Category Archives: Quotes

As every second post on this site is a quote. You’ll find a deep and broad variety of quotes under this category, which overlap with several other tags and categories. Many of the quotes are larded with links for deeper reading on the subject of the quote, or connections between the subject of the quotes and other people, things, or ideas. See the Taxonomies page for more about this category.

The Devil’s Dictionary: Abroad

“Abroad, adj. At war with savages and idiots. To be a Frenchman abroad is to be miserable; to be an American abroad is to make others miserable.” 

Excerpted from: Bierce, Ambrose. David E. Schultz and S.J. Joshi, eds. The Unabridged Devil’s Dictionary. Athens: The University of Georgia Press, 2000. 

Term of Art: Humanism

“Humanism: In the first place, the humanists of the Renaissance period were students of literae humaniores (q.v.); the literature of Greek and Latin poets, dramatists, historians and rhetoricians. At the Renaissance (q.v.) there was a great revival of interest in Classical literature and thought and this revival was, to some extent, at the expense of medieval scholasticism (q.v.). The long-term influences of this revival were immense and incalculable, and they led to an excessive devotion to Classical ideals and rules in the late 17th and 18th centuries.

Humanism, a European phenomenon, was a more worldly and thus more secular philosophy; and it was anthropocentric. It sought to dignify and ennoble man.

In its more extreme forms humanistic attitudes regarded man as a the crown of creation; a point of view marvelously expressed in Hamlet by Hamlet:

‘…What a piece of work is man. How noble in reason, how infinite in faculty. In form and moving how express and admirable in action, how like an angel in apprehension, how like a god. The beauty in the world. The paragon of animals.’

It would have been inconceivable that anyone in the 14th century should have expressed such a view. Then Hamlet adds: ‘And yet, to me, what is this quintessence of dust?’ And in that one line he summarizes another attitude or feeling, which a man in the 14th century would have responded to instantly.

At its best, humanism helped to civilize man, to make him realize his potential powers and gifts, and to reduce the discrepancy between potentiality and attainment. It was a movement that was at once a product of and a counteraction to a certain prevalent skepticism; a way of dealing with the disequilibrium created by the conflict between belief and doubt. Humanism turned out to be a form of philosophy which concentrated on the perfection of a worldly life, rather than on the preparation for an eternal and spiritual life.

The popularity of the courtesy book (q.v.) in the 16th and 17th centuries, for instance, suggests what a radical change there had been in man’s view of himself. He was increasingly regarded as a creature perfectible on earth. Hence the secular emphasis on courtesy books.

Humanistic ideas and beliefs pervade much other literature of the Renaissance period. Ficino (1433-1499); Pico della Mirandola (1463-1494); Erasmus (1466-1536); Guillaume Bude (1468-1540); Sir Thomas More (1478-1535); Juan Luis Vives(1492-1540); and Montaigne (1533-1592) were outstanding humanists.”

Excerpted from: Cuddon, J.A. The Penguin Dictionary of Literary Terms and Literary Theory. New York: Penguin, 1992.

The Community of Nations on Teaching as a Vocation

“Teaching is the world’s most important job.”

UNESCO (United Nations Educational, Scientific and Cultural Organization)

Excerpted from: Howe, Randy, ed. The Quotable Teacher. Guilford, CT: The Lyons Press, 2003.

Sacra (Santa) Conversazione

“Sacra (Santa) Conversazione: A type of representation of the Madonna and Child with saints, developed by 15th-century Italian painters (Domenico Veneziano, Fra Filippo Lippi, and Fra Angelico), in which the persons represented occupy a unified space instead of separate panels and are made to appear related to each other by gesture and attitude.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

Term of Art: Absolutism

absolutism (deriv. Lat. legibus absolutus, absolved from the laws.) System of unlimited government in which the governed possess no representation, right to vote or part in the administration and in which there are no legal or constitutional restraints on the ruler.”

Excerpted from: Cook, Chris. Dictionary of Historical Terms. New York: Gramercy, 1998.

