Category Archives: Quotes

As every second post on this site is a quote. You’ll find a deep and broad variety of quotes under this category, which overlap with several other tags and categories. Many of the quotes are larded with links for deeper reading on the subject of the quote, or connections between the subject of the quotes and other people, things, or ideas. See the Taxonomies page for more about this category.

-Onym

“-Onym: [Through Latin from Greek onuma/onoma name]. A word base or combining form that stands either for a word (as in synonym) or a name (as in pseudonym). Words containing -onym have two kinds of adjective: with –ous as in synonymous (having the nature or quality of a synonym: synonymous words) or with –ic, as in synonymic (concerning synonyms: synonymic relationships). The form –onymy indicates type, as with synonymy (the type sense relation in which words have the same or similar meaning) and eponymy (the category of word-formation that concerns words derived with people’s names). Because –onym begins with o (the commonest Greek thematic vowel, as in biography), the base form is sometimes taken to be -nym, an assumption reinforced by the initial n of the equivalent terms nomen in Latin and name in English. As a result, some recent technical terms have been formed on –nym: for example, characternym and paranym. See acronym, antonym, eponym, heteronym, homonym, hyponym, retronym.”

Excerpted from: McArthur, Tom. The Oxford Concise Companion to the English Language. New York: Oxford University Press, 2005.

A Learning Support on Using Hyphens and Dashes

Here is a learning support on using hyphens and dashes. If you scroll down about 17 posts below this one, you’ll find another learning support simply on hyphenation. As always, Paul Brians does a nice job of presenting the key issues on these forms of punctuation.

Incidentally, if you like Paul Brians’ work, stay tuned here for more of it; I drafted a little over one hundred worksheets using text from his book Common Errors in English Usage–which Professor Brians, amazingly, has made available in its entirety on the Washington State University website. Just punch that hyperlink–and you’re there!

If you find typos in this document, I would appreciate a notification. And, as always, if you find this material useful in your practice, I would be grateful to hear what you think of it. I seek your peer review.

Book of Answers: Arthur Conan Doyle

“Did Arthur Conan Doyle write any other books besides those featuring Sherlock Holmes? Yes, more than ten others, including science fiction and historical fiction. They include Micah Clarke (1889), The White Company (1891), and The Lost World (1912).”

Excerpted from: Corey, Melinda, and George Ochoa. Literature: The New York Public Library Book of Answers. New York: Simon and Schuster, 1993.

Etruscan Art

“Etruscan Art: The tomb painting, sculpture, pottery, and bronze ware produced by the people of Etruria in northern Italy (who were originally from Asia Minor) from the 7th to the 3rd centuries B.C. Strongly influenced by Greek art, Etruscan culture was eventually absorbed by the Romans.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.

Write It Right: But what

“But what. ‘I did not know but what he was an enemy.’ Omit what. If condemnation of this dreadful locution seems needless bear the matter in mind in your reading and you will soon be of a different opinion.”

Excerpted from: Bierce, Ambrose. Write it Right: A Little Blacklist of Literary Faults. Mineola, NY: Dover, 2010.

Relative Pronoun

“Relative Pronoun: A pronoun that alone or as part of a phrase introduces a relative clause: who in the man who came to dinner; on whom in the woman on whom I reply. The relative pronoun refers to an antecedent (the man/who, the woman/oh whom), and functions within the relative clause: as subject in who came to dinner; as complement of a preposition in on whom. There is a gender contrast between the personal set of who pronouns and the non-personal which pronoun, and there are case distinctions in the who set: subjective who(ever), objective whom(ever), genitive whose. However, except in a formal context, who(ever) replaces whom(ever). That can be used as a relative pronoun in place of who, whom, or which, except as complement of a preposition: the woman who/that I rely on, but only the woman on whom I rely. That can be omitted when functioning as object (a man that I know; a man I know), but not as a subject (a man that knows me). The omitted pronoun is sometimes referred to as a zero relative.”

Excerpted from: McArthur, Tom. The Oxford Concise Companion to the English Language. New York: Oxford University Press, 2005.

Term of Art: Whole-Language Approach

“whole-language approach: An educational philosophy characterized by the belief that language learning is a natural outgrowth of a child-centered process that integrates speaking, listening, reading, and writing. The whole language approach emphasizes the fact that reading is closely linked to spoken language. As a result, students of this approach are exposed to language-rich classrooms to help make them better readers and writers.

