to domain-specific knowledge in English Language Arts and social studies, and quotes on issues of professional concern. See the Taxonomies page for more about this category.

The Devil’s Dictionary: Truth

“Truth, n. An ingenious compound of desirability and appearance. Discovery of the truth is the sole purpose of philosophy, which is the most ancient occupation of the human mind and has a fair prospect of existing with increasing activity until the end of time.”

Excerpted from: Bierce, Ambrose. David E. Schultz and S.J. Joshi, eds. The Unabridged Devil’s Dictionary. Athens: The University of Georgia Press, 2000. 

Aegis

“Aegis: (fr Gr, aix, ‘goat’) Variously interpreted as a shield made of goatskin or as the awesome thundercloud of Zeus. Homer depicts the aegis as an impregnable shield made by the god Hephaestus. On occasion Zeus lent the aegis to other gods; particularly Athene and Apollo. The aegis symbolized the gods’ special powers. Hence the term has come denote authority and protection.”

Excerpted from: Murphy, Bruce, ed. Benet’s Reader’s Encyclopedia, Fourth Edition. New York: Harper Collins, 1996.

Socrates on Consumerism

“[On looking at an expensive shop:] ‘How many things I can do without.’”

Quote in Diogenes Laertius, Lives of the Philosophers

Excerpted from: Schapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.

Chapter 7 of The Reading Mind: “Reading After the Digital Revolution” Summary, Implications and Discussion Questions

“Chapter 7: “Reading After the Digital Revolution” Summary, Implications and Discussion Questions

Summary

  • Software designed to teach reading has been variable in its success. Some applications work well, others do not. Advantages that software could theoretically bring to the teaching of reading have been harder to exploit than anticipated.
  • There is a small cost to reading on a screen compared to reading on paper. That cost will likely decline and may well disappear in the coming years, as engineers find better ways to design ebooks.
  • Students can access information at unprecedented scale and with unprecedented speed, but there is little evidence that this access is influencing reading or learning.
  • There’s also little evidence that digital gadgets have displaced reading in students’ lives, but that may mostly be that students have never read much.

 Implications

  • Although the comprehension cost associated with e-textbooks is modest, it’s large enough that most students don’t want to use them. Schools and districts should be cautious in adopting them until they improve.
  • “Digital literacy” (defined as learning how to navigate common applications) seems to be mostly overblown. Common applications and platforms are written to be easy to use, and most students gain familiarity with them at home. The exception is disadvantaged students who do not have the access to digital technologies that wealthier students do. For these students, the idea of gaining this sort of digital literacy at school makes sense.
  • Although there’s little evidence that digital amusements are displacing reading, I still favor limits on screen time. I believe the lack of evidence is due to what statisticians call a “floor effect”: reading didn’t decline with the introduction of digital technologies because it couldn’t go much lower. Limiting screen time will not only make time for reading, it removes choice from the environment for part of a kid’s day, and that may make reading the most attractive choice available, as described in Chapter 6.
  • If I’m right about children today having a lower threshold for boredom than children a generation ago, then limits on screen time might help. If children are more often left to entertain themselves, we would expect that they will not only learn to do so, they will learn that sometimes one is bored for awhile before there’s a payoff. Sometimes a book starts slowly, but builds in excitement. A flower or an ant hill initially may seem mundane, but sustained attention reveals more there then was first appreciated. There are, as far as I know, no data on whether this supposition is true.

 Discussion Questions

  • Many parents I speak to express a sense of helplessness about screen time. They feel the digital revolution makes technology ubiquitous and they cannot keep their children removed from it. What would you say to such a parent?
  • As noted, students are often too trusting of information they find on the Web. Researchers are trying to develop training regimens to help students learn the skills to evaluate what they find, but progress has been halting. What should parents and teachers do? Limit the sites that students visit for research to list of trusted sources? Let students roam the Web, but follow them and provide feedback?
  • Data indicate that children spend most of their digital time on activities we would not say are especially enriching: Instagramming selfies, shooting zombies in virtual worlds, and so on. Most parents would prefer they were getting some fresh air, or seeing friends face to face. The obvious strategy is to limit screen time. But doing so surrenders the possibility that children will take advantage of other great opportunities a computer affords to learn, or to build, or to meaningfully connect with others. Is there not a strategy by which we can nudge students toward doing more of the digital activities we think are enriching, rather than cutting them off entirely?
  • I suggested that children today read more than ever, but the big increase comes for texting, reading within computer games, and the like. I noted that this type of reading is unlikely to improve comprehension, but would improve fluency. There’s no data on whether or not it would actually work, but would you be willing to take the plunge? Should increased access to text-heavy gaming be a routine part of reading instruction (presumably used as children are developing fluency)?
  • Have you ever cut yourself off from digital devices for a significant period of time, say 48 hours or more? How did you react? Did you feel differently in the 48th hour compared to the first hour? Would this be a useful exercise for students?”