Daniel Willingham on Paper and E-books

“What about adults? Would the process of reading Billy Bathgate have been different if I had read it on paper rather than my Kindle? Experiments investigating this question have mostly examined the types of texts students would encounter in school—an expository text describing the function of the heart, for example—but have in some cases included narratives as well. Most studies have shown that reading from paper holds a small edge over reading from a screen either in reading comprehension or reading speed. People often report that reading from a screen feels more effortful, although at least one study shows not difference when more objective measures of effort were used.

Why would reading on a screen be different? Small changes in design can prompt small changes in comprehension. For example, comprehension is better if you navigate a book by flipping virtual pages, compared to scrolling. And clickable links (hyperlinks) incur a cost to comprehension, even if you don’t click them. Because you can see that they are clickable, you still need to make a decision about whether or not to click. That draws on your attention, and so carries a cost to comprehension. Although it has not been fully investigated yet, researchers suspect that the three-dimensionality of paper books may be important—it’s easier to remember an event as occurring at the end of a book with the spatial cue that it happened on a page near the back of the book. These small effects often add up to slight knock to comprehension when reading from a screen.”

Excerpted from: Willingham, Daniel T. The Reading Mind: A Cognitive Approach to Understanding How the Mind Reads. San Francisco: Jossey-Bass, 2017.

Term of Art: Polysemy

“polysemy: The property of a single word which has two or more distinct but related senses. Thus the noun screen is polysemous, since it is used variously of a fire screen, a cinema screen, a television screen, and so on.

Compare homonymy. The difference, in principle, is that in cases of homonymy the senses are quite unconnected; therefore they are not treated as belonging to the same word. But in many cases, it is hard to decide, and in theories of meaning the distinction is not always seen as valid.”

Excerpted from: Matthews, P.H., ed. The Oxford Concise Dictionary of Linguistics. New York: Oxford University Press, 2014.

7 Ancient Visible Planets

“Sun * Moon * Venus * Mercury * Mars * Jupiter * Saturn

Our sky-watching, hunter-gathering ancestors had 7 marked out as a number of enormous importance for tens of thousands of years. For this is the number of the visible planets—‘the five wanderers,’ plus the sun and the moon.

This respect for the 7 became ever more ingrained as the first agricultural civilizations allowed for accurate fixed observations from the calendar-keeping priests, whose temples throughout the ancient Middle East were all equipped with star-watching terraces above their cult chambers. It is an intriguing element within the cult of the 7 that the planets are not all visible at once: Mercury and most especially Venus (whose horns are occasionally visible) are the morning and evening stars. Bright Jupiter, luminous Saturn, and the more elusive red Mars belong to the full night. So we have always known that we have been watched, influenced, and enclosed by these 7 who right from the dawn of our consciousness have intriguingly different characteristics and hours of dominance and passageways through the heavens.

Although most of mankind probably now accepts that the earth is a planet which circles around the sun, and the moon is a planet of the earth, the mystery of our 7 encircling heavens still haunts our imagination. But this once immutable number of 7 keeps changing. First we knocked the seven down to five (as the sun and moon were taken off the list), then, in relatively modern times, it grew to nine. Uranus was discovered in 1781, followed by Neptune in 1846, then Pluto in 1930 (though this was later demoted to a dwarf planet to bring us back down to eight planets). So, currently, we have eight planets and five dwarf planets (Ceres, Pluto, Haumea, Makemake, and Eris), as well as five named moons orbiting around Pluto.”

Excerpted from: Rogerson, Barnaby. Rogerson’s Book of Numbers: The Culture of Numbers–from 1,001 Nights to the Seven Wonders of the World. New York: Picador, 2013.

Book of Answers: The Bell Jar

“Who wrote The Bell Jar? The novel of attempted suicide and recovery was written by Sylvia Plath, but was published under the pseudonym of Victoria Lucas in 1963. It did not appear under the author’s name until 1966.”

Excerpted from: Corey, Melinda, and George Ochoa. Literature: The New York Public Library Book of Answers. New York: Simon and Schuster, 1993.

Term of Art: Monograph

“Monograph (noun): A scholarly paper or book on a particular subject; special essay or treatise on a single thing or topic. Adjective: monographic, monographical; adverb: monographically.

‘I have, as you know, devoted some attention to this, and written a little monograph on the ashes of 140 different varieties of pipe, cigar and cigarette tobacco.’ Arthur Conan Doyle, ‘The Boscombe Valley Mystery‘”

Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.