The way American schools teach children to read and write for many years has been affected by the influence of two opposite schools of thought. A conventional curriculum tends to rely on phonics and basic readers. This traditional theory of learning, which was popularized in the 19th century, is based on the idea that children learn a complex skill such as reading by first making sense of letters and then progressing to the understanding of sounds, words, and sentences. Proponents of this theory believe that children learn to read by learning to decode the language; understanding follows after they break the code and master the parts. Traditional American education begins with reading lessons that focus on phonics (sounding out first letters, then combinations of letters), tightly controlled vocabulary, and short basic reading passages, followed by exercises, each with only one correct answer.

Whole language represents a completely different philosophy about teaching, learning, and the role of language in the classroom, emphasizing the idea that children should use language in ways that relate to their own lives and cultures. In the whole language classroom, the final answer is not as important as the process. Children are encouraged to decode words by their context.

Whole language advocates point out that the average first grader has already acquired a vocabulary of 10,000 words and inherently understands many of the rules of grammar without being formally taught. The common techniques of whole language teaching, which include daily journal and letter writing plus reading much real literature, represent that philosophy in action.

The popularity of the whole language approach has been so dramatic that some teachers complain they cannot find basic readers anymore. In addition, many new teachers say their university professors no longer discuss how to teach phonics.

Critics of the whole language approach believe it overemphasizes understanding at the expense of accuracy. The whole language movement had a significant impact on reading and writing instruction in the 1980s and 1990s, when the appeal of whole language instruction influenced many schools to revise their curricula. As a result of this movement, a vigorous debate emerged amongst educators over how children learn language. Many special educators felt that whole language was flawed by its neglect of explicit language skills such as phonics, spelling, and grammar. Since a language-rich classroom does not help many students, especially those with learning disabilities, learn to read and spell, a ‘back to basics’ movement in education began to move back to explicit skill instruction.

On the other hand, advocates of the whole language approach say that an overemphasis on rules and rote learning is stifling and leads children to see reading and writing as boring and difficult chores, rather than an interested way of gathering information.

Research strongly indicates that students will be the most successful if a balanced approach is used, teaching phonics in a systematic fashion within the context of real stories. Today, many classrooms use this combination approach utilizing elements of both whole language and phonics, spelling and grammar.”

Excerpted from: Turkington, Carol, and Joseph R. Harris, PhD. The Encyclopedia of Learning Disabilities. New York: Facts on File, 2006.

 

Caricature

“Caricature (noun): Exaggerated, distorted, of oversimplified representation of someone of something, as by accenting certain qualities or traits, whether intentionally for ludicrous effect or unintentionally, as in a too broadly or shallowly fictional character; gross or reductive imitation. Adjective: caricaturable, caricatural; noun: caricaturist; verb: Caricature.

‘As always with Mcaulay, the portrait was exaggerated—a caricature rather than a portrait—but, alas, caricatures usually include more than a grain of truth?’ J.H. Plumb, The New York Times.”

Excerpted from: Grambs, David. The Random House Dictionary for Writers and Readers. New York: Random House, 1990.

C.P. Snow

Snow, C(harles) P(ercy) later Baron Snow (of the City of Leicester) (1905-1980) British novelist, scientist, and government administrator. Snow was a molecular physicist at Cambridge University for some 20 years and served as an advisor to the British government. His 11-novel sequence Strangers and Brothers (1940-70), which analyzes bureaucratic man and the corrupting influence of power, includes The Masters (1951), The New Men (1954), and Corridors of Power (1964). The Two Cultures and the Scientific Revolution (1959) and later nonfiction works deal with the cultural separation between practitioners of science and literature.”

Excerpted from: Stevens, Mark A., Ed. Merriam-Webster’s Collegiate Encyclopedia. Springfield, Massachusetts: Merriam-Webster, 2000.

The Algonquin Wits: George S. Kaufman on Jed Harris

Kaufman once visited the office of Jed Harris, the theater producer, and was received by the unpredictable tycoon stark naked. Accustomed to Harris’ flights of pretentious fancy, Kaufman addressed him calmly: ‘Mr. Harris, your fly is open.’”

Excerpted from: Drennan, Robert E., ed. The Algonquin Wits. New York: Kensington, 1985.