“Criticize for Condemn or Disparage. Criticism is not necessarily censorious; it may approve.”
Excerpted from: Bierce, Ambrose. Write it Right: A Little Blacklist of Literary Faults. Mineola, NY: Dover, 2010.
“Criticize for Condemn or Disparage. Criticism is not necessarily censorious; it may approve.”
Excerpted from: Bierce, Ambrose. Write it Right: A Little Blacklist of Literary Faults. Mineola, NY: Dover, 2010.
“Blather (noun): Long-winded, heedless talk; foolish verbiage. N. blatherskite; v. blather.
‘[James] Bond, Reagan blathers on, is “fearless. Skilled, courageous, and the other thing: he always gets his girl.” The next thing you know, Ron will be telling it to the marines.’ J. Hoberman, Village Voice”
Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.
“What was the source of Betrolt Brecht’s The Threepenny Opera (1928)? Brecht follows the general outline of English playwright John Gay’s The Beggar’s Opera (1728), but focuses more on social evils.”
Excerpted from: Corey, Melinda, and George Ochoa. Literature: The New York Public Library Book of Answers. New York: Simon and Schuster, 1993.
teleology: Causality in which the effect is explained by the end (Greek telos) to be realized. Teleology thus differs essentially from efficient causality, in which an effect is dependent on prior events. Aristotle’s account of teleology declared that a full explanation of anything must consider it’s the final cause—the purpose for which the thing exists or was produced. Following Aristotle, many philosophers have conceived of biological processes as involving the operation of a guiding end. Modern science has tended to appeal only to efficient causes in its investigations. See also mechanism.
Excerpted from: Stevens, Mark A., Ed. Merriam-Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.
“Yankee, n. In Europe, an American. In the Northern States of our Union, a New Englander. In the Southern States, the word is unknown. (See DAMYANK.)”
Excerpted from: Bierce, Ambrose. David E. Schultz and S.J. Joshi, eds. The Unabridged Devil’s Dictionary. Athens: The University of Georgia Press, 2000.
Posted in English Language Arts, Quotes, Reference
Tagged fiction/literature, humor, literary oddities
“Lintel: Horizontal architectural member which spans an opening.”
Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.
“The fortune or our lives therefore depends on employing well the short period of our youth.”
Thomas Jefferson in a letter to his daughter, Martha (1787)
Excerpted from: Howe, Randy, ed. The Quotable Teacher. Guilford, CT: The Lyons Press, 2003.
“Venus de Medici: A statue thought to date from the 4th century BC. It was dug up in the 17th century in the villa of Hadrian at Tivoli, near Rome, in eleven pieces. It was kept in the Medici Palace at Rome until its removal to Florence by Cosimo III de’Medici (1642-1723). Since 1860 it has been in the Uffizi Gallery, Florence. Byron described his reaction to the statue in Childe Harold:
‘We gaze and turn away, and know not where,
Dazzled and drunk with Beauty, till the heart
Reels with its fullness…’
Lord Byron: Childe Harold’s Pilgrimage, IV (1818)
Excerpted from: Crofton, Ian, ed. Brewer’s Curious Titles. London: Cassell, 2002.
Here is a reading on hypnosis along with its attendant vocabulary-building and comprehension worksheet. I believe this might be high-interest material, so I have tagged it as such.
If you find typos in these documents, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.
“One of the cornerstones of human life is that there are twelve months in a year. Recent archaeological discoveries suggest that we have been notching off the days of the cycle of the moon for hundreds of thousands of years, using stone tools to mark bone. And it must have been one of our first pieces of inherited science that the counting off of twelve moons fitted magically into the annual miracle of the changing seasons. As there are (very nearly) thirty days in each lunar month, one of the very first joys of multiplication must have been that when multiplying these twelve months by thirty, you create 360, which is (roughly) how many days there are in the year. So we have always divided up the heavens—and any circles we come across—into 360 degrees.
The added harmony of the tides, and the female cycle of fertility fitting into the lunar months, provided further proof that there was a pattern and an order to the world. And one of those patterns was very clearly that twelve moons make one year. This innate power of twelve was further reinforced when the heavens, through which the sun was imagined to process, were also neatly divided into twelve segments. Each of the twelve signs of the Zodiac were allotted 30 degrees of the Heavenly circle very early on in mankind’s construction of an ordered world. This would later be reinforced by other twelvefold divisions, aspiring to create the same graceful, ordered inevitability.
These twelvefold divisions of the night sky and the moon also made for very easy organization. A clan or a district could become associated with a particular month, and so, whether it was taking turns to guard a citadel, provide food for a shrine or furnish a choir for the temple at the next full moon, it became almost a natural habit of mankind to form themselves into twelve.”
Excerpted from: Rogerson, Barnaby. Rogerson’s Book of Numbers: The Culture of Numbers–from 1,001 Nights to the Seven Wonders of the World. New York: Picador, 2013.
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