Category Archives: Reference

These are materials for teachers and parents, and you’ll find, in this category, teachers copies and answer keys for worksheets, quotes related to domain-specific knowledge in English Language Arts and social studies, and quotes on issues of professional concern. See the Taxonomies page for more about this category.

A Ten-Lesson Unit on Document-Based Questions

This post begins a run of eleven (twenty-two including the interstitial quotes) that comprise a global studies unit dedicated to the document-based question (DBQ).

I wrote this unit in the late summer and early fall of 2018 after a late-spring meeting that year with the assistant principal of humanities at the school in which I then served. He stressed the importance of DBQ work in our classroom. The next year’s New York State Global History and Geography Regents Examination, he assured us, would require students to possess a strong ability to interpret primary source material–i.e. complete the standard DBQ.

Because I was a doctoral candidate in history before becoming a high school teacher, and because I respect the importance of inquiry in primary sources, I knew I needed to get to work on creating DBQ materials for the struggling students under my purview–even though in principle I fervently resent teaching to tests. (Aside: I am still surprised at how many of my students, past and present, link their sense of themselves as students, and indeed their self-esteem, on achieving “success” on the kinds of crude instruments that constitute our standardized testing regime.) The problem I faced was at once simple and complicated: DBQs require interpretation, which means students completing them must be able to think abstractly. Many if not most of the students I served struggled with abstract thought. I knew they could learn to deal with DBQs, but I also knew it would be a careful, even painstaking process that would take place over a relatively long period of time.

I started with the standard textbook we used in social studies classes in my school, to wit, McDougal Littell’s World History: Patterns of Interaction (Beck, Roger B., et al., Evanston, IL: McDougal Littell, 2007) and wrote materials based on the primary documents in that book.

Unfortunately, I never used this unit. But now it’s back. I’ve spent a few hours revising the lesson plans and making sure everything is formatted correctly and consistently–something I think is important in meeting the needs of struggling learners. If you’ve made it this far, here is the payoff–the documents.

This is the unit plan with all the scholarly and pedagogical apparatus–i.e. standards and works consulted page. If you want to rewrite or edit this unit for use in your particular classroom, here is a lesson plan template, a context clues worksheet template, and a primary worksheet template for your use. Finally, here is a couple of pages of assorted cut-and-paste text to prepare new lessons.

Let me close with this unsurprising statement: there is a lot of room for expansion, adaptation, and improvement in this unit. As with the lion’s share of documents on this site, all of these are in Microsoft Word, so you can revise and edit them to suit your classroom’s needs.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Illusionism

“Illusionism: The use of optical principles to create the illusion that a painted object is real. Among the techniques are PERSPECTIVE, FORESHORTENING, and CHIAROSCURO. QUADRATURA and TROMPE L’OEIL are other forms of illusionism.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

Term of Art: Infinitive/Split Infinitive

“Infinitive/Split Infinitive: In the present tense, a verb phrase consisting of to followed by the base form of the verb (to write). A split infinitive occurs when one or more words separate to and the verb (to boldly go).”

Excerpted from: Strunk, William Jr., and E.B. White. The Elements of Style, Fourth Edition. New York: Longman, 2000.

Albert Jay Nock on Reading the Dictionary

“As sheer casual reading matter, I still find the English dictionary the most interesting book in the English language.”

Albert Jay Nock

Memoirs of a Superfluous Man ch. 1 (1943)

Excerpted from: Schapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.

Term of Art: Paradigm

“Paradigm: [From Greek paradeigma, a pattern, an example, a basis for comparison. Stress: ‘PA-ra-dime’]. In grammar, a set of all the (especially inflected) forms of a word (write, writes, wrote, writing, written), especially when used as a model for word forms in Latin and Greek (in which key words represent the patterns of numbered groups in nouns, adjectives, verbs, etc.) and to a lesser extent for such other languages as French and Spanish (principally for verbs). Their use is limited in English, because it is not a highly inflected language.”

Excerpted from: McArthur, Tom. The Oxford Concise Companion to the English Language. New York: Oxford University Press, 2005.

Write It Right: Appreciate for Highly Value

“Appreciate for Highly Value. In the sense of value, it means value justly, not highly. In another and preferable sense it means to increase in value.”

Excerpted from: Bierce, Ambrose. Write it Right: A Little Blacklist of Literary Faults. Mineola, NY: Dover, 2010.

Common Errors in English Usage: Than (conj/prep), Then (adv)

Here is an English usage worksheet on differentiating than and then in prose and speech. This relatively minor area of usage is nonetheless sufficiently thorny to have warranted a surprisingly lengthy exchange on it between two characters on The Wire. As the state’s attorney explains to the detectives seeking a court order for a wiretap (as does this worksheet), than is a conjunction and then is an adverb.

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Lord Russell on Life, Death, and Cognition

“Many people would die sooner than think; in fact, they do so.”

Bertrand Russell

Excerpted from: Winokur, Jon, ed. The Big Curmudgeon. New York: Black Dog & Leventhal, 2007.

The Weekly Text, August 14, 2020: A Lesson Plan on Indefinite Adjectives

This week’s Text is a lesson plan on indefinite adjectives. These are those words–any; each; either; every; many; several; few; all; and some–that we use in speech and prose regularly, often in grammatical error. Now, I do think it’s important that students learn how to understand grammar in general as an organizing structure in language (for future use in the study, of among other things, foreign languages), but I also think kids need to learn how to use grammar and usage manuals. Grammar and usage need not be memorized, but again, it should be understood and applied.

Why? Because if we are to have high expectations of and for our students, we need them to be able to write well. I worked my way through college and graduate school working in writing and academic study centers in which I mostly counseled students on expository writing. In those years, a number of patterns in what professors would suffer in lapses in grammar, usage, and style emerged, and the most salient of those patterns was in agreement: subject/verb, antecedent/pronoun, and modifiers and nouns. So, this is a lesson about agreement in number when using any; each; either; every; many; several; few; all; and some.

I use this Cultural Literacy worksheet on the non sequitur; if the lesson goes into a second day (it’s fairly complicated, so I more often than not took it into a second day by design), then here is an Everyday Edit worksheet on the Tuskegee Airmen to carry you along (and incidentally, if you’d like more Everyday Edit worksheets, the good folks at Education World give away a yearlong supply of them).

Here is the learning support in the form of a graphic organizer for sorting out these adjectives and the numbers of nouns they modify and therefore govern. This is a learning support, in other words, that students play a role in developing. This scaffolded worksheet is the mainstay of the lesson. Here is the teacher’s copy of all the materials that will help you execute this lesson.

If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Term of Art: Indirect Object

“Indirect Object: A noun or pronoun that indicates to whom or for whom, to what or for what the action of a transitive verb is performed. I asked her a question. Ed gave the door a kick.”

Excerpted from: Strunk, William Jr., and E.B. White. The Elements of Style, Fourth Edition. New York: Longman, 2000.