Category Archives: Quotes

As every second post on this site is a quote. You’ll find a deep and broad variety of quotes under this category, which overlap with several other tags and categories. Many of the quotes are larded with links for deeper reading on the subject of the quote, or connections between the subject of the quotes and other people, things, or ideas. See the Taxonomies page for more about this category.

Term of Art: Thematic Initiative

“thematic initiative: A program that is organized around a common idea or theme.”

Excerpted from: Ravitch, Diane. EdSpeak: A Glossary of Education Terms, Phrases, Buzzwords, and Jargon. Alexandria, VA: ASCD, 2007.

Andrew Lang on Statistics

“He uses statistics as a drunken man uses lamp-posts…for support rather than illumination.”

Andrew Lang

Excerpted from: Winokur, Jon, ed. The Big Curmudgeon. New York: Black Dog & Leventhal, 2007.

The Devil’s Dictionary: Accountable

“Accountable, adj. Liable to an abatement of pleasure, profit, or advantage; exposed to the peril of a penalty.” 

Excerpted from: Bierce, Ambrose. David E. Schultz and S.J. Joshi, eds. The Unabridged Devil’s Dictionary. Athens: The University of Georgia Press, 2000. 

Parenthesis

“Parenthesis: [Stress: ‘pa-REN-the-sis,’ Plural parentheses (‘-seez’)]. 1. In grammar, a qualifying, explanatory, or appositional word, phrase, clause, or sentence that interrupts a construction without otherwise affecting it. A written or printed parenthesis may be marked by pairs of commas, dashes, or round brackets/parentheses: Our new manager (he has just this minute arrived) would like to meet you. A spoken parentheses has the same intonation as an aside. 2. In the plural, a name for round brackets: the general term in American English, but a less common, more technical term in British English (short form parens).”

Excerpted from: McArthur, Tom. The Oxford Concise Companion to the English Language. New York: Oxford University Press, 2005.

Of Mice and Men

“Of Mice and Men: A novella (1937) by John Steinbeck (1902-68). It centers on two casual labourers, Lennie, a simple, sentimental giant who loves small animals but does not know his own strength, and his friend George. In a tragic ending, George’s efforts are not enough to keep Lennie out of the trouble that he has unwittingly brought upon himself. The title is from ‘To a Mouse’ by Robert Burns (1759-96):

The best-laid schemes o’ mice an’ men

Gang aft agley,

And lea’e us nought but grief and pain,

For promised joy.

A film version (1939) was directed by Lewis Milestone.”

Excerpted from: Crofton, Ian, ed. Brewer’s Curious Titles. London: Cassell, 2002.

Term of Art: Task Analysis

“task analysis: A teaching strategy in which a learning activity is broken down into small sequential tasks. It is an effective strategy used to teach students with a learning disability because it takes a large learning activity and breaks it down into smaller, more easily accomplished tasks. Task analysis is also used as an assessment tool to see precisely at what stage a skill breakdown is occurring. For example, if a student is given an assignment to define 10 vocabulary words, a task analysis might include the following steps:

  1. understand, record, and remember the assignment
  2. read/decode the vocabulary words
  3. use a dictionary/textbook
  4. paraphrase the definition
  5. write the definition

Breaking an assignment into the five steps can make a difficult and overwhelming project become more manageable.

Similarly, task analysis can be used for instruction where larger skills are broken down into subskills and each subskill taught until mastery.”

Excerpted from: Turkington, Carol, and Joseph R. Harris, PhD. The Encyclopedia of Learning Disabilities. New York: Facts on File, 2006.

Alfred Adler on Neurosis

“Every neurotic is partly in the right.”

Alfred Adler

Excerpted from: Schapiro, Fred, ed. The Yale Book of Quotations. New Haven: Yale University Press, 2006.

3 Playwrights of Athens’ Golden Age

“Aeschylus * Sophocles * Euripides

The apogee of Classical Athens’ two-century-long golden age of literature was the generation who thought and wrote between 461 and 431 BC. Theatre-going Greeks of this time witnessed the high-minded and complex tragedies of Aeschylus, the graceful, measured characterization of Sophocles and the more emotional and passionately charged creations of Euripides.

It is fitting that they are remembered as a trio, for each year three tragic playwrights produced a trilogy of tragedies (and a farcical comedy) that was performed over three consecutive days to honor Dionysus. These festivals were held around the time of the spring equinox. No more than three actors were permitted on the stage at any one time, their faces and that of the chorus covered in masks. At the end of the festival, one of the playwrights was voted the winner and given the prize of a goat, for the word ‘tragedy’ derives from ‘goat song.’”

Excerpted from: Rogerson, Barnaby. Rogerson’s Book of Numbers: The Culture of Numbers–from 1,001 Nights to the Seven Wonders of the World. New York: Picador, 2013.

Write It Right: Casualties for Losses in Battle

“Casualties for Losses in Battle. The essence of casualty is accident, absence of design. Death and wounds in battle are produced otherwise, are expectable and expected, and, by the enemy, intentional.”

Excerpted from: Bierce, Ambrose. Write it Right: A Little Blacklist of Literary Faults. Mineola, NY: Dover, 2010.

Fugitive Pigment

“Fugitive Pigment: Pigment that either fades with prolonged exposure to light, is susceptible to atmospheric pollution, or tends to darken when mixed with other substances.”

Excerpted from: Diamond, David G. The Bulfinch Pocket Dictionary of Art Terms. Boston: Little Brown, 1992.