Excerpted from: Willingham, Daniel T. The Reading Mind: A Cognitive Approach to Understanding How the Mind Reads. San Francisco: Jossey-Bass, 2017.

Rival Brothers

“Cain and Abel * Jacob and Esau * Isaac and Ishmael * Romulus and Remus

The story of Cain and Abel, the two sons of Adam and Eve, warns us of the jealousies that exist between brothers. Abel was the first shepherd, Cain the first tiller of the soil. But the murderous envy of Cain was inflamed when he saw that his brother’s offering to God was deemed more acceptable as a sacrifice, so he killed Abel. Jacob and Esau did not murder each other, though Jacob tricked his firstborn brother of his birthright by selling him ‘a mess of pottage’ when he was hungry. The story of Ishmael and Isaac has its own tone, for the brothers were friends, but the elder would be driven from out of the tent of his father, Abraham, by his stepmother. Remus would be murdered by his brother Romulus during the foundation ceremony for the city of Rome.”

Excerpted from: Rogerson, Barnaby. Rogerson’s Book of Numbers: The Culture of Numbers–from 1,001 Nights to the Seven Wonders of the World. New York: Picador, 2013.

Book of Answers: Primo Levi

“How old was Primo Levi (1919-1987) when he was sent to Auschwitz? Twenty-four. The Italian Jewish writer tells the story of his captivity in Auschwitz from 1944 to 1945 in Sequesto e un uomo (tr. If This Is a Man, 1947). In the United States, the book is entitled Survival in Auschwitz (1958).”

Excerpted from: Corey, Melinda, and George Ochoa. Literature: The New York Public Library Book of Answers. New York: Simon and Schuster, 1993.

Term of Art: Hebrew

“Hebrew: West Semitic, spoken in the interior of Palestine; the language of the Jewish Bible (Old Testament), progressively influenced and replaced by Aramaic from the 8th century BC. Last attested in the 2nd century AD; thereafter a written and liturgical language, until revived in its modern form, especially from the 1920s, as a progressive official language of Jewish settlers in what is now Israel. Written in a Semitic alphabet whose modern form (‘square Hebrew’) can be traced back to the 3rd century AD.”

Excerpted from: Matthews, P.H., ed. The Oxford Concise Dictionary of Linguistics. New York: Oxford University Press, 2014.

Mosaic

“Mosaic: The technique of decorating walls, floors, etc., with designs formed by embedding small cubes (tesserae) of glass, ceramic, or marble in a fine cement. Though known by ancient artists, it was fully developed only in Byzantine and Roman art.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

Brewer’s Curious Titles: The Magic Flute

“The Magic Flute (German title: Die Zauberflote). An opera by Mozart (1756-91), with a libretto by Emanuel Shikaneder, first performed in 1791. In this mystical (and quasi-masonic) quest opera, the magic flute is bestowed on Tamino to protect him as he goes through various rites of passage, such as ordeal by fire and water. The story is based on one found in Christoph Wieland’s collection of oriental folk tales (1786).

‘The opera [The Magic Flute]…is the only one in existence that might conceivably have been composed by God.’”

Neville Cardus: in the Manchester Guardian, 1961

Excerpted from: Crofton, Ian, ed. Brewer’s Curious Titles. London: Cassell, 2002.

Term of Art: Complement

“Complement: A word or phrase (especially a noun or adjective) that completes the predicate. Subject complements complete linking verbs and rename or describe the subject: Martha is my neighbor. She seems shy. Object complements complete transitive verbs by describing or renaming the direct object: They found the play exciting. Robert considers Mary a wonderful wife.”

Excerpted from: Strunk, William Jr., and E.B. White. The Elements of Style, Fourth Edition. New York: Longman, 2